Yvon Lambert (67 results)

Hardcover. Condition: Good Minus. Ray-lambert (illustrator). In French, the spine is weak. Some signs of age and wear. We ship fast.

Paperback. Condition: New. The second volume of the Lambert Collection Icons series collects some of the finest works by one of America's foremost abstract painters, and narrates the creation of his paintings from compositional elements to their "activation" in exhibition spaces. Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city's myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities. Stroke by stroke, line by line, work by work, Robert Ryman tells the story of the creation of his paintings in its totality from the elements within them to their activation in exhibition spaces or in works - "It was never an intention of mine to make white paintings," he told Art News magazine in 1986. "The white is just a means of exposing other elements. White enables other things to become visible." - Robert Ryman.

Paperback. Condition: new. Paperback. The second volume of the Lambert Collection Icons series collects some of the finest works by one of America's foremost abstract painters, and narrates the creation of his paintings from compositional elements to their "activation" in exhibition spaces.Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city's myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities.Stroke by stroke, line by line, work by work, Robert Ryman tells the story of the creation of his paintings in its totality from the elements within them to their activation in exhibition spaces or in works - "It was never an intention of mine to make white paintings," he told Art News magazine in 1986. "The white is just a means of exposing other elements. White enables other things to become visible." - Robert Ryman An affordable introduction to the American abstractionist whose ingenious use of white allowed other things to become visible Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. "If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal." Yvon Lambert, Ouvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998 The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert. For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition "Manifestation I" at the 18th Young Painter's Fair at Paris's Museum of Modern Art. The "work/painting" - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, "which is never the same". The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works "reboot" our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means "learning to see again".

Softcover. Condition: Bon. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: new.

Paperback. Condition: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

First Edition. First edition. Softcover. 61 pages. Text in English and French with a foreword by Alain Lombard, an essay by Stephane Ibars and a conversation between Ibrs and Yvon Lambert. Includes numerous color and black and white illustrations, a checklist, and other biographical information. A clean near fine copy in wrappers with some very minor wear.

Paperback. Condition: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

Condition: New. 2020. 01st Edition. Paperback. . . . . .

Condition: New. 2020. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Sheet Music. Condition: Brand New. In Stock.

Condition: Neuf.

Sheet Music. Condition: Brand New. In Stock.

Couverture souple. Condition: Très bon. Lucie Lambert (illustrator). 146 p. Dédicacé à Pierre vadeboncoeur et signé difficle à lire). Code 2265.

Paperback. Condition: new. Paperback. The second volume of the Lambert Collection Icons series collects some of the finest works by one of America's foremost abstract painters, and narrates the creation of his paintings from compositional elements to their "activation" in exhibition spaces.Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city's myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities.Stroke by stroke, line by line, work by work, Robert Ryman tells the story of the creation of his paintings in its totality from the elements within them to their activation in exhibition spaces or in works - "It was never an intention of mine to make white paintings," he told Art News magazine in 1986. "The white is just a means of exposing other elements. White enables other things to become visible." - Robert Ryman An affordable introduction to the American abstractionist whose ingenious use of white allowed other things to become visible Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: New.

Condition: New. If I had to sum up Niele Toroni in one word, without hesitation that word would be loyalty . Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I .

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by Galerie Yvon Lambert, 1967. Quarto. Pictorial wraps. Book is like new; clean and crisp with no writing or names. Covers bright and clean. A wonderful copy of this scarce 1960s photography retrospective. Book has been placed in a custom acetate protector. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Couverture souple. Condition: Neuf. Edition originale. Paris 2003. 1 Volume/1. -- ENGLISH TEXT -- Softbound // Broché -- 26,5 x 21 cm . -------- 158 pages ********************** Monography on the english artist with critical texts and interviews and a large selection of works reproductions. *********************** Monographie : alternance d'entretiens et d'uvres présentées dans le cadre de divers projets d'expositions. Entre hommage et outrage, Jonathan Monk (né en 1969 à Leicester, Grande-Bretagne, vit et travaille à Berlin) utilise des références de l'histoire de l'art, clichés, mythes ou gestes d'artistes célèbres, aussi bien que des objets, des images et des petites histoires de la vie quotidienne, dans des installations qui proposent une vision désacralisée de l'uvre d'art, de la création et de la vie.

Broché. Condition: Bon. ( IN FRENCH - EN FRANÇAIS ) 215 pages; Dans la collection "100 ans noir sur blanc" qui raconte le Québec de 1860 à 1960 au fil de photographies d'archives. Abondamment illustré.; Broché. Couverture un peu frottée. Livre propre et solide. Très bon état. Size: 4to. Livre.

Hardcover. Condition: New. No Jacket. 1st Edition. First edition 2007, first printing, limited to 1000. Published by YVON LAMBERT. Hardcover in full cloth without DJ as issued. Condition new, square and tight book, no edgewear, corners not bumped, no names, no underlining, no highlights, no bent pages. Not a reminder 8vo, 57 pages, well illustrated. ASIN : B000WT9LAE.

Paperback. Condition: Used: Very Good.

Soft cover. Condition: Good. Guzzo, Pierre (illustrator). French Book. Good Condition. Minor wear. Binding fairly tight, pages clean. Pictures available upon request.

Mint in publishers decorated wrappers (still shrink wrapped.The third volume of the Lambert Collection Icons series is dedicated to Nan Goldin (born 1953), very much an icon of her generation, whose work is prominent in Yvon LambertÕs Collection, which contains more than 100 works of the photographerÕs deeply, personal candid portraiture.The photographer and collector were personal friends, enjoying a passionate relationship marked by periods of estrangement and intense reunions. ISBN 2330133294.

Paperback. Condition: New. The second volume of the Lambert Collection Icons series collects some of the finest works by one of America's foremost abstract painters, and narrates the creation of his paintings from compositional elements to their "activation" in exhibition spaces. Robert Ryman (1930-2019) was a giant of minimalist painting. He settled in New York in 1952, initially aspiring to a career as a jazz musician. Alone he discovered art, visiting the city's myriad museums and galleries, and taught himself to paint. In a career spanning 60 years, Ryman relentlessly pared down the essentials of painting and its emotional possibilities. Stroke by stroke, line by line, work by work, Robert Ryman tells the story of the creation of his paintings in its totality from the elements within them to their activation in exhibition spaces or in works - "It was never an intention of mine to make white paintings," he told Art News magazine in 1986. "The white is just a means of exposing other elements. White enables other things to become visible." - Robert Ryman.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. Condition: New. "If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal." Yvon Lambert, Ouvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998 The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert. For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition "Manifestation I" at the 18th Young Painter's Fair at Paris's Museum of Modern Art. The "work/painting" - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, "which is never the same". The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works "reboot" our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means "learning to see again".

Condition: Good. Original wrappers, illustrations in colour and b/w, 8vo.; Small brown stain on verso front cover/half title.