Wolff Ilze (18 results)
Architectural Guide South Africa
Fisher, Roger C.; Clarke, Nicholas J.; Stegmann, Ingrid (EDT); Marg, Volkwin (FRW); Wolff, Ilze (CON)
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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Architectural Guide South Africa
Fisher, Roger C.; Clarke, Nicholas J.; Stegmann, Ingrid (EDT); Marg, Volkwin (FRW); Wolff, Ilze (CON)
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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US$ 33.11
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Condition: New.
Language: English
Published by Dr. Cantz'sche Verlagsgesellschaft mbH and Co. KG, DE 2024
- Softcover
Seller: Rarewaves USA, OSWEGO, U.S.A.Rarewaves USA
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US$ 45.94
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Paperback. Condition: New.
Architectural Guide South Africa
Fisher, Roger C.; Clarke, Nicholas J.; Stegmann, Ingrid (EDT); Marg, Volkwin (FRW); Wolff, Ilze (CON)
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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US$ 33.36
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Condition: New.
Architectural Guide South Africa
Fisher, Roger C.; Clarke, Nicholas J.; Stegmann, Ingrid (EDT); Marg, Volkwin (FRW); Wolff, Ilze (CON)
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
US$ 36.19
US$ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.
Language: English
Published by Dr. Cantz'sche Verlagsgesellschaft mbH and Co. KG, DE 2024
- Softcover
Seller: Rarewaves USA United, OSWEGO, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 49.89
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Paperback. Condition: New.
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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US$ 104.34
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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US$ 109.55
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Condition: New.
- Softcover
Seller: Grand Eagle Retail, Bensenville, U.S.A.Grand Eagle Retail
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US$ 112.20
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Paperback. Condition: new. Paperback. This dissertation is an interdisciplinary study of the Rex Trueform garment manufacturing factory in Salt River, Cape Town. It follows the narrative of the site from the date of completion of the first factory in 1938 up until conversion of the site into an office park in 2013. Architectural…ly, the buildings are key works by pioneer modernist architects, Policansky, Andrews and Niegeman. The analysis of the form and the space of the buildings is interlocked with an analysis of the conditions within which these distinct buildings were conceived and built. As 20th century industrial buildings in Cape Town, they are representative of a particular kind of modernity, one that is entangled with constructions of race, class and gender. The dissertation looks at how particular notions of race, class and gender were constructed, materialised and inscribed in the architectural form and space. The buildings are a primary archival source, but conversational interviews with exworkers begin to give a glimpse of what it was like to work for Rex Trueform, considered as a significant company in the clothing manufacturing industry. Visual material, drawings and film footage, tracks the architectural development of the site, linking it with key moments in the political life of South Africa. This raises questions around the relationship between the apartheid state-endorsed white capital and disenfranchised black labour. Race and identity is a key theme, questioning the role that industry, sociology and apartheid played in the constructions and stabilising thereof with the Cape factory as a primary site. The buildings, situated both in the historical time as well as in the contemporary postapartheid framework, offer multiple readings of how space and architecture contributed towards ascribing identities onto people and how these ascribed identities were and are being contested and disrupted. The dissertation thus raises questions of how the modern city of Cape Town was produced by looking at some of the socio-political conditions under which Rex Trueform, a major industrial site, was developed. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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US$ 114.63
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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US$ 140.85
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Paperback. Condition: Brand New. 150 pages. 9.25x8.00x0.50 inches. In Stock.
Ossian Fraser & The Critic, The Naturalist, The Architects, The Mountaineer - DISSOLVING ACTS
Andreas Merkl, Ilze Wolff, Heinrich Wolff, Laura Helena Wurth, Jean Troillet
- Softcover
Seller: Buchpark, Trebbin, GermanyBuchpark
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US$ 29.72
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Condition: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Ossian Fraser (b. Edinburgh, 1983; lives in Munich and Berlin) molds and captures evanescent moments. Working with volatile materials such as water, dust, or light, the artist exposes the latent potentials of unremarkable situations in the urban fabric and n…atural scenes. A tunnel in a city, a rock face in the mountains become points of departure and elementary components of his site-specific interventions, which he records in photographs. The book is the first to offer comprehensive insight into Fraser's artistic practice. Series of pictures showcasing his conceptual and poetic pieces alternate with conversations that not only demarcate the framework in which his art operates, but also touch on the great issues of our time. Ossian Fraser studied fine arts and sculpture at the Alanus University of Arts and Social Sciences, Bonn, from 2006 until 2009 and at the Weißensee Kunsthochschule, Berlin, from 2009 until 2013, rounding out his education in Albrecht Schäfer's master class in 2013-2014.
Ossian Fraser & The Critic, The Naturalist, The Architects, The Mountaineer - DISSOLVING ACTS
Andreas Merkl, Ilze Wolff, Heinrich Wolff, Laura Helena Wurth, Jean Troillet
- Softcover
Seller: Buchpark, Trebbin, GermanyBuchpark
Contact seller5-star sellerCondition: Used
US$ 31.31
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Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Ossian Fraser (b. Edinburgh, 1983; lives in Munich and Berlin) molds and captures evanescent moments. Working with volatile materials such as water, dust, or light, the artist exposes the latent potentials of unremarkable situations in the…urban fabric and natural scenes. A tunnel in a city, a rock face in the mountains become points of departure and elementary components of his site-specific interventions, which he records in photographs. The book is the first to offer comprehensive insight into Fraser's artistic practice. Series of pictures showcasing his conceptual and poetic pieces alternate with conversations that not only demarcate the framework in which his art operates, but also touch on the great issues of our time. Ossian Fraser studied fine arts and sculpture at the Alanus University of Arts and Social Sciences, Bonn, from 2006 until 2009 and at the Weißensee Kunsthochschule, Berlin, from 2009 until 2013, rounding out his education in Albrecht Schäfer's master class in 2013-2014.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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US$ 143.06
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Condition: New.
- Softcover
Seller: moluna, Greven, Germanymoluna
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US$ 110.15
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Kartoniert / Broschiert. Condition: New.
- Softcover
Seller: Kennys Bookstore, Olney, U.S.A.Kennys Bookstore
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US$ 204.08
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Condition: New. 2017. paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Seller: AussieBookSeller, Truganina, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
US$ 197.53
US$ 37.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. This dissertation is an interdisciplinary study of the Rex Trueform garment manufacturing factory in Salt River, Cape Town. It follows the narrative of the site from the date of completion of the first factory in 1938 up until conversion of the site into an office park in 2013. Architectural…ly, the buildings are key works by pioneer modernist architects, Policansky, Andrews and Niegeman. The analysis of the form and the space of the buildings is interlocked with an analysis of the conditions within which these distinct buildings were conceived and built. As 20th century industrial buildings in Cape Town, they are representative of a particular kind of modernity, one that is entangled with constructions of race, class and gender. The dissertation looks at how particular notions of race, class and gender were constructed, materialised and inscribed in the architectural form and space. The buildings are a primary archival source, but conversational interviews with exworkers begin to give a glimpse of what it was like to work for Rex Trueform, considered as a significant company in the clothing manufacturing industry. Visual material, drawings and film footage, tracks the architectural development of the site, linking it with key moments in the political life of South Africa. This raises questions around the relationship between the apartheid state-endorsed white capital and disenfranchised black labour. Race and identity is a key theme, questioning the role that industry, sociology and apartheid played in the constructions and stabilising thereof with the Cape factory as a primary site. The buildings, situated both in the historical time as well as in the contemporary postapartheid framework, offer multiple readings of how space and architecture contributed towards ascribing identities onto people and how these ascribed identities were and are being contested and disrupted. The dissertation thus raises questions of how the modern city of Cape Town was produced by looking at some of the socio-political conditions under which Rex Trueform, a major industrial site, was developed. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, IrelandKennys Bookshop and Art Galleries Ltd.
Contact seller5-star sellerCondition: New
US$ 246.72
US$ 12.10 shippingShips from Ireland to U.S.A.Quantity: 10 available
Condition: New. 2017. paperback. . . . . .
