Diegetic Music (124 results)

Soft cover. Condition: Very Good. 180 pages. Illustrated. "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Musicum" Robert Kintzel.…

Condition: Very Good.

Condition: as new. Amsterdam & Atlanta, GA: Rodopi,1991. Paperback. 370 pp. Condition : as new copy. ISBN 9789051832617. Keywords : .

Condition: Very Good. Modest wear to cover, tape affixed to lower edge of spine. Pages clean and binding sound.

Paperback. Condition: New. 1st. Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldWatch the author introduce the book in webinar from the Centre for Screen Cultures, University of St AndrewsThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene.".…

Paperback. Condition: New. 1st. Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldWatch the author introduce the book in webinar from the Centre for Screen Cultures, University of St AndrewsThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene.".…

Paperback. Condition: New. Across his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative, signpost the era in which the films were made, and delineate the characters' place within American culture. This book explores five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format.The author traces Hopper's distinctive approach to the use of music through films from 1969 to 1990, including his innovative use of popular rock, pop, and folk in Easy Rider, his blending of diegetic performances of folk and Peruvian indigenous music in The Last Movie, his use of punk rock in Out of the Blue, incorporation of hip-hop and rap in Colors, and commissioning of a jazz/blues soundtrack by Miles Davis and John Lee Hooker for The Hot Spot. Uncovering the film soundtrack as a vital piece of the narrative, this concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper's work.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. KORNGOLD, ERICH WOLFGANG.

paperback. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Neu. Neuware - No detailed description available for 'Diegetic Music in Opera and Film'.

Paperback. Condition: New. Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music - for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what's on screen, Rota's music is close and affectionate towards characters and events but still restrained, not detached but ironically attached.In this major new study of Rota's film career, Richard Dyer gives a detailed account of Rota's aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota's life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative. Rota's practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota's favourte genre, comedy, and his productive collaboration with the director Federico Fellini.…

Condition: Sehr gut. 212 S. Heidi de Mare, Salient. Silence. Some Principles of the Visual Formation in CRASH (2004) -- Christian Wessely, Wagner at the Movie Theatre. Classical Music as Supporting Diegetic Technique in Contemporary Cinema, Illustrated by means of Lars von Trier's MELANCHOLIA -- Sylvain De Bleeckerem Silence Resonating in the Cinematographic Space -- Frank Blaakmeer, Towards a Non-Symbolic Use of Silence: Bergman's WINTER LIGHT -- Kutter Callaway, The Sound of Silence. Westerns, Wisdom, and Myth -- Jonneke Bekkenkamp, The Silence of Flowers. A Gender-specific Analysis of Mystical Moments in HANA-BI (Takeshi Kitano, 1998) and BRIGHT STAR (Jane Campion, 2009) -- Luden van Liere, Going to the Movies in Indonesia. Cultura! Memory and Silence in Indonesian Movies after the Atrocities of 1965-1966 -- R. Ruard Canzevoort, Silence Speaks: Theological Musings on Silence in Religion and Film -- Alyda Faber, Silence-effects. Frederick Wiseman's Films as Parables -- Tjeu van den Berk, The Threefold Silence after the Death of God Filmed by Bergman (1963), Campion (1993) and Von Trier (2011) -- Jean-Marie Weber, Silence and Desire in Psychoanalysis. Approach by Way of the Film PERSONA by Bergman -- Frank C. Bosman, Silent Adam, Silence and Religion in Film in WALL-E -- David H. Pereyra, Wholehearted Silences Complete a Meaningful Conversation -- Freek L. Bakker / Mathilde van Dijk / Leo van der Tuin / Marjeet Verbeek. Some Final Observations. ISBN 9783894724320 Sprache: Englisch Gewicht in Gramm: 783 Mit zahlr. Abb. Originalbroschur. …

