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Paperback. Condition: Good.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Gioia Fiammenghi (illustrator).

Soft cover. Condition: VG+. A VGF or better 5" X 8" four-page local theater herald. Also includes ads for several other films. Book.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: Good. Good.

Condition: Nuevo. Workbook natural science 5ºprimaria. revuela 2024 editado por Sm. Martín-Serrano López, Santiago; Galofré,; Álvarez Cotrina, Juan José; Solutions, Anxures; Regalado, Gustavo; Martí Saurí, Lluís; GlezBros,; Shutterstock,; Moreno Arrastio, Félix; Ovejero Sánchez, Ángel; Rubio Rincón, Eduardo; Archivo SM, (illustrator). …

Soft cover. Condition: Very Good. 64 pages. Illustrated. Paul Krassner Apostle of the Put-On, Andy's Girls, "Was it Good for You, Too?, The Future of Criminal Law, The First Church of Love, The Taming of Denise Gondelman, Astrological Automobiles, Prolegomena to a Study of the Erotic Film, Mr. and Mrs. Brown Go Walking, and The Prison Poems of Ho Chi Minh. (Papers).…

Hardcover. Condition: Brand New. 80 pages. 9.25x6.25x0.50 inches. In Stock.

paperback. Condition: Fair.

paperback. Condition: Fair.

Cloth. Condition: Fine. Dust Jacket Condition: fine. First Edition. Octavo, 438pp. Blue cloth, title in silver on spine. Stated "first printing" on copyright page. In publisher's fine dust jacket, retail price on front flap. Signed by Senator George Murphy on front free endpaper. Paving the way for Ronald Reagan and Arnold Schwarzenegger, Senator George Murphy made the leap from show business to politics in 1964. He ran for the Senate seat held by former Kennedy press secretary Pierre Salinger, who had been appointed to serve the remainder of Clair Engle's Senate term. He would serve in the Senate from 1965 to 1971. First edition, first printing of "Say.Didn't You Used To Be George Murphy?" by Senator George Murphy. (illustrator). Signed.…

Condition: Fine. Number of books: 1.

Condition: Fine. Number of books: 1 book.

Condition: Fine. Number of books: 1 book.

Hardcover. Condition: New. 1st Edition. FACTORY SEALED. Signed by Victoria Sambunaris. Brand new. Carefully packed and shipped to arrive to you in perfect condition. Purchase by 12 noon EST to arrive to USA customers in 2-5 business days. Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist's practice in a large-scale book format. Each year, Sambunaris structures her life around a photographic journey traversing the American landscape. Equipped with a 5×7-inch field camera, film, a video camera, and research material, she crosses the country alone by car for several months. Her large-scale photographs capture the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions. Signed, First EditionFACTORY SEALED. Brand new. Carefully packed and shipped to arrive to you in perfect condition. Purchase by 12 noon EST to arrive to USA customers in 2-5 business days. (illustrator). Signed by Illustrator(s).…

No Binding. Condition: Very Good. Wanted Poster 28 x 22 cm. In acid free Mylar sleeve. Will be shipped flat between heavy cardboard layers. Damage to very top of the poster [Transcription:]"Department of Police, Hoboken, N. J. WANTED FOR JAIL BREAKING. $25.00 Reward for Each. KARL KLEEMAN Alias Karl Wallmann BERTILLON MEASUREMENTS Height: 1.75.7 Outer Arms: 1.82.0 Trunk: 92.2 Head Length: 19 8 Head Width: 16.1 Right Ear Length: 6.8 Left Foot: 28 9 Middle Finger: 12.3 Little Finger: 9.8 Forearm: 48.7 Finger prints, [5 R 10 / 17 R 11] 13 BERNARD HOLTZ Alias Bernard Henry Fritz Glamann, also Glaumann BERTILLON MEASUREMENTS Height: 1.69.8 Outer Arms: 1.78.0 Trunk: 88.6 Head Length: 18.1 Head Width: 15.8 Right Ear Length: 6.0 Left Foot: 27.1 Middle Finger: 12.1 Little Finger: 9.5 Forearm: 48.8 Finger prints, [30 O / 22 II] DESCRIPTIONS. KARL KLEEMAN, 27 Years, 5 ft. 9 1/8 in., 158 lbs.; Medium Chestnut hair, Blue Eyes; Medium Complexion; large fresh scar from root of nose down left side to wing. Tattoo Star, Anchor in center, on right forearm. Occupation, machinist. BERNARD HOLTZ, 30 Years, 5 ft. 6 3/4 in., 137 lbs.; Medium Chestnut hair, Blue Eyes; Medium Complexion; Tattoo, Pilot Wheel, P. C. in center on back of right hand, also Anchor above right thumb. Some time during the night of June 23rd, 1911, Kleeman and Holtz escaped from the Hudson County Penitentiary at Snake Hill, where they were serving a sentence for carrying burglar's tools. These men are Germans and have been in this country but a short while, each of them has a criminal record in Europe. If located, arrest and will send officers with necessary papers, forward all information to PATRICK HAYES, Jr., Chief of Police, Hoboken, N. J." They were re-apprehended within weeks of their escape. Given the Bertillon metrics and distinct scars/tattoos, hiding in early 20th-century urban communities was difficult once local precincts shared data. After their arrest for possession of burglar's tools - a common charge used at the time to lock up safe crackers and thieves before they could execute a heist they were sent to the infamous Hudson County Penitentiary at Snake Hill (Secaucus, NJ). Situated on a massive volcanic rock rising out of the Hackensack Meadowlands, Snake Hill was a grim, isolated institutional complex housing an almshouse, an asylum, and the penitentiary. It was considered secure due to the treacherous surrounding swamps. After their capture, they were returned to Hudson County to finish out their maximum sentences with additional time for escape. Both men traveled under multiple alias to throw off authorities across borders. Germany kept meticulous criminal registries and the U.S. police Knew Their Background thanks to the Bertillon System. When Kleeman and Holtz were arrested in New Jersey, the police measured their bodies and recorded their fingerprints. These exact physical dimensions were cross-referenced with international police circulars or shared directly with European agencies (often via letters and steamships). Because German police meticulously recorded Bertillon metrics for repeat offenders, New Jersey authorities were able to definitively match the physical profiles of "Kleeman" and "Holtz" to active criminal profiles filed under their aliases in Germany. They were part of a wave of professional European criminals who migrated to rapidly growing American cities like New York and Hoboken, wrongly assuming American police wouldn't be able to trace their overseas pasts. 1911 was the turning point when fingerprinting officially took over law enforcement in the United States. The Hoboken Police Department was operating during a major forensic transition. The poster itself captures a unique moment in history where police were using both systems simultaneously to double their chances of catching a fugitive. On the poster, beneath the Bertillon bone measurements, you will see a specific string of numbers and letters for each man: Kleeman: [5 R 10 / 17 R 11] 13. American history that a court legally accepted fingerprint evidence to convict someone of a crime (a murder case). (illustrator).…

Hardcover. Condition: Fine. Dust Jacket Condition: fine. First Edition, First Printing. Octavo, xviii, 213pp, [5]. Cream hardcover. Stated "First Edition," with a full number line on the copyright page. Appears unread. In the publisher's fine dust jacket, retail price on front flap. Signed by the author, Alan Alda, on the second free endpaper. The first edition, first printing of If I Understood You, Would I Have This Look on My Face?, signed by Alan Alda. (illustrator). Signed.…