ISBN: 9780226104591 - Victorian and Modern Poetics (29 results)

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Condition: Good. Trade pbk.; marginalia from late Victorianist David DeLaura (and his signature on flyleaf); cover fine.

Paperback. Condition: Very Good. Revised ed. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Paperback. Condition: Very Good. ***please read*** Moderate shelf wear and note inside cover with light pencil - no marks on text - 178 pages - my shelf location - 28-d-43*.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0226104591. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780226104591. …

Condition: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: new.

Paperback. Condition: Very Good. Cover worn, owner's inscription, bookseller's marks. Orders received by 3pm Sent from the UK that weekday.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Num Pages: 188 pages, x, 178 p. BIC Classification: 2AB; DSBH; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 220 x 140 x 10. Weight in Grams: 226. . 1986. New ed. Paperback. . . . .

Condition: New. pp. 188.

Condition: New. Num Pages: 188 pages, x, 178 p. BIC Classification: 2AB; DSBH; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 220 x 140 x 10. Weight in Grams: 226. . 1986. New ed. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. In English.

Condition: New. pp. 188.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Original Paperback. Condition: Sehr gut. 178 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very good and clean. - To Ezra Pound the Victorian Age, like the rest of the nineteenth century, was a rather blurry, messy sort of a period, a rather sentimentalistic, mannerish sort of a period.1 T. S. Eliot, too, dismisses the Victorians. After describing the dissociation of sensibility which for him characterizes poetry since the seventeenth century, he credits Keats and Shelley with struggling toward unification. But Keats and Shelley died, and Tennyson and Browning ruminated.2 Yeats also criticizes the psychology, science, moral fervour of Victorian poetry.3 The anti-Victorianism of the chief Modernist poets is well known, in large part because it was incorporated into the New Critical vision of poetic history. In the Notes for a Revised History of English Poetry, which ends Modern Poetry and the Tradition, Cleanth Brooks uses the concept of dissociated sensibility to discredit the achievements of Romantic poetry. The Victorians provide him with the most extreme example of the poetic failures he describes: Victorian poetry hardly calls for extended comment here. The points to be made against it on the basis already set forth are perfectly obvious, and have been made often. . . . The motive here is not to add anything to the indictment, but merely to relate the poetry of the Victorians to the foregoing pattern. Victorian poetry does offer occasion for a convenient summary; for, if poetry since the Restoration has been characterized by a confusion between imaginative and scientific organization, the Victorian period will furnish an illustration of this confusion in its final and most extreme form. Poetry is left impaled on one of the two horns of the dilemma: poetry with a message, the philosophy of Tennyson and Browningthe attempt to substitute poetry for religion; or, on the other hand, pure poetry, art for arts sake. Brooks was speaking in 1939. In 1965 he wrote A Retrospective Introduction for a new printing of the book in which he comments on his earlier views. He asserts that were he rewriting the book today, he would want to lay more stress on the extent to which Eliot, Yeats, and the other modern poets built upon the Romantic tradition and incorporated structural devices that are a part of the general Romantic inheritance.5 He does not mention the Victorians in his retrospective revaluation. Recent scholarship in literary history has largely followed the pattern which Brookss retrospection suggests. There has been an elaborate and subtle revaluation of the complex relationship between Romantic and modern poetry in the work of Frank Kermode, Robert Langbaum, Harold Bloom, and George Bornstein among others.6 But the poetry of the Victorians has been either neglected in these discussions, thereby giving covert support to the Modernist view of the Victorian period, or assimilated to the Romantic tradition. Kermode treats Pater, Rossetti, and even Arnold as transmitters of Romantic thought; in his study of Yeats, Bloom uses the work of Pater and Rossetti to explain the beginning of Yeatss transition from nineteenth- to twentieth-century Romanticism. Langbaum is the one critic who gives prominence to the Victorians in his treatment of the relationship of the nineteenth and twentieth centuries, but he too assimilates Victorian poetry to a Romantic tradition in his argument that the poetry of the nineteenth and twentieth centuries can be seen as a poetry of experience. ISBN 9780226104591 Sprache: Englisch Gewicht in Gramm: 203. …

Paperback. Condition: Brand New. reprint edition. 188 pages. 8.75x5.50x0.25 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condition: Neu. Neuware.

Condition: New.

Paperback. Condition: Brand New. reprint edition. 188 pages. 8.75x5.50x0.25 inches. In Stock. This item is printed on demand.