Paperback. Condition: new. Paperback. Set to generate discussions in the field for years to come, The Poetics of Poetry Film is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time. Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, The Poetics of Poetry Film includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers. The Poetics of Poetry Film examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. The book includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New. Idioma/Language: Español. De los videomemes a Tom & Jerry explora el funcionamiento de la música y el sonido en todo tipo de pantallas. Se interesa especialmente en aquellos momentos en que los dispositivos audiovisuales nos secuestran para convertirnos en parte integral de sus mecanismos narrativos. Se interna en discusiones teóricas sobre la obsoleta distinción entre música diegética y no diegética, analiza el papel de la música en la construcción de gags en los dibujos animados y describe los diferentes registros con los que sonido y música colaboran en la intrincada argumentación del anuncio publicitario. Por último, incursiona en la cultura digital participativa para desentrañar cómo sostenemos conversaciones digitales a través de esas remezclas inusitadas que llamamos videomemes. De los videomemes a Tom&Jerry explores how music and sound work on all types of screens. It is particularly interested in those moments when audio-visual devices hijack us to become an integral part of their narrative mechanisms. The text delves into theoretical discussions on the obsolete distinction between diegetic and non-diegetic music, it analyses the role of music in the construction of gags in cartoons and describes the different registers in which sound and music work together in the intricate argumentation of the advertising spot. Finally, it delves into participatory digital culture to unravel how we hold digital conversations through those unusual remixes that we call videomemes. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Soft cover. Condition: Very Good. 1st Edition. Dyer, Richard. Nino Rota : music, film and feeling. First edition, inscribed and signed by the author to half-title. Basingstoke: Palgrave Macmillan on behalf of the British Film Institute, 2010. Paperback, VG. Illustrated card covers with light shelfwear to edges and corners, slight curl to front cover. Binding strong. 226pp. b/w photographs and illustrations. Contents clean and bright. In this major new study of Rota's film career, Richard Dyer gives a detailed account of Rota's aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota's life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative. Rota's practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota's favourite genre, comedy, and his productive collaboration with the director Federico Fellini. RightWayUp Books aims to provide accurate and detailed descriptions. We do not use AI and all images are of the actual book for sale - no stock images are ever used. Thank you for looking at this listing. Signed by Author(s).…

Paperback. Condition: New. Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms - cinema and dance - historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.…

Paperback. Condition: New. From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi.…

Paperback. Condition: New. Set to generate and influence discussions in the field for years to come, this is an encyclopaedic work on the ever-evolving genre of poetry film. It will set the benchmark for all subsequent works on the subject, being the first book of its kind. Poetry films are a genre of short film, usually combining the three main elements: the poem as verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. This book examines the formal characteristics of the poetic in poetry film, film poetry and video poetry, particularly in relation to lyric voice and time.Provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. Includes interviews, analysis and a rigorous and thorough investigation of the poetry film from its origins to the present. This is a very important, groundbreaking work on film poetry. The ideas discussed here are of great importance, and the diversity and breadth of the volume is especially impressive and very useful. This book brings together in one place crucial ideas and information for practitioners, students and academics, and is clearly and accessibly written. Including over 40 contributors and showcasing the work of an international array of practitioners, this will be an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers.  It explores working practices, processes of collaboration and the mechanisms which make these possible. It also reveals the network of festivals disseminating and theorizing poetry film and presents a compelling bibliography.This is the most incisive and complete analysis of filmic poetry to date. It is poised to become a major text in the field.Essential reading for academics teaching poetry filmmaking, moving image, film, media and media poetry, writing and art. Undergraduate and postgraduate students in those fields. Great potential for textbook adoption.Also relevant to poets, filmmakers, visual artists, graphic artists and theorists, filmmakers, screenwriters, art historians, philosophers, cultural commentators, arts journalists.…

Paperback. Condition: New. Set to generate and influence discussions in the field for years to come, this is an encyclopaedic work on the ever-evolving genre of poetry film. It will set the benchmark for all subsequent works on the subject, being the first book of its kind. Poetry films are a genre of short film, usually combining the three main elements: the poem as verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. This book examines the formal characteristics of the poetic in poetry film, film poetry and video poetry, particularly in relation to lyric voice and time.Provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. Includes interviews, analysis and a rigorous and thorough investigation of the poetry film from its origins to the present. This is a very important, groundbreaking work on film poetry. The ideas discussed here are of great importance, and the diversity and breadth of the volume is especially impressive and very useful. This book brings together in one place crucial ideas and information for practitioners, students and academics, and is clearly and accessibly written. Including over 40 contributors and showcasing the work of an international array of practitioners, this will be an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers.  It explores working practices, processes of collaboration and the mechanisms which make these possible. It also reveals the network of festivals disseminating and theorizing poetry film and presents a compelling bibliography.This is the most incisive and complete analysis of filmic poetry to date. It is poised to become a major text in the field.Essential reading for academics teaching poetry filmmaking, moving image, film, media and media poetry, writing and art. Undergraduate and postgraduate students in those fields. Great potential for textbook adoption.Also relevant to poets, filmmakers, visual artists, graphic artists and theorists, filmmakers, screenwriters, art historians, philosophers, cultural commentators, arts journalists.…

Paperback. Condition: New. The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about European film music specifically. Miguel Mera and David Burnand present a volume that redresses the balance by exploring specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Starting from a study of the influence of propaganda on musical aesthetics in Nazi Germany the book includes an analysis of Italian neo-realist cinema, a consideration of the Ealing Comedies, experimental music in contemporary Spanish scoring, the invocation of traditional music, the portrayal of classical music performers, the use of space, silence and manipulation of time, and the depiction of the processes of scoring in independent film-making. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix. The book will appeal to those working in film studies, popular music studies, musicology, media studies and cultural theory.…

Paperback. Condition: New. 1st. Analyses the sonic environment mediated and crafted within the film and audiovisual media artsDefines the generally underexplored but well-used terms ambient sound" and "ambience" terms that denote an often unnoticed but significant element in the organization of sound in film and media productionsTraces the use of ambient sound in film and media art production through various technological trajectories leading to the contemporary milieu of digital sound systemsTakes a critical attitude towards the notions of diegetic sound, mimesis, presence, artistic transformations of soundscapes and technological innovationsQuestions the conventional assumptions about sound in film and audiovisual media art (e.g. image-based relationships), and intends to shift the focus on the notion of sculpting a site's presence in the diegetic world of media productions as a vital narrative strategyDraws inputs from prominent media artists and practitioners and their works across the globe as well as from this author's practiceIncludes examples from Indian, European and American films and many artworks from around the worldWatch the author introduce the book in webinar from the Centre for Screen Cultures, University of St AndrewsThe Auditory Setting introduces and investigates how narrative and a sense of place are constructed in film and media arts through the reproduction and mediation of site-specific environmental sounds, or 'ambience'. Although this sonic backdrop acts as the acoustically mediated space where a story or event can take place, there has been little academic study of sound's undervalued role in cinematic setting and production. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant audio-visual works, this book is a ground-breaking exploration of human agency in mediating environmental sounds and the nature of the sonic experience in the Anthropocene.".…

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Hannover (Englisches Seminar), course: Film Analysis, language: English, abstract: Friedrich Wilhelm Murnau's Nosferatu - Eine Symphonie des Grauens is a horror film classic from 1922. In 1979 Werner Herzog produced a movie called Nosferatu - Phantom der Nacht, in which he used Murnau's direction ideas. In this paper, I first analyse and compare the influence of colours and lighting on the atmosphere in both movies. Thereafter, I point out the differences in atmosphere between the silent movie with background music and the film with diegetic sounds. Finally, I focus on some differences in cinematography and editing in order to find out how different techniques evoke different feelings in the viewer.I do all this with the intention of proving that, even though advanced filming techniques have improved the understanding of details in movies, the genre of the horror film has not profited from the developments but, in contrast, runs the risk of appearing absurd or parodic. …

Hardback. Condition: New. Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music-or music that is not understood as part of a film's "story world"-Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology.…

Paperback. Condition: new. Paperback. Set to generate discussions in the field for years to come, The Poetics of Poetry Film is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time. Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, The Poetics of Poetry Film includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers. The Poetics of Poetry Film examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. The book includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condition: New. Stephen Lee Naish is a researcher and writer based in Ontario, Canada.Across his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative, signpost the era in which the films were made, and deline.