Artscribe (44 results)

Soft cover. Condition: Good. Periodical, softcover, 11 3/4 by 8 1/4 inches, 63 pages, illustrated. Articles include: interview with bruce Lacey and Jill Bruce, Hodgkin interview, Max Beckmann, Hungarian scene, Geeta Kapur. Covers have only slight wear, a little curling for about 2 inches of bottom edge.

Original Wrappers. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Edition. Artscribe No 50. 1985. 79 pages, illustrated articles, including ; - Malcolm Morley, interviewed by Matthew Collings, John Hilliard interviewed by Paul Bonaventura. Stubbs and Laocoon, by tom Godfrey. 2 full page Drawings by Ina Barfuss, and an article on Francesco Clemente's Pastels, by Andrea Hill, etc. There are a few pen underlinings in the text, but otherwise a very good copy. ; Book; Quarto.

Paperback. Condition: Very Good. ARTSCRIBE No. 6 edited by James Faure Walker with pieces by Searle, Adrian; Finlayson, Ann; Taylor, Bramon; Born, