ISBN: 9780271007137 - Romanesque Sculpture in Campania: Patrons, Programs, and Style (15 results)

Hardcover. 4to. Condition: Very good. Near fine. 1st edition. 252pp. Text is unmarked on white pages with b/w photos included throughout. Green cloth boards are pointed and tightly attached to a square and gilt titled spine. There is a small eroded spot at the fore edge of the cover. Dust jacket is in near fine condition, unclipped and with minor surface wear.…

hardcover. Condition: As New. No marks or highlighting in the book. Our copy is hardback, with a dust jacket, showing light shelf-wear. Pictures are black & white. Heavy book, extra shipping costs to locations outside USA.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:0271007133. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:0271007133. …

Hardcover. Condition: As new. Dust Jacket Condition: as new. The Pennsylvania State University Press, 1991. 252pp., index, bibliography, black and white photograph illustrations throughout. 4to. As new hardcover, as new d/j.

Condition: Good. Original green cloth, gilt lettered spine, dust jacket, illustrated with numerous photographs in b/w, 4to.

Hardcover. Condition: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 11.4 X 8.8 X 1.0 inches. 272 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

hardcover. Condition: fine. near fine. Illustrated with b/w images throughout. 252 pages. 4to, green cloth, d.w. University Park: Pennsylvania State University Press, (1991). A fine copy in a near fine wrapper, a touch of scuffing to front panel.

Hardcover. green cloth boards w/ gilt spine printing. xix, 252 pgs w/ bw illustrations. green bw illustrated dustjacket w/ white printing. Light toning to page edges. Remains a sharp copy. "This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small-scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean."--WorldCat. VG/G+ (spots to foxing to cloth boards. spine ends crinkled. light rubbing to corners. light foxing to textblock edges. instances of heavily concentrated foxing to opening & closing pgs. dustjacket scuffed & smudged; foxing to edges).…

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Light shelf wear to edges of D/J.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. dust jacket shows light bumping to edges, clean condition, price unclipped, 252pp, pages clean and fine condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Bound in clean green cloth with bright gilt titles to spine this 1991 hardcover First Edition is VG in VG Jacket(unclipped). 252pp with Introduction, 7 Chapters, 231 illustrations, Conclusion, Bibliography and Index. Condition VG/VG. …

Cloth, 4to, 29 cm, xix, 252 pp, 231 ills. From the blurb - "This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small-scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean." Small mark to foot of spine, otherwise Near Fine in Very Good dustwrapper, with short closed tear to upper edge of front panel.…

Condition: gut. 1991. Romanesque Sculpture in Campania: Patrons, Programs, and Style In englischer Sprache. pages.

orig. cloth. Condition: Minor wear. VG., dustwrapper. 29x22cm, xix,252 pp., Weighs 1.4 kilos. Contents: 1: Monte Cassino and Its Progeny -- 2: Toward the Romanesque -- 3: Salerno in the Twelfth Century -- 4: A Campanian Romanesque School -- 5 : Before and After Frederick II -- 6: The Narrative Programs -- 7: The Liturgical Programs. ["This first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small-scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean" - publisher's description]. Textual photo illustrations. (illustrator).…