Zweite (Over 1,300 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New.

Hardbound. Condition: Good. Writing on Cover; Written in German; 356 pages.

Paperback. Condition: New.

Paperback. Condition: Near Fine. 1st. 119 pages, chiefly colour illustrations; 24 cm. Organised by Museum Folkwang, Essen and Art Gallery of New South Wales, Sydney. Exhibition dates: 11 October to 10 December, 1989, Art Gallery of New South Wales; 20 December, 1989 to 18 February, 1990, National Gallery of Victoria. Near fine. Tight, clean copy. Age toning. Size: 8vo. Collectible.…

Softcover, 160 pages; in English; very good condition; clean and crisp; no internal marks.

Hardcover. Condition: Very Good.

Hardcover. Condition: Good. Copyright Date: 1929 Sm Quarto, 1929, PP.320, Ex. Library, Small Loss At Spine. Zweite, Umgearbeitete Auflage, Mit 24 Tafeln Und 130 Textabbildungen (illustrator).

Soft cover. Condition: Near Fine. 1st Edition. 119 pages. Glossy pictorial covers. Well-crafted traveling exhibition catalog, color reproductions of the works, if they were originally in color. Oils, woodcuts, lithographs. No flaws or damage to mention, just a general, mild sense that it has existed in this world for a few decades on a shelf. Essays in English, the original German language titles are given in the captions. A secondary introduction is laid in loose, as issued.…

Condition: Very Good. 1979. Paperback. Text in German. Very good copy with light shelf wear. Previous owners name to FFEP, remains very good. . . . . Books ship from the US and Ireland.

Condition: Very Good. 1979. Paperback. Text in German. Very good copy with light shelf wear. Previous owners name to FFEP, remains very good. . . . .

hardcover. Condition: Good. Age spots on page edges.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Good. No Jacket. First Edition Thus. German text, illustrates many of 328 items described with b/w photos. SOFT COVER, NO DUST JACKET, NO MARKINGS, GOOD CONDITION, EXCELLENT VALUE.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Paperback. Condition: Brand New. illustrated edition. 138 pages. 8.00x5.25x0.50 inches. In Stock.

hardcover. Condition: Very Good. Ex-library hardcover. German language version. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Original-Broschur. Privater Stempel auf dem Deckblatt. Gut, mit nur leichten Gebrauchsspuren. 23 S.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Good. Original wrappers, illustrations in colour and b/w, 4to.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch / geringe Gebrauchsspuren Zustand gut.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. Gerhard Altenbourg: Im Fluss der Zeit, Retrospektive 2004 retrospectivecatalog in German Gerhard Altenbourg was born as Gerhard Ströch in Rödichen-Schnepfenthal/Thuringia in 1926. In the middle of the 1950s he adopted the slightly altered name of the town Altenburg as a pseudonym. The versatile artist attended in his lifetime to painting and graphics as well as sculpture and poetry. After participating in war he worked at first as a journalist and author in Altenburg. Already in the mid 1940's the first oil paintings and coloured pencil drawings were executed during painting lessons with Erich Dietz. Between 1948 and 1950 Altenbourg studied at the Hochshule für Baukunst und Bildende Künste in Weimar under Hans Hoffmann-Lederer. In 1952 Gerhard Altenbourg's first solo exhibition took place at the Galerie Springer in Berlin, to which he left most of his works between 1951 and 1962. At the end of the 1950s the first plastic works in marble, plaster and metal were executed as well as first woodcuts. In 1959 he participated in the documenta II. Several exhibitions, et al. in 1969/70 the first retrospective at the Galerie Brusberg in Berlin followed. Altenbourg received several awards for his work, e.g. the prize of 'II. Internationale der Zeichnung' in Darmstadt in 1967 and the Will-Grohmann-prize one year later. In 1989 Altenbourg died from the consequences of a car accident. His works are represented in many collections at home and abroad, for example at the Museum of Modern Art in New York. BBS.…