A M Cassandre, First Edition (19 results)

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Near Fine in Softcover. 1st Printing. 89pp 4to. Gray spinie with black and red titles.

Soft cover. Condition: Very Good - Fine. No Jacket. First Edition. Classic Art Deco poster art from the 1930s by the artist that did the iconic image of the French ocean liner, Normandy. Minimal wear. A very good or better copy.

Soft cover. Condition: New. First Edition. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; PHOTOS EMAILED WHEN ASKPHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED. Book.

Paperback. Condition: Good. First Edition; First Printing. 89 pages; color and B&W illustrations throughout the book. Leaf #31/32 is included but disconnected from binding! Very Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condition: Good +. A. M. CASSANDRE (illustrator). Introduction by Maximilien Vox. Tight binding. No chips, tears, creases or written inscriptions. Brown coverboards with gilt lettering. Ninety-nine pages of full-page illustrations; many in colour. Coverboards are bowed with a few scuff marks. Edges of pages slightly yellowed. Some rippling at top corner of pages in last half of book. Size: 4to (11" to 13"). 116 pp.

Soft cover. Condition: Near Fine. 1st. First edition. Softcover. Published NY: Dutton, 1979, first printing. 4to. wrappers, 8 3/8" x 10 7/8", 89pp., 60 posters in full color. "This handsome book for the first time publishes 60 of his posters in color together with an essay on Cassandre's life, career, and style and a virtually definitive listing of 117 posters." Minor bump to top edge at spine, else fine, clean, bright.

Soft cover. Condition: Fine. Dust Jacket Condition: Issued Without DJ. 1st Edition.

Soft cover. Condition: Near Fine. A. M. Cassandre (illustrator). First Edition. gray pictorial stiff card covers; lettering in black on spine; 90 pages; sixty full page, full colour plates; the success and poster art of Cassandre is often discussed in the same breath as those of Toulouse-Lautrec, Jules Cheret, Lucian Bernhard and the Beggarstaffs ( James Pryde and William Nicholson).

Condition: Good. First Edition. 4to. Soft Covers. Front and back covers show minor signs of wear. Very Good. 89 pp.Both color and black and white plates.Publisher's note: "'The poster is only a means to an end, a means of communication between the dealer and the public, something like telegraphy. The poster plays the part of a telegraph official: he does not initiate news, he merely dispenses it. No one asks him for his opinion. He is only required to bring about a clear, good, and exact connection.' This statement defining the art of the poster was made in 1933 by A. M. Cassandre, a French artist generally considered to be the greatest in his field during the 1920s and 1930s. This handsome book for the first time publishes 60 of his posters in color together with an essay on Cassandre's life, career, and style and a virtually definitive listing of 117 posters."Provenance: From the library of Pasquale Iannetti.

In-4 carré ( 320 X 315 mm ) de 110 pages, en feuilles sous couverture rempliée imprimée. Edition originale, 1/3000 exemplaires numérotés sur Vélin de chiffon Lana ( N°561 ). 16 planches offset en couleurs, 3 plans en noir. Texte en français et en allemand. Essai avec illustration de A. M. CASSANDRE pour le DON GIOVANNI de MOZART composées spécialement par le peintre sur le modèle des décors et costumes qu'il imagina pour l'opéra de MOZART, tel qu'il fut représenté pour la première fois au Festival international de Musique d'Aix-en-Provence le 18 juillet 1949. Couverture légèrement "ombrée" bel exemplaire. Beaux-Arts Peinture Decor Opera Musique Costume.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. With 398 illustrations, including 90 in color. Translated from the French by Michael Taylor. First edition thus. Near fine in a near fine dust jacket. ; 315 pages.

In-4 carré ( 320 X 315 mm ) de 110 pages, en feuilles sous couverture rempliée imprimée et étui de cartonnage imitation toile. Edition originale, 1/3000 exemplaires numérotés sur Vélin de chiffon Lana ( N°561 ). 16 planches offset en couleurs, 3 plans en noir. Texte en français et en allemand. Essai avec illustration de A. M. CASSANDRE pour le DON GIOVANNI de MOZART composées spécialement par le peintre sur le modèle des décors et costumes qu'il imagina pour l'opéra de MOZART, tel qu'il fut représenté pour la première fois au Festival international de Musique d'Aix-en-Provence le 18 juillet 1949. Très bel exemplaire. Beaux-Arts Peinture Decor Opera Musique Costume.

Hardcover. Condition: Very good. Dust Jacket Condition: Fair. First edition. A. M. Cassandre - Posters. First edition. Text in English. Dust jacket chipped and worn, two 1-inch tears on front.

Soft cover. Condition: Very Good. No Jacket. A M Cassandre (illustrator). 1st Edition. Nicolas' 1936 list featuring typographic design and decoration throughout by Cassandre, this being the second list designed by him for the firm. Spiral bound and in VG order throughout bar a little rubbing to front cover. French language. 8vo. 49pp.

Couverture souple. Condition: Très bon. Edition originale. Couverture souple avec titre en noir au premier plat. Adorable petite plaquette (publicitaire) de Guerlain illustrée de 6 magnifiques portraits couleur de Cassandre. Parfait état. 16x12,5cm.

Softcover. Condition: Good. First edition. Text in French. Quarto. Stapled wrappers. Wraps toned and worn, several chips and tears along the edges, neat tape repair along the spine, first couple of pages with impressions from a paper clip, sound but good only. A promotional publication to show off the newly designed font Peignot, designed by French painter and typeface designer Cassandre (pseudonym of Adolphe Jean-Marie Mouron). Includes many examples of the font being used in layout and advertising, prints Paul Valery's poem "Le Rameur", a one-page essay by Remy Duval, and more. A beautiful production.

in-12, x pp., 150 pp., avec un frontispice gravé, annotation manuscrite de la fin du XIXe siècle p. 8 pour expliquer l'expression "lingère au petit crochet", demi-chagrin bouteille à coins, dos à nerfs orné de filets et pointillés dorés, simple filet doré sur les plats, tête dorée (reliure de la fin du XIXe s.). Edition originale (la BnF signale une édition de 1811) de ce recueil de bouffonneries et de lazzi à la mode italienne. Musard serait le pseudonyme de Joseph de Berchoux (1760-1838), humoriste, poète, auteur autant du terme "gastronomie" que du célèbre incipit : "Qui nous délivrera des Grecs et des Romains ?".Quérard VI, 368. Au CCF, exemplaires seulement à la BnF.Exemplaire de la bibliothèque Van der Helle (Lille), avec vignette ex-libris héraldique contrecollée sur les premières gardes. Cette collection fut vendue aux enchères en 1868. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.

First edition of this notably rare spectacular promotional brochure for Lelong's fragrances, with no other copies traced. Largely forgotten today, apart from amongst the couture cognoscenti, Lelong (1889-1958) was enormously influential. After the First World War Lelong took charge of his parents' small fashion house, which was noted for its espousal of the modern look - the chic, autobiographical heroine of Colette's 1908 novella Les Vrilles de la vigne is dressed by Lelong - and continued their tradition of innovation advancing the concept of the "kinétique", clothes "constructed in such a way that their true shape would emerge in movement, not at rest". Not a designer himself, he employed a number of young designers who were later to strike out on their own. Christian Dior, Pierre Balmain, and Hubert de Givenchy all spent time developing collections for Lelong. His contribution to the success of the house was in his vision, and his marketing brilliance: he redesigned his parents' salon decorating entirely in black, so that it was said to resemble a black-lined jewellery box, he offered discounts to society women who agreed to be photographed in his dresses, and was early into the branded perfume market. The first fragrances offered by Lelong were enigmatically named A, B, C, J, and N, intending to evoke a sense of mystery and romance. The artfully designed bottles were largely the work of Lelong himself. Over 30 years he created a total of 27 different fragrances. This superbly produced catalogue features ten suitably mysterious and evocative plates by Cassandre (né Adolphe Jean-Marie Mouron), the Ukrainian-born French painter, illustrator, poster designer, and typographer, probably best-known for his imposing poster for the great CGT liner Normandie. Octavo. With 10 chromolithographic plates after illustrations by Cassandre, and similarly printed plates from photographs of the perfume bottles themselves by Réné Messager. Original plain boards in cream wrapper, front panel with company device embossed within debossed cartouche. Wrappers a little rubbed and irregularly toned, spine slightly chipped at ends, repair to short split at head of front joint, contemporary gift inscription to front free endpaper, else very good.

Genève, René Kister, 1957. Grand in-4, 110-(6) pp. en cahiers libres sous couverture rempliée, chemise et étui. Edition originale, tirée à 3145 exemplaires, ici UN DES 100 exemplaires sur vergé nacré (après 8 vélin et 22 vergé teinté), SIGNÉ par Jouve et par Cassandre. Bel exemplaire. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.