Wolf Robert Bruce (10 results)

Softcover. Condition: Fine. Fine paperback. Pages 447 - 626, unmarked. Peter Sturrock, Bruce Greyson, Jurgen Keil, Stanley Krippner, Robert Almeder, Stephen E Braude, James O Wheatley, Arnold L Lettieri Jr, Stewart Wolf, Don Eldridge, H E Puthoff, Emily Williams Cook, Leroy Ellenberger, Robert L Raymon; ECR V4V; 8vo 8" - 9" tall.

Gold Wraps. Condition: Good+. Black and White Photos (illustrator). Retired library copy with the usual stamps, stickers, and labels. Textblock is very clean and tight, there is some light wear on the binding but otherwise in very good condition. 127p., including index. Size: 8vo - Over 7 3/4" -9 3/4 " Tall. Ex-Library, Paper Back.

Magazine. 98p., 9x12 inches, illustrated with mostly homo-erotic art and photography, very good oversized magazine in pictorial wraps.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Illustrated by Bruce Wolf (illustrator). Very good condition, no marks or notes, not mark discoloration of wear to cover. Dust jacket is very good condition but does have some minor wear (a small tear on the back cover fore edge bottom corner, and some marks along the edges). ; Color Photographs; 12 1/2" x 9 1/4"; 120 pages.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. Two volumes (complete). A just wonderful set: fresh, vivid, vivacious, smart. Both books are housed in a sound, sturdy, simple slipcase (just a little worn about the corners). Volume 1: Essays (214 pages). Volume 2 (845 pages): Catalogue of the Collection. The illustrated matte dustjackets are most pleasing. They are healthy, comfortable. The black boards (blind stamped illustration) are handsome, hale, steady. The contents of both are exceptionally pleasing. The only irritation is that the final pages of Volume 2 have small storage creases to the top corners. Otherwise the pages are bright, very clean and clear, very assured, astonishingly generous in production and intent and spirit - as if new throughout! Please note that due to the weight of these books, should they need be posted to outside of South Africa, extra postal charges may be required. fk. Our orders are shipped using tracked courier delivery services.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Encuadernación de tapa blanda. Condition: Muy bien. Dust Jacket Condition: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Storr on Al Held," by Robert Storr; "Books: Michael Hardt on 'Afflicted Powers,'" by Michael Hardt; "Books: T.J. Clark on Retort," by T.J. Clark; "Film: Andrew Solomon on 'Ballets Russes,'" by Andrew Solomon; "Film: Amy Taubin on Chantal Akerman," by Amy Taubin; "Architecture: Aaron Betsky on Herzog & de Meuron," by Aaron Betsky; "Performance: Steven Henry Madoff on the Festival d'Avignon," by Steven Henry Madoff; "Tech: Michelle Kuo on Robert Whitman," by Michelle Kuo; "Top Ten," by Cathy Wilkes; "Man Without Qualities: The Art of Michael Krebber," by Daniel Birnbaum, John Kelsey, and Jessica Morgan; "Tent Community: Art Fair Art," by Jack Bankowsky; "1000 Words: Mike Kelley," by John C. Welchman; "Lost in Translation: Sound in the Discourse of Synaesthesia," by Christoph Cox; "Only Connect: The Art of B. Wurtz," by Bruce Hainley; "A Certain Slant of Light: The Films of Hou Hsiao-Hsien," by James Quandt; "Portrait of an Image: A Portfolio by Roni Horn," by Lauren Sedofsky; "Openings: Michael S. Riedel," by Daniel Birnbaum; "Openings: Matthew Monahan," by Elizabeth Schambelan. Reviews by Anne M. Wagner, John Miller, Barry Schwabsky, James Meyer, Elizabeth Schambelan, Jeffrey Kastner, Claire Barliant, Martha Schwendener, Johanna Burton, Brian Sholis, Jan Avgikos, Michael Wilson, Suzanne Hudson, Emily Hall, Lisa Pasquariello, Domenick Ammirati, Jenifer P. Borum, James Yood, Nord Wennerstrom, Jonathan Raymond, Ellen Berkovitch, Maria Porges, Michael Ned Holte, Bruce Hainley, Christopher Miles, Maria Gainza, Elizabeth Janus, Giorgio Verzotti, Cathryn Drake, Jeff Rian, Hans Rudolf Reust, Astrid Wege, Jennifer Allen, Wolf Jahn, Martin Herbert, Emily Speers Mears, Caoimhín Mac Giolla Léith, and Philip Auslander. Cover: Michael Krebber.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.