William Helburn (54 results)

Stapled paper wrappers. Condition: A very good copy. First edition. 31 pp. 8vo. 667 items listed.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Pamphlet. Condition: Very Good. first thus. Catalogue of Art Publications January 1924 Published by William Helburn, 418 Madison Ave. NY . A 6 x 9.5 inch 7 page catalog of art books. Condition: Light wear, foxing to covers. See photos wb8.

Oversized Hardcover. Condition: Good.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: Very Good. 223 pages, hardcover. Extensive color photography throughout. Illustrated frontispiece. Slight rubbing to corners, reminder dot to bottom edge. Bump to bottom corner.Otherwise clean, tight copy. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer?s share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn?s life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin, and Ali McGraw offer insights into the lusty, creative spirit of William Helburn. 200 illustrations, 80 in color Record # 351034. William Helburn (illustrator).…

hardcover. Condition: New. Brand new gift quality hardcover in jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. William Helburn, a quintessential figure of the 'Mad Men' era, was one of the most prolific and dynamic photographers of the New York school that dominated fashion and advertising from the late 1940s to the 1960s. And then he seemed to disappear. This handsome volume brings to light his magnificent career and restores him to the pantheon of postwar photographers. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Doyle Dane Bernbach's Helmut Krone considered Helburn a hero for fighting 'the limits and style of the studio and the slowness of Kodachrome', achieving 'a revolution in visual methods'. As Helburnhimself said, 'I always tried to do something different. Shock value was a term that was used. And I meant to shock people as much as I could.' Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising. His work would also appear on the editorial pages and covers of major magazines. For Helburn, working for the top agencies was as good for a photographer as working for Vogue or Harper's Bazaar. However, his advertising work was largely uncredited, and so he remained relatively anonymous except to those in the know at the magazines and agencies. He was the consummate insider. As he said, 'The only way to make more money in photography was to do competitive, conflicting accounts. If you do Cadillac, Chrysler doesn't want you. But I did both. And I did Revlon and Max Factor. But I kept it to myself.'In addition to cars and cosmetics, Helburn shot for Coca-Cola and Canada Dry, clothing lines and airlines, cigars and cigarettes and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh, to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton.Away from the camera, Helburn lived the high life: he raced his Ferrari at Sebring, Watkins Glen, Nassau and Havana; he threw annual parties where jazz greats like Count Basie and Art Blakey would perform; he cultivated his reputation as a charming rake and socialized across New York's creative worlds at the Stork Club, P. J. Clarke's, Gino's, Le Cirque and Birdland; and he photographed wave after wave of the world's most beautiful women.William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn. Almost all of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues - photographer Jerry Schatzberg, art director George Lois, and models Sunny Griffin and Ali MacGraw - offer insights into the creative spirit of William Helburn. Brings to life the Mad Men era and establishes for posterity the work of one of the major image-makers of the post-war fashion and advertising. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskies, clothing lines, airlines, jewelry, cigars and cigarettes. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen, to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey Helburn's work. It gives readers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin and Ali McGraw offer insights into the lusty, creative spirit of William Helburn.…

Condition: New. The author was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. This book gives readers a taste of the vivid reality that the television series Mad Men seeks to evoke. Num Pages: 224 pages, 200 illustrations, 80 in colour. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 263 x 310 x 26. Weight in Grams: 1768. . 2014. 1st Edition. Hardcover. . . . .…

Condition: New.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

WILLIAM HELBURN, INC. CATALOGUE OF RARE AND INTERESTING BOOKS. New York: William Helburn, Inc., 1938. 8vo. Self-wrappers. 64 pages. First edition. Booksellers catalogue from November 1938. Subjects include Architecture, Art, Sculpture, Wall Papers, Ecclesiastical, Ornament, Oriental Arts, Furniture, among others. Papers browned, edges lightly chipped, else very good. …

WILLIAM HELBURN, INC. CATALOGUE OF RARE AND INTERESTING BOOKS. New York: William Helburn, Inc., 1935. 8vo. Self-wrappers. 44 pages. First edition. Bookselling cataloge from September, 1935. Subjects include Architecture, Art, Bookbinding, Oriental Art, Glass, Porcelain, Pottery among others. Edges lightly browned, else very good.…

Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.

Condition: New. The author was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. This book gives readers a taste of the vivid reality that the television series Mad Men seeks to evoke. Num Pages: 224 pages, 200 illustrations, 80 in colour. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 263 x 310 x 26. Weight in Grams: 1768. . 2014. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the origina.

Hardcover. Condition: new. Hardcover. William Helburn, a quintessential figure of the 'Mad Men' era, was one of the most prolific and dynamic photographers of the New York school that dominated fashion and advertising from the late 1940s to the 1960s. And then he seemed to disappear. This handsome volume brings to light his magnificent career and restores him to the pantheon of postwar photographers. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Doyle Dane Bernbach's Helmut Krone considered Helburn a hero for fighting 'the limits and style of the studio and the slowness of Kodachrome', achieving 'a revolution in visual methods'. As Helburnhimself said, 'I always tried to do something different. Shock value was a term that was used. And I meant to shock people as much as I could.' Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising. His work would also appear on the editorial pages and covers of major magazines. For Helburn, working for the top agencies was as good for a photographer as working for Vogue or Harper's Bazaar. However, his advertising work was largely uncredited, and so he remained relatively anonymous except to those in the know at the magazines and agencies. He was the consummate insider. As he said, 'The only way to make more money in photography was to do competitive, conflicting accounts. If you do Cadillac, Chrysler doesn't want you. But I did both. And I did Revlon and Max Factor. But I kept it to myself.'In addition to cars and cosmetics, Helburn shot for Coca-Cola and Canada Dry, clothing lines and airlines, cigars and cigarettes and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh, to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton.Away from the camera, Helburn lived the high life: he raced his Ferrari at Sebring, Watkins Glen, Nassau and Havana; he threw annual parties where jazz greats like Count Basie and Art Blakey would perform; he cultivated his reputation as a charming rake and socialized across New York's creative worlds at the Stork Club, P. J. Clarke's, Gino's, Le Cirque and Birdland; and he photographed wave after wave of the world's most beautiful women.William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn. Almost all of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues - photographer Jerry Schatzberg, art director George Lois, and models Sunny Griffin and Ali MacGraw - offer insights into the creative spirit of William Helburn. Brings to life the Mad Men era and establishes for posterity the work of one of the major image-makers of the post-war fashion and advertising. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condition: New. Brings to life the Mad Men era and establishes for posterity the work of one of the major image-makers of the post-war fashion and advertising.&Uumlber den AutorrnrnWilliam Helburn was the go-to photographer for many of the topradvertis.

Hardcover. Condition: Brand New. 220 pages. 12.50x10.50x1.00 inches. In Stock.

Buch. Condition: Neu. Neuware - William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskies, clothing lines, airlines, jewelry, cigars and cigarettes. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen, to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey Helburn's work. It gives readers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin and Ali McGraw offer insights into the lusty, creative spirit of William Helburn.…

Hardcover. Condition: new. Hardcover. William Helburn, a quintessential figure of the 'Mad Men' era, was one of the most prolific and dynamic photographers of the New York school that dominated fashion and advertising from the late 1940s to the 1960s. And then he seemed to disappear. This handsome volume brings to light his magnificent career and restores him to the pantheon of postwar photographers. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Doyle Dane Bernbach's Helmut Krone considered Helburn a hero for fighting 'the limits and style of the studio and the slowness of Kodachrome', achieving 'a revolution in visual methods'. As Helburnhimself said, 'I always tried to do something different. Shock value was a term that was used. And I meant to shock people as much as I could.' Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising. His work would also appear on the editorial pages and covers of major magazines. For Helburn, working for the top agencies was as good for a photographer as working for Vogue or Harper's Bazaar. However, his advertising work was largely uncredited, and so he remained relatively anonymous except to those in the know at the magazines and agencies. He was the consummate insider. As he said, 'The only way to make more money in photography was to do competitive, conflicting accounts. If you do Cadillac, Chrysler doesn't want you. But I did both. And I did Revlon and Max Factor. But I kept it to myself.'In addition to cars and cosmetics, Helburn shot for Coca-Cola and Canada Dry, clothing lines and airlines, cigars and cigarettes and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh, to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton.Away from the camera, Helburn lived the high life: he raced his Ferrari at Sebring, Watkins Glen, Nassau and Havana; he threw annual parties where jazz greats like Count Basie and Art Blakey would perform; he cultivated his reputation as a charming rake and socialized across New York's creative worlds at the Stork Club, P. J. Clarke's, Gino's, Le Cirque and Birdland; and he photographed wave after wave of the world's most beautiful women.William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn. Almost all of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues - photographer Jerry Schatzberg, art director George Lois, and models Sunny Griffin and Ali MacGraw - offer insights into the creative spirit of William Helburn. Brings to life the Mad Men era and establishes for posterity the work of one of the major image-makers of the post-war fashion and advertising. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskies, clothing lines, airlines, jewelry, cigars and cigarettes. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen, to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey Helburn's work. It gives readers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin and Ali McGraw offer insights into the lusty, creative spirit of William Helburn.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Hardcover with dust jacket. First Edition. 1st printing (no later printings indicated). Signed by both authors, Robert Lilly and Lois Allen Lilly. Also signed by the photographer, William Helburn, the subject of the book. No other markings. Ships in a box. Fast shipping from NYC. Signed by Author.…