Angleterre, Signed (253 results)

Paperback. Condition: Befriedigend. Dust Jacket Condition: Kein Schutzumschlag. Erstausgabe. Editions d'histoire et d'art. 226 S. in französischer Sprache, mit Abbildungen auf Tafeln, Altersspuren am Einband, am Rand noch nicht beschnitten, mit Widmungseintrag des Autors! F-1. Vom Autor signiert.

Condition: Good. 1969. No edition remarks. 256 pages. Signed by the author. Paperback book with white cover. French text. Signed by the author with dedication to half title page. Clean pages with mild tanning throughout. Tightly bound with faint thumb-marking throughout. Pencil inscription to first page. Paper cover has mild edge wear with mild corner curling. Heavy tanning to spine. Notable scratching and marking to covers. Pen to rear cover.

Soft cover. Condition: Very Good. pages 177-193. 25 cm. Couverture imprimée. Envoi de l'auteur à l'archiviste du Canada M. Gustave Lanctôt (haut de la page 177). Propre, très bon. Inscribed by Author(s).

Paperback. Condition: Good+. Dust Jacket Condition: No DJ. 322 pps. Titles: frt. & sp. Illust. w/ colour & b/w table & portraits. French text. Some shelfwear to the wrps. Interior leaves are clean and tight. Includes notes, bibliographie sommaire, who's who, chronologie & index. Mary Stuart and Elizabeth Tudor: the game of thrones turned sinister. Inscribed by Author(s).

Condition: Good. 1985. No Edition Remarks. 180 pages. Signed by the author. Paperback book with pictorial cover. French text. Signed by the author with dedication to first page. Binding remains firm. Pages are lightly tanned throughout. Pencil inscription to first page. Paper cover has mild edgewear with curling to corners. Small tears to spine.

Paperback. Condition: Very Good-. First Edition. Signed and with a superb full page inscription by author. Account of the notorious love life of Lady Hamilton, the object of Horation Lord Nelson's passion. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author(s). Book.

Couverture souple. Condition: Bon. Coll. "Les grands événements littéraires". Livre avec envoi. Littérature. Histoire. "Une oraison funèbre est une oeuvre d'histoire autant, sinon plus, que la littérature pure." (avant-propos, extrait). 11,9x19 cm. 141 p. Broché. Bon état. Papier légèrement bruni. Dos insolé avec petit manque en pied. in-12° Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Envoi autographe. A Monsieur Georges Mongrédien Sympathiquement Guy de La Batut. Georges Mongrédien est un écrivain spécialiste du 17e siècle (wikipédia).

Paperback. Condition: Very Good. 54p card cover, large format, stamps, very good, with author signature, uncommon title Language: French.

Couverture rigide. Condition: Bon. Dust Jacket Condition: Assez bon. Dédicace pleine page de Monique de Huertas à l'historien Jean-Charles Varennes. 1988. 311 p. Librairie Académique Perrin. Reliure de toile bleue à titre doré sous jaquette illustrée en couleurs. Signet jaune. Format 15 x 21 cm. Tranche supérieure légèrement piquetée. Livre expédié dans une enveloppe cartonnée rigide à coins renforcés. Dédicacé par l'auteur.

broché. Condition: Bon état. Editions Didier, 1961; in-8 broché, 223 pages. Envoi de l'auteur. Livres.

In-12 broché ( 190x120 mm ) de 282 pages.Envoi Autographe Signé de l'Auteur en page de garde. Roman.

Broché. Condition: Très bon. Leïla Damak (illustrator). In-8° broché de 120 pages sous couverture rempliée. Présentation d'Alain Jégou, eau-forte de Leïla Damak. Recueil enrichi de la dédicace de l'auteur en page de faux titre. Couverture à peine insolée, sinon en excellent état. Dédicacé par l'auteur.

Paperback. Condition: Fair. Third Edition. Card covers age-toned, front cover is entirely loose though present with notable loss to upper and lower corners, index sticker still partially attached to rear cover; spine chipped with loss; internal binding is a little fragile, should be handled carefully; pages are age-toned but unmarked aside from the author's neat ink signature on half-title. Text in French, third edition 1920. ; 5.75 x 0.5 x 9 inches; 300 pages; Signed by Author.

Couverture souple. Condition: Bon. Un volume in8,broché,( 14,4 x 22,8 x 3,5 cm), VIII,460 pages,couverture en état moyen ( bordures effrangées , manques angulaires ),bon état intérieur .Envoi de l'auteur,tirage réservé ( n° 83). Dédicacé par l'auteur.

Couverture souple. Condition: Bon. 251 pages. Couverture jaunie, exemplaire en partie non coupé. Étude bien documentée. Size: In-8. Signé par l'auteur.

Soft cover. Condition: Very Good. No Jacket. In French, Inscription to Eveline Cruickshanks the author and Jacobite scholar. 182pp. Very good condition but small paper lift at bottom spine and corner crease to card at rear and mark. Inscribed by Author(s).

Broché. Condition: Bon. In-8° broché de 203 pages. Envoi signé de l'auteur, professeur à la faculté des Lettres de Toulouse, en page de titre. Couverture légèrement défraîchie, sinon en bon état. Dédicacé par l'auteur.

Hardcover. Condition: Very Good. 1st Edition. First edition, a very good copy in contemporary half calf, rubbed at the edges, inscribed by the author on the half title. Signed by Author(s).

1968, reprint. (Mass market paperback) Very good plus. 375pp. 8vo. Wrappers. Top cover with offset age-toning at head; spine evenly age-toned. Else, wrappers with only light rubbing, shelfwear. Internally tight, bright, and clean. Warmly inscribed on the ffep by Paul Wycznski to the noted Canadian historian and author Pierre Trudel and his wife, dated "le 5 nov. 1968." Text in French. Collection Présence; Série A - le Saint-Laurent.

Couverture souple. Condition: Bon. Coll. "Les problèmes contemporains". Histoire. 12x19 cm. 237 p. Broché. Bon état. Couverture légèrement défraîchie. Papier légèrement bruni. Quelques rousseurs en tranche. in-12° Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Bref envoi autographe édition originale. EO. Edition originale. EO. L'un des 200 exemplaires sur velin supérieur (n°173). "SP" indiqué au dos.

Paperback. Condition: Good. Inscribed by Andre Maurois on front end page. Softcover. Shelf wear. Tears to wraps. Creasing to spine. Pages unmarked. Some pages uncut. 754 p. ; 19 cm. *Autographed by author.*. Signed.

Couverture rigide. Condition: Bon. Dust Jacket Condition: Assez bon. petit accroc en coiffe supérieure de la jaquette. Dédicacé par l'auteur.

IV, 283; (4), 288pp. Original printed wrappers. Uncut. - Colophon signed by translator. - Very good copy.

Trade Paperback. Condition: Very Good. No Jacket. 658 pp. Text in French. Faint 1" diameter moisture stain on the front cover. The binding is tight and square, and the text is clean. Signed and dated by the author, with a presentation inscription, on the half-title page. Signed by Author(s).

Seltene handkolorierte Lithographie von ca. 1865. -- Blatt-Maße: ca. 42 x 29 cm. -- gut erhalten. || Rare handcolored lithograph from ca. 1865. -- in very good condition. || Lithographie coloriée à la main d'environ 1865. -- -- Jules Renard was born in the Belgian city of Liège in 1833. As a self-taught artist, he began drawing and created his first caricatures, finding his motifs in everyday life in Liège and soon working with local newspapers. The newspaper Uylenspiegel, founded in Brussels by Félicien Rops, also published his drawings. In 1861, at the age of 28, he went to Paris. Now his caricatures and cartoons were frequently published in some of the most important illustrated satirical and news periodicals of the era, (e.g. Le Charivari, LEclipse, Le Monde Classique, Paris-Comique, LIllustration, Le Monde Illustré, Le journal amusant, Petit Journal pour rire). Renard signed by the name Draner, a pseudonym (Renard in reverse spelling) he used all his life for all his graphic work. When Draner was settling in Paris in the mid-19th century, the armies and navies of the world were engaging themselves in the art of display: reviews, parades, the exchange of visits by various branches and units, a mounting elaboration and variety in the design of uniforms and the social standing and activities of those of officer rank. All of these things caught and amused the eye and mind of Draner, and this was what he most happily and most successfully set out to caricature for the diversion and pleasure of all. The chief result of his observation and his artistry was the series of 136 full-colour lithographic plates of high quality published by the firm of Daziaro in Paris and handsomely printed by the renowned establishment of Lemercier. The series was entitled 'Types Militaires: Galerie militaire de toutes les nations'. Soldiers and sailors of all countries and all ranks are shown with strong humorous emphasis on ludicrous situations and national characteristics, but, it must be emphasised, always with the strictest accuracy in the depiction of uniforms and accoutrements down to the most minor details of button, braid, fringe, or feather. The present lithograph comes from this very rare collection. From 1864 to 1893, Draner also designed costumes for theaters and opera houses. His imaginative stage clothes were intended for performances at the Scala in Milan, the Drury Lane Theater in London, the Théâtre des Galeries Saint-Hubert in Brussels, the Metropolitan Opera in New York, as well as the Parisian stages Théâtre du Châtelet, Théâtre de la Renaissance, Éden -Théâtre or the Folies Bergère. Draner died in Paris in 1926. He bequeathed his drawings to the University of Liège. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 30.

Seltene handkolorierte Lithographie von ca. 1865. -- Blatt-Maße: ca. 42 x 29 cm. -- gut erhalten. || Rare handcolored lithograph from ca. 1865. -- in very good condition. || Lithographie coloriée à la main d'environ 1865. -- -- Jules Renard was born in the Belgian city of Liège in 1833. As a self-taught artist, he began drawing and created his first caricatures, finding his motifs in everyday life in Liège and soon working with local newspapers. The newspaper Uylenspiegel, founded in Brussels by Félicien Rops, also published his drawings. In 1861, at the age of 28, he went to Paris. Now his caricatures and cartoons were frequently published in some of the most important illustrated satirical and news periodicals of the era, (e.g. Le Charivari, LEclipse, Le Monde Classique, Paris-Comique, LIllustration, Le Monde Illustré, Le journal amusant, Petit Journal pour rire). Renard signed by the name Draner, a pseudonym (Renard in reverse spelling) he used all his life for all his graphic work. When Draner was settling in Paris in the mid-19th century, the armies and navies of the world were engaging themselves in the art of display: reviews, parades, the exchange of visits by various branches and units, a mounting elaboration and variety in the design of uniforms and the social standing and activities of those of officer rank. All of these things caught and amused the eye and mind of Draner, and this was what he most happily and most successfully set out to caricature for the diversion and pleasure of all. The chief result of his observation and his artistry was the series of 136 full-colour lithographic plates of high quality published by the firm of Daziaro in Paris and handsomely printed by the renowned establishment of Lemercier. The series was entitled 'Types Militaires: Galerie militaire de toutes les nations'. Soldiers and sailors of all countries and all ranks are shown with strong humorous emphasis on ludicrous situations and national characteristics, but, it must be emphasised, always with the strictest accuracy in the depiction of uniforms and accoutrements down to the most minor details of button, braid, fringe, or feather. The present lithograph comes from this very rare collection. From 1864 to 1893, Draner also designed costumes for theaters and opera houses. His imaginative stage clothes were intended for performances at the Scala in Milan, the Drury Lane Theater in London, the Théâtre des Galeries Saint-Hubert in Brussels, the Metropolitan Opera in New York, as well as the Parisian stages Théâtre du Châtelet, Théâtre de la Renaissance, Éden -Théâtre or the Folies Bergère. Draner died in Paris in 1926. He bequeathed his drawings to the University of Liège. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 30.

Seltene handkolorierte Lithographie von ca. 1865. -- Blatt-Maße: ca. 42 x 29 cm. -- gut erhalten. || Rare handcolored lithograph from ca. 1865. -- in very good condition. || Lithographie coloriée à la main d'environ 1865. -- -- Jules Renard was born in the Belgian city of Liège in 1833. As a self-taught artist, he began drawing and created his first caricatures, finding his motifs in everyday life in Liège and soon working with local newspapers. The newspaper Uylenspiegel, founded in Brussels by Félicien Rops, also published his drawings. In 1861, at the age of 28, he went to Paris. Now his caricatures and cartoons were frequently published in some of the most important illustrated satirical and news periodicals of the era, (e.g. Le Charivari, LEclipse, Le Monde Classique, Paris-Comique, LIllustration, Le Monde Illustré, Le journal amusant, Petit Journal pour rire). Renard signed by the name Draner, a pseudonym (Renard in reverse spelling) he used all his life for all his graphic work. When Draner was settling in Paris in the mid-19th century, the armies and navies of the world were engaging themselves in the art of display: reviews, parades, the exchange of visits by various branches and units, a mounting elaboration and variety in the design of uniforms and the social standing and activities of those of officer rank. All of these things caught and amused the eye and mind of Draner, and this was what he most happily and most successfully set out to caricature for the diversion and pleasure of all. The chief result of his observation and his artistry was the series of 136 full-colour lithographic plates of high quality published by the firm of Daziaro in Paris and handsomely printed by the renowned establishment of Lemercier. The series was entitled 'Types Militaires: Galerie militaire de toutes les nations'. Soldiers and sailors of all countries and all ranks are shown with strong humorous emphasis on ludicrous situations and national characteristics, but, it must be emphasised, always with the strictest accuracy in the depiction of uniforms and accoutrements down to the most minor details of button, braid, fringe, or feather. The present lithograph comes from this very rare collection. From 1864 to 1893, Draner also designed costumes for theaters and opera houses. His imaginative stage clothes were intended for performances at the Scala in Milan, the Drury Lane Theater in London, the Théâtre des Galeries Saint-Hubert in Brussels, the Metropolitan Opera in New York, as well as the Parisian stages Théâtre du Châtelet, Théâtre de la Renaissance, Éden -Théâtre or the Folies Bergère. Draner died in Paris in 1926. He bequeathed his drawings to the University of Liège. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 30.

Seltene handkolorierte Lithographie von ca. 1865. -- Blatt-Maße: ca. 42 x 29 cm. -- gut erhalten. || Rare handcolored lithograph from ca. 1865. -- in very good condition. || Lithographie coloriée à la main d'environ 1865. -- -- Jules Renard was born in the Belgian city of Liège in 1833. As a self-taught artist, he began drawing and created his first caricatures, finding his motifs in everyday life in Liège and soon working with local newspapers. The newspaper Uylenspiegel, founded in Brussels by Félicien Rops, also published his drawings. In 1861, at the age of 28, he went to Paris. Now his caricatures and cartoons were frequently published in some of the most important illustrated satirical and news periodicals of the era, (e.g. Le Charivari, LEclipse, Le Monde Classique, Paris-Comique, LIllustration, Le Monde Illustré, Le journal amusant, Petit Journal pour rire). Renard signed by the name Draner, a pseudonym (Renard in reverse spelling) he used all his life for all his graphic work. When Draner was settling in Paris in the mid-19th century, the armies and navies of the world were engaging themselves in the art of display: reviews, parades, the exchange of visits by various branches and units, a mounting elaboration and variety in the design of uniforms and the social standing and activities of those of officer rank. All of these things caught and amused the eye and mind of Draner, and this was what he most happily and most successfully set out to caricature for the diversion and pleasure of all. The chief result of his observation and his artistry was the series of 136 full-colour lithographic plates of high quality published by the firm of Daziaro in Paris and handsomely printed by the renowned establishment of Lemercier. The series was entitled 'Types Militaires: Galerie militaire de toutes les nations'. Soldiers and sailors of all countries and all ranks are shown with strong humorous emphasis on ludicrous situations and national characteristics, but, it must be emphasised, always with the strictest accuracy in the depiction of uniforms and accoutrements down to the most minor details of button, braid, fringe, or feather. The present lithograph comes from this very rare collection. From 1864 to 1893, Draner also designed costumes for theaters and opera houses. His imaginative stage clothes were intended for performances at the Scala in Milan, the Drury Lane Theater in London, the Théâtre des Galeries Saint-Hubert in Brussels, the Metropolitan Opera in New York, as well as the Parisian stages Théâtre du Châtelet, Théâtre de la Renaissance, Éden -Théâtre or the Folies Bergère. Draner died in Paris in 1926. He bequeathed his drawings to the University of Liège. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 30.

Broché. Scriptorium 1954, plaquette In-4 brochée. 18 pages. Envoi autographe de François MASAI, un des auteurs. Trés bon état.

Album cartonné. In-4 (27 x 26,8 cm), album cartonné, non paginé, illustrations de Claude Kerfrieden, envoi de l'auteur ; reliure un peu fragilisée, réparations au ruban adhésif à cheval sur le dos, traces et marques d'usage sur les plats, coins usés, en l'état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Kerfriden Claude.