Wood Thor E (3 results)

- Softcover
Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
Contact seller5-star sellerCondition: Used - Very good
US$ 10.04
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Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. B/w Plates (illustrator).
Language: English
Published by New York Public Library, NY, 1981
- Softcover
Seller: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.G.J. Askins Bookseller
Contact seller5-star sellerAssociation member: SNEAB
Condition: Used - Very good
US$ 25.00
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Add to basketSoft cover. Condition: Very Good. 36 page oblong center stapled softcover exhibition catalog - with illustrations; chronology of life and work and a checklist of designs. Text contributions by Harold Clurman; Garson Kanin, Harold Prince and Elia Kazan. Exhibition was in the Vincent Astor Gallery, NYPL at Lincoln Center March 31 - August 15, 1981. Very good condition - unmarked, tight and clean. …
Published by New York Public Library, 1981
- Softcover
Seller: BOOK2BUY, Lynbrook, NY, U.S.A.BOOK2BUY
Contact seller5-star sellerCondition: Used - Good
US$ 27.10
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Add to basketPaperback. Condition: Good. Paperback - clean, clean cover, no marks - from private collection - Boris Aronson 1900 - 1980 American scenic designer for Broadway/Yiddish theatre Boris Aronson (October 15, 1898 - November 16, 1980) was a Ukrainian-American scenic designer for Broadway and Yiddish theatre. He won the Tony Award for Scenic Design six times in his career.[1] Borech-Ber Aronsson was born on October 15, 1898 in Kyiv, Kiev Governorate (present-day Ukraine) to Rabbi Shlomo HaCohen Aronson [ru; he]. Aronson enrolled in art school during his youth. Aronson became an apprentice to the designer Aleksandra Ekster, who introduced him to the directors Vsevolod Meyerhold and Alexander Tairov, who influenced him. These three theatre and art veterans were advocates of the Constructivist school in Russia, as opposed to Stanislavski's form of Realism, and they convinced Aronson to embrace the Constructivist style.…