Arakawa, Signed (15 results)

Paperback. 302p., wraps, 5.5x8.25 inches, illus., very good condition; inscribed and signed by Garner on the title page. Text in French. Speculative fiction with Helen Keller, the conceptual artist Sh?saku Arakawa (who was also Gins's partner), and Gins herself as characters.

Cloth. Condition: Very Good. Dust Jacket Condition: None. Very Good in brown-plum silky boards with a few scratches and small stain to spine at crown. 99 pages, heavily illustrated, 10" x 10.5". This copy is SIGNED and inscribed by Gins to the late L. Brandon Krall, artist, whose ex-libris stamp appears on the front free endpaper (in addition her initials and a date in pencil.) The lengthy title-page inscription from Gins, in metallic silver ink and dated 2011, also includes her typical addition "Arakawa in absentia." Endpapers have a few light marks and cloth is gently rubbed at extremities.

Soft cover. Condition: Fine. Small square quarto, 102 pages, illustrated throughout including 5 fold out plates. Illustrated wrappers. - First edition. Exhibition Lenbachhaus from October 30 December 13, 1981 + Kestner- Gesellschaft from December 18, 1981 January 31, 1982. Presentation copy to Francois di Dio, founder and owner of the Soleil Noir publishing house + his wife Nicole Ménant + an original drawing in red pen by Arakawa on title page. Loosely laid in also the two invitation cards for the exhibition in the ketner-Gesellschaft + the Lenbachhaus. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 7" x 8 3/4", 309 pp., printed in varying sized types, with photo & short biography of Gins on p. 309 & list of Arakawa works mentioned in the text, & "sources". Bound in black cloth with titles stamped in blue on spine, blindstamped design of braille dots on front cover, black & blue, initial-designed: HK oA endpapers; printed dustjacket with titles, braille dot design, by Michael Sumner. Signed by artist Arakawa above the black & white illustration (of Arawaka viewing one of his works) preceeding the titlepage; and by Madeline Gins on the titlepage, and dated on the titlepage: N. Y. 1994. Weight: 2 lbs. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition : Signed. Square octovo hardcover in fine black cloth, very tight and square spine/binding, pages white and compellingly white, covers unworn, else FINE in bright DJ, tiny fold on top, else FINE in clear mylar jacket protector. Signed by Arakawa on top of silhuette page in front and by Madeline Gins on title page with her brief flurish. Very nice copy. Braile dots from front and on, considered 'speculative fiction.' ; 8vo 8" - 9" tall.

. Deux volumes in-4 br. sous emboîtage éditeur illustré. Coll. " La vue du texte ". Vol. 1 : texte de J.-F. Lyotard. Vol. 2 : oeuvres d'Adami, Arakawa et D. Buren. Reproductions principalement en couleurs. E.O. Bel envoi autographe de Jean-François Lyotard.

couverture souple. Editions de la Différence | Paris 1987 | 20 x 27 cm | 2 volumes brochés sous étui souple | Edition originale. Iconographie. Dos insolés, exemplaire complet de son étui souple qui comporte un accroc en pied et qui est marginalement sali. Envoi autographe signé de Jean-François Lyotard à Georges Raillard sur le premier volume. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Iconography. Back insolated, complete copy of its soft case that has a hitch in foot. Signed autograph of Jean-François Lyotard Georges Raillard on the first volume. *.

Softcover. Condition: Fine. First edition. Quarto. Wrappers. Text in both English and Japanese. Essay by Madeline H. Gins. Fine, with the slightest of wear. Exhibition catalogue. Nicely Inscribed by both Arakawa and Gins in 1980.

24,5x23,5 cm. 126 S. mit vielen meist s/w Abb. OPappband mit 2 verschiedenen OU. Mit handschriftlicher Widmung und Signatur von Arakawa und von Madeline Gins auf dem Vorsatz. - (Beide Schutzumschläge mit Lichtrand und der Cellophanbezug stellenweise abgeplittert. Leicht angestaubt). Sprache: deutsch.

Soft cover. Condition: Fine. No Jacket. Limited Edition. A green paper-covered chemise measuring approx. 11 1/8 in. x 15 in. Inside is a white, high-quality paper folder with an example of Arakawa's work on front and rear panels. Inside the folder is a collection of works by Arakawa on 23 numbered pages (plus 6 preliminaries and 6 end pages unnumbered) measuring 11 in. x 14 7/8 in. The text consists of two essays in French: (1) Arakawa: Un Air critique (by Madeline H. Gins); (2) Une Lecture (by Nicolas Calas). The pages are not bound. Number 11 of 150 copies signed by Arakawa. One original lithograph in color, 2 lithographs in black-and-white, and 11 reproductions (some in color). The chemise has printed titling on the spine. Loosely inserted is Derriere Le Miroir, No.252: Arakawa, Propietes De "Blank." (Paris: Galerie Maeght, 1982). The paper quality is the same as described above. 23 pp. of French Text are excerpts from philosophers under the general title "Proprieties de Blank." The French text is followed by eight pages which appear to be English translations under the title "Properties of Blank." Within the French text are reproductions of Arakawa's work, and one lithograph. No. 252 is unbound, in an illustrated folder with color titling and illustration on the front panel, and a color illustration on the rear panel. Items sold as a unit. The items are housed in a green, paper-covered slipcase with titling in silver on one pane. The case shows evidence of a small piece of tape having been removed. Weight is 4 lbs. Postage may be extra on this item. Signed by Illustrator(s).

Hardcover. Condition: Fine. Size of pages: 11 in. x 14 7/8 in. A collection of Arakawa's work. Title-printed wrapper with an Arakawa design; title page. Two essays in French: (1) Arakawa: Un Air critique (by Madeline H. Gins); (2) Une Lecture (by Nicolas Calas). 8 unbound folded sheets, 23 pp. + a signed limitation page and a printer's page. Number 113 of 150 copies printed on velin d'Arches paper, and signed by Arakawa. One original lithograph in color, 2 lithographs in black-and-white, and 11 reproductions (some in color). In a grey- green paper covered slipcase with a printed title label on the side, and with a grey-green paper covered cardboard chemise, with printed titling on the spine. Weight is 3 lbs. Postage may be extra on this item. Signed by Illustrator(s).

4° (25x24), 126 S., reich illustriert mit 83 (davon 14 farb) Abb., typographisch interessant, OPbd mit 2 ill OU, Umschlagrücken minimal lichtverfärbt, sonst tadellos, dazu der Original-Schuber (leicht lichtrandig und zart anschmutzt), Das Buch hat zwei Umschläge mit zwei unterschiedlichen Titelbildern, mit der Fragestellung: Inwieweit verändert sich die Bedeutung des Buches mit dem jeweilien Bezugsrahmen? Völlig? Vorzugsausgabe mit einer 6 farbigen Original-Serigrafie 'Do you like this page : critical mistake' von Arakawa, handsigniert und nummeriert 85/150 (GA 150).- * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

CONSTRUCTING THE PERCEIVER - ARAKAWA: Experimental Works (Zweisprachiger : japanisch-englischer Riesen-Kunstbildband) The National Museum of Modern Art, Tokyo and Kyoto, 1. Auflage 1992, ERSTAUSGABE, 334 SS. Pb. gr. 4°, mit etlichen Abbildungen, gut erhalten - mit eigenhändiger Widmung, Empfehlung, Ort, Jahr, Unterschrift signiert "for Michiko san. Thank you very much ARAKAWA (19)91 at TOKYO".

Condition: Very Good. Hardcover. Dust jacket and book in very good condition. Tall 8vo, cloth, dust jacket, 309pp. First edition/printing. Inscribed by author. HELEN KELLER OR ARAKAWA gives rise to a new form of speculative fiction, conveying the potential for human experience now and here rather than depicting worlds distant in space or time. The novel tracks consciousness and identity through the intermingling paths of its three protangonists: the historical person Helen Keller; the iconoclastic artist Arakawa; and the writer herself, Madeline Gins. At the same time, this innovative work advances and upsets key tenets of contemporary critcal theory. Inscribed by Author(s).

Brosch. 4°, 110 S., 27 Tafeln (davon 2 farbig u. gefaltet), Textabb. Einband tlw. ausgeblichen, Rückenkanten tlw. etw. berieben, innen tadellos. EA. Mit Widmung von Madeline Gins («Daruber und x zu . . .!») und von Arakawa («Why John!!») in blauer Tinte an den Schweizer Ausstellungsmacher und Kunstpublizisten John Matheson auf Titelblatt. Mit einem Text von Madeline Gins: «Arakawas Absicht (Modelle formen, zeigen, festlegen)» (S. 9 - 35), gefolgt von «Ein paar Worte» von Arakawa (4 S.) (jeweils dt./engl.). Erschienen zur Ausstellung. Im Anhang das Verzeichnis der ausgestellten Werke, weiter Bio- und Bibliografie und Ausstellungsverzeichnisse.