Zeitlin Marilyn (116 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

paperback. Condition: Good.

Soft cover. Condition: Very Good. 1st Edition. minimal wear no blemishes or marks, no writing or underlining.

Soft cover. Condition: Very Good. 1st Edition. No marks. Minimal shelfwear.

Paperback. Condition: Very Good.

paperback. Condition: Good.

0 Very good. light shelfwear, ex-museum stamp to blank flyleaf.

Softcover, staple-bound 16 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft Cover. Condition: Good. Dust Jacket Condition: Good. Contains works by Michael Nash, Joan Seeman Robinson, and Gene Youngblood, among others. Edges of cover are lightly rubbed. Front cover has a spot of adhesive residue and several small creases at spine. Back cover is lightly faded near spine and has a sticker from previous seller. Inside is clean, bright, and unmarked.…

Softcover. Condition: Fair. 1999. Softcover. Fair. 84p. Color illustrations.

Softcover, 124 pages, in English and Spanish: very good condition; clean and crisp; owner's name; no other internal marks. Foreign shipping may be extra.

Softcover, 64 pages, very good condition, light rubbing to covers, no internal marks.

Trade Paperback. Condition: Used - Very Good. The poetic birth of Cuba, and of the character of its culture, might be found in a phrase placed in the mouth of an aborigine of the island and included in a book by the Cuban writers Cintio Vitier and Fina Garcia Marruz, who traced and assembled such outbursts of inadvertent poetry. As is well known, the Spaniards arrived in America by way of the Antilles, which have always formed a sort of aquatic frontier of the continent. In addition to a thirst for gold, the peculiar geography of the area awakened another obsession in Christopher Columbus and his followers that was to last for years: to know if the landscape they were seeing was an island or terra firma. Cuba's elongated shape and its relatively considerable size tended to disorient them. An obscure historian of the nineteenth century, the priest of the Cuban village of Los Palacios, tells us that when Columbus asked the natives of Cuba if the place was island or continent, they answered him that it was 'an infinite land of which no one had ever seen the end, although it was an island'. Cuba was thus born for the West as quandary, aporia, bluff. In addition, it was to impose the mystery of its aboriginal name over the almost kitschy name Juana, given by the Europeans. The paradox of an infinite island remains as an image of the hyperbolical destiny of Cuba, always out of proportion in comparison to its material bases. Perhaps it is als worthwhile to stress that peculiar and fluid juncture between an insularity that always looks within ('the cursed circumstance of water everywhere', as another writer said) and an opening toward the universal characteristic of Cuban art and culture. Used copy with an inscription inside. Binding is tight no interior marks.…

paperback. Condition: Good. First Edition. Lightly read. No markings in book. Binding is fine. Shelf wear to cover edges. Original price sticker still on back cover.

Hardcover. Condition: Good. Inscription inside book cover/Presented to page filled out Satisfaction 100% guaranteed.

Condition: New. No Jacket. First edition, first printing. First edition, first printing. Wraps. New copy with a little shelf wear, short crease in upper left corner on back of cover. Works by Francesc Torres. For an exhibit Arizona State U. Art Museum.Oversize. INV#H-14.

Paperback. Condition: Very Good. First Edition. Tight and unmarked. Slight shelf wear. 64pp. With essays by Deidre Boyle, Kathy Huffman, Christpher Knight, Michael Nash, Joan Seeman Robinson, Gene Youngblood, and Marilyn Zeitlin Size: Oblong 8vo.

paperback. Condition: Very Good. Oversized.

Softcover, 56 pages, in English and Italian, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, 56 pages, in English and Italian, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

hardcover. Condition: Acceptable. ACCEPTABLE - Heat/humidity damae to front cover page; pics attached LIKE NEW / VERY GOOD - Dust jacket (if applicable) is included for hard covers LIKE NEW / VERY GOOD - No missing or damage to any other pages LIKE NEW / VERY GOOD - No text or writing on the pages or in the margins LIKE NEW / VERY GOOD - No underlining or highlighting of text VERY GOOD - Cover has very minimal wear and tear with no obvious damage VERY GOOD - Zero to Limited corner dings and/or curled corners.…

Paperback. Condition: Fine. First edition. First edition. Paperback. 10'' x 9''. Illustrated in color. Unpaginated.

Wrappers. Condition: Good. 64 pages with 24 illustrations in color. Illustrated wraps. Works selected for the exhibition by Marge Goldwater, David Ross and Marilyn A. Zeitlin. Published on the occasion of the exhibition from the Contemporary Arts Museum, Houston TX September 24-November 13, 1988. List of Exhibited Works. Book. …

Paperback. Condition: Very Good. First Edition. Very Good Plus overall condition, interior like new, tight clean unmarked, light edge wear on covers, perfect bound catalog from an exhibition, one of 1000 printed.

Oversize softcover artist book with 25 loose sheets in printed folder, good condition; 3-inch tear and small losses to top edge of folder; and long crease and some stains to front of folder; light edgewear to some sheets; no internal marks. Foreign shipping may be extra.

Soft Cover. Condition: Good +. First Thus. Illustrated wrappers with and white titles, light wear to edges, mild sunning to spine, corners neat. Book body clean. Mylar protected.

Softcover, 124 pages, in English and Spanish: very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.