William Hunter Illustrator (12 results)

Paperback. Condition: Fair. Hunter, William (illustrator).

Paperback. Condition: Fair. Hunter, William (illustrator).

Paperback. Condition: Fair. Hunter, William (illustrator).

paperback. Condition: Fair. Hunter, William (illustrator).

paperback. Condition: Good. Hunter, William (illustrator).

Hardcover. Condition: Good. Hunter, William (illustrator). No Stock Photos! We photograph every item. rebound as hardcover, some edge wear, scuffing. Brief, simplified tales introduce young readers to the gods and goddesses of ancient Greek mythology.

Hardcover. Condition: Brand New. Meany, William (illustrator). 36 pages. 10.16x7.99x0.35 inches. In Stock.

Paperback. Condition: Brand New. Hunter, William (illustrator). reissue edition. 7.50x5.50x0.50 inches. In Stock.

paperback. Condition: Good. Hunter, William (illustrator).

First edition (as stated upon copyright page). viii, 216 pages. Hardcover: H 21.5cm x L 14.5cm. Dust jacket retains bright color to its spine and front panel illustration; minor nicks at edges; soiling to white rear panel which lists 31 books in the Winston's science fiction series; foxing to flaps; front flap retains publisher's $2.50 printed price at top right; dj now presented in a mylar Brodart protector. Green cloth with blue stamping to spine. Foxing/toning to text block edges and endpapers; two small slender stains to bottom edge with a few leaves shallowly affected at margins; foxing to last three text pages with strongest occurrence being top gutter corner of page 216; interior pages otherwise remain fairly clean. Binding is firm. THE STAR CONQUERORS is Ben Bova's had-to-find debut novel which initiated his Watchmen series.

Paperback. First Edition. Complete run of seven issues plus the final, rare "Suppressed Issue" produced in Canada. Landmark article "The Kentucky Derby is Decadent and Depraved" in issue #4 signed by Ralph Steadman in red ink. A very Near Fine set, bright and clean set; truly excellent shape. No subscriber labels. Some wraps and contents age-toned, staples occasionally rusted. Scanlan's was a counterculture magazine that broke down nearly as many boundaries as its predecessor, Ramparts, during its short existence. It launched "gonzo journalism" with the article "The Kentucky Derby is Decadent and Depraved" by Hunter S. Thompson, illustrated by Ralph Steadman, in its June 1970 issue-- that's the one with Nixon's face being punched into oblivion. Steadman's splattery signature graces the negative space around the derby-goer's head on the article's title page. He and Thompson would go on to collaborate on the book Fear and Loathing in Las Vegas, which brought gonzo journalism widespread popularity. The set also features work by R. Crumb, Alfred McCoy (author of The Politics of Heroin), JFK investigator Jim Garrison's cohort William Turner, and Robert Altman well as other Thompson (AKA Raoul Duke) and Steadman work.

Condition: Near Fine. First edition in English. Three folio volumes bound in five (12 7/8 x 10 1/4 inches; 327 x 260 mm). [ii, half-title, verso blank], [ii, vignette title-page, verso blank], [ii, translator's preface], [vi, advertisement], [iv, contents], [x, list of subscribers], [ii, dedication], [vi, author's preface], [ii, French translators' preface], [3]-280; [iii]-xii]; [1-3], 4-238; [1, half title vol II. part II, verso blank], [239]-444; [iii-iv, title-page, verso blank], [v]-xii, contents, [1]-252; [2, half title vol III. part III], 253-437, [1, blank], [1]-xi index, [1, blank] pp. Complete with 174 engraved plates after Rubens, Fuseli, Bartlozzi and Blake. Bound ca. 1830 in full dark green diced calf, covers with double ruled gilt line and decorative corner-pieces in gilt. Spines with five raised bands, elaborately tooled in gilt, two brown morocco labels lettered in gilt. Gilt ruled board edges and turn-ins, marbled endpapers, all edges gilt. With the engraved armorial bookplate of Viscount Birkenhead on front paste-down of each volume. Some light foxing and offsetting throughout but still an incredible set of this landmark work. Near Fine. Johann Caspar Lavater (1741 - 1801) "was the last and most influential of the descriptive physiognomists, a class of pseudo-scientists who attempted to ascertain character on the basis of physical features.Von der Physiognomik [1772], an unillustrated two-volume book, was Lavater's first work on the subject; this was later expanded, with the help of Goethe, into the four-volume Physiognomische Fragmente (1775 - 1778), and further perfected in a French translation, Essais sur la physiognomie [1781].supervised by Lavater himself. Lavater's physiognomy differed from those of his predecessors in that he paid special attention to the structure of the head, particularly the forehead - a form of psychological indexing that exerted some influence on the development of phrenology and brain localization theories in the early nineteenth century. Lavater's work also influenced artists of the period, both in the overall creation of portraits, and in the use of his physiognomical theories to construct individual faces in historical paintings" (Norman Library). Among the portraits included in Essays on Physiognomy are those of Descartes, Locke, Milton, Newton, Vesalius, Voltaire, and George Washington. Osler 3178. Near Fine.