William Greiner (70 results)

Paperback. Condition: Fair.

Paperback. Condition: Fair.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. 5th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pictorial Cover. Condition: Fair. No Jacket. Whitman Classics. #1621. Color illustration on cover. Black and white illustrations. Illustrated eps. 212 pages. Pages yellowed due to paper content. Binding weak. Ends of spine slghtly worn. Larry Frederick (illustrator).

Hardcover. Condition: Good. No Jacket. 1st Edition. Good/none, used, color illustrated slick paper covered boards, illustrated end papers, 212pp. Interior clean, no marks except former owners inscription, name and date at the top edge of the ffep, binding firm but both front and rear hunge weak and started. pages slightly toning. Shelf rubbing to exterior, corners worn, small tear and paper chipped at tail of the spine, paper rubbed at head and tail of the spine. Larry Frederick (illustrator).…

Hard Cover. Condition: vg-. Dust Jacket Condition: --. 1621. 7.5" tall; 212pp; coated color il'd cover; b/w platers; light wear to extrems of cover; pp browning slightly; fleur de lis endpages. Larry Frederick (illustrator). Hardcover.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Ex-library copy. First printing (per publisher's statement and number line upon copyright page) SIGNED AND DATED BY THE PHOTOGRAPHER. xvi, [2], 125 pages. Hardcover: H 26.75cm x L 30cm. White dust jacket lightly rubbed with minor soiling (no exterior library markings). Blue cloth. Slight soiling to bottom edge. Warren County-Vicksburg Public Library bookplate noting that book was presented by Bill Ferris (presumably folklorist and scholar William Ferris, founding director of the Center for the Study of Southern Culture at the University of Mississippi and former chair of the National Endowment for the Humanities). Library ink notation and two other ink stamps on front free endpaper; discard stamp on half-title page; no other library markings readily apparent upon a quick perusal. Photographer's two-line ink inscription upon the title page: "William K. Greiner | 2003." Interior pages are otherwise clean. Binding is firm. Still an attractive copy despite its ex-library status. With Foreword by Thomas Lynch and Introduction by Steven Maklansky. Features 62 color plates from photographs by native New Orleans photographer and painter William Greiner. Please note that this large book has an approximate shipping weight of 3.75 pounds (1.7 kg) and may require additional postage for any postal class other than domestic Media Mail. {PhotoShelf#1} ISBN 0807124133.…

hardcover. Condition: Very Good.

Soft cover. Pictorial Cover. Fine/No Jacket. First Edition. 8vo - over 7¾" - 9¾" tall. Article in Bulletin of the Pyrotechnics Guild International #92, November 1994, bound in stiff pictorial wraps, five pages in cludes diagrams, illustrations concerning construction of an unusual set piece. AO Withrow on "Novel Class 'C' Fountain, Jennings-White on "Art and the Scientific Method.".…

gebunden. Seiten 315-585 700 gr. sehr guter Zustand, Einband leicht berieben.

Cloth. Condition: Near Fine. First Edition. Near fine/Near fine-. Bright and attractive hardcover with dust jacket. First edition. 1999. Very nic copy. William K. Greiner (illustrator).

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good +. 1st Edition. "First Printing" stated with complete number line - therefore 1st edition, dj shows very light wear with a few light scratches, full page color photographs of cemetery scenes, foreword by Thomas Lynch, introduction by Steven Maklansky.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A bright, clean copy.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

First printing (per publisher's statement and number line upon copyright page) INSCRIBED, DATED, AND SIGNED BY THE PHOTOGRAPHER. xvi, [2], 125 pages. Hardcover: H 26.75cm x L 30cm. White dust jacket lightly rubbed with slight bumping at edges. Blue cloth. Light foxing to text block edges. Some foxing to initial and rear leaves but interior pages are clean; photographer's six-line ink inscription "For Bob | Art Is Long | Life Is Short! | With Warmest Regards. | William K. Greiner | 2003" upon the title page. Binding is firm. An attractive very good+ copy in a very good+ dust jacket. With Foreword by Thomas Lynch and Introduction by Steven Maklansky. Features 62 color plates from photographs by New Orleans native photographer and painter William Greiner. Please note that this large book has an approximate shipping weight of 3.75 pounds (1.7 kg) and may require additional postage for any postal class other than domestic Media Mail. {PhotoShelf#2} ISBN 0807124133.…

Staple Bound. Condition: Very Good. Very Good with light wear to covers and no marks to text. ; Oblong 8vo 8" to 9" tall.

Paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. The cover shows wear with possible indentations, creases, and small tears. The pages show wear that may include evidence of handling, smudges, and edge discoloration markings stains . The book may or may not have mild corner dings. The imagery is a stock photo of the item.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Used - Like New. The most obvious distinction of many south Louisiana cemeteries is that hardly anyone is buried in them. In the delta, where the Mississippi River meets the Gulf of Mexico, the land is flat, wet, and often below sea level, so coffins are placed in elevated tombs, vaults, and mausoleums. Truly cities of the dead, these cemeteries contain buildings of stone or brick, marble statues, wrought-iron fences, narrow passages, and hidden enclaves. And, like any city, they are densely packed with bodies. In sixty-two stunning photographs, William K. Greiner captures the visual landscape of these ghostly neighborhoods. A colorful respite from the gray conventions of graveyard photography, his images leap off the page with brilliant hues. His pictures are not just about graves, but also about the lives and values of the people who inhabit and visit them. Most of his portraits are of humble and inconspicuous burial grounds. Located somewhere between town and country, they exist as geographic testimony to our Comprehension of the graveyard as the transitional space between heaven and earth. In these photographs, there is no great divide; streetlamps and telephone wires intrude into the heavens, supermarkets and mausoleums share parking lots, and religious and secular symbols vie for attention. Where we expect to find solemn stones, Greiner points to a new lexicon of mourning. Plastic dolls, polyester ribbons, Styrofoam letters, and brilliant bouquets of plastic flowers adorn these graves and fill these photos. In these sepulchral communities, holidays are marked with Valentine hearts, Fourth of July arrangements, and Christmas decorations, and bingo boards and Harley-Davidson models stand assilent reminders of the daily lives the residents once lived. Not a soul appears in these images, but they are haunted none the less, by the skeletons of flowers, by chipped statuettes, by faded pictures, and by overgrown grass; by the tangible evidence of the passing visits of those who have come to bury or remember their clear departed; by passing clouds, and by the passage of time. In his striking memorials to these memorials, Grein er honors the colorful cast of characters, both alive and dead, whose telling traces he has found left behind. Wrapped in Brodart dust jacket protector. Book has minor shelf wear.…