Wyn Evans Cerith (82 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condition: Very Good. Paperback. Binding sound, text clean, light shelfwear. Not paginated, approx. 16 pages. Book.

Hardcover. Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. In Which Something Happens All Over Again For The Very First Time is the first comprehensive publication to deal with the sculptural installations, film projections, neon texts and sound productions of the Welsh artist, Cerith Wyn Evans. Evans began as an assistant to the American underground filmmaker Derek Jarman, concentrating on his own short experimental films throughout the 1980s. In the 1990s he began to produce installations that explored the phenomenology of language, time and perception. In recent years, he has expanded his arsenal of materials to include fireworks, neon, texts, film, photography and sculpture. Of his work shown at Tate Modern's 2006 Triennial, the Tate described his "Cerith Wyn Evans approaches knowledge like a magpie, borrowing from authors of the past to invigorate the viewer's perceptions of the present. Though comprising few elements, his work is decadent and intense, both with its use of references as well as in its magical and dramatic effect.".…

Softcover, 176 pages; in English and Norwegian, very good condition; light creasing to rear cover; no internal marks. Foreign shipping may be extra.

Condition: New.

Paperback. Condition: New.

Soft cover. Condition: Fair. Book is in fair condition. B/W photographs.

Paperback, pocket format, edges slightly worn, minor traces of use, else in (very) good condition. Text in English and German. Please see description or ask for photos.

Condition: New.

Condition: new.

Paperback. Condition: new. Paperback. Parkett continues its 25th anniversary with a text by Marina Warner on the Trans-Atlantic cable; a persuasive argument by Richard Phillips for the faux-naif painter Adolf Dietrich (1877-1957); and Philip Kaiser's examination of the Met's recent Pictures Generation show. London-based Cerith Wyn Evans is perhaps best known for his hypnotic neon signs; as Michael Archer notes, Walter Benjamin saw content not just in the sign but in its reflection. Both Pablo Lafuente and Jan Verwoert name London's magnetic fields of the 1970s as a major influence. Katharina Fritsch is best known for her monochromatic figures cast in plaster. Jessica Morgan sees these immaculately articulated forms as "amplifications," while Jean-Pierre Criqui responds to just the opposite: their ghostliness. Annette Kelm's photographs possess a frightening sense of obsolescence; according to Beatrix Ruf, their baffling stories begin with a detail that seems to have lost its potency. Kelley Walker's work embraces contradiction and contrast, as Johanna Burton witnessed upon viewing the eclectic collection of artifacts and memorabilia in his studio. Antek Walczak evaluates Walker's appropriation of the recycling logo, and Glenn Ligon addresses the anxiety behind his African-American imagery. Allen Ruppersberg supplies an insert for the issue. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Fine. 1st Edition. Museum of Contemporary Art Australia, Sydney, 2025. Hardcover, 148 pp. 1st edition (stated). Illustrated in color and black & white. Record of an exhibition by Welsh artist Cerith Wyn Evans (born 1958). It took place in Sydney, Australia from 6 June to 19 October, 2025. Fine condition. No dust jacket, as issued.…

Couverture souple. Condition: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condition: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condition: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

Couverture souple. Condition: Neuf. C.POMPIDOU METZ collection , 2024. 1 volume broché(s) format In-4 neuf 96 pages - Édition : Illustrated - Bilingual Anglais - français.

28 cm 173 S. Oktn. 4°. Ill.

Hardcover missing dustjacket, 174 pages; in English; good condition; bump to bottom of spine; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Brand New. 128 pages. 12.60x9.49x0.79 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condition: Very Good. 1st Edition. Card covers. 25.5 × 21.5cm, unpaginated. Issue 87 of this journal of contemporary art. This copy's main feature is four contemporary artists: Katharina Fritsch with essays by Jessica Morgan (From Out There to Down There) and Jean-Pierre Criqui (The Dream is About You: Katharina Fritsch and the Laws of Animal Attraction). Annette Kelm with essays by Beatrix Ruf (Twisting and Turning) and Stefanie Kleefeld (Open Source). Kelley Walker with essays by Johanna Burton (Bringing it Back Alive!), artist Glenn Ligon (Kelley Walker's Negro Problem), and Antek Walczak. Cerith Wyn Evans with essays by Michael Archer (Moon Turned a Fire Red), Jan Verwoert, and Pablo Lafuente. The artist insert (a multi-page sequence of original content for the magazine) is by Allen Ruppersberg, the spine design by Josh Smith and further articles such as Marina Warner on the Transatlantic Cable; Richard Phillips on the Swiss painter Adolf Dietrich (1877-1957); and Philipp Kaiser examining the Metropolitan Museum of Art's Pictures Generation exhibition. Condition: This copy is in very good condition.…

Condition: New.

Condition: New.

Hardcover with dustjacket, 200 pages; in English; very good condition; light rubbing and edgewear to dj; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Brand New. Paperback.Width: 24 cm. Height: 30cm. 128 pages. English text.

Soft cover. Condition: Very Good. 79pp. Text in English and German.

Hardcover. Condition: As New. Includes yellow wrap with original bubble punch holes. Selection of chandelier texts / Notes by Florian Hecker / Contribution by Douglas Gordon / Molly Nesbit, Phare de la / Conversation between Cerith Wyn Evans and Susanne Gaensheimer.

Soft cover. Condition: Very Good. 1st Edition. Cerith Wyn Evans Two Exhibition Publications (White Cube & Camden Arts Centre) Includes: Look At That Picture How Does It Appear to You Now? Does It Seem to Be Persisting? Cerith Wyn Evans in conversation with Annushka Shani. Published by White Cube, 2003. File Note #3: Cerith Wyn Evans, with a text by Jennifer Higgie. Published to accompany the exhibition at Camden Arts Centre, 31 January 11 April 2004. Softcover, 48 pages. Both titles in English. Very good condition: clean and crisp, with no internal marks. …

Paperback. Condition: Fine. Octavo, 16 pages. A Fine copy.

Couverture souple. Condition: Neuf. Edition originale. Bergen Kunsthall, 2011, 19 x 28 cm, 84 p. Broché, couverture sérigraphiée en blanc. Edition bilingue anglais/suédois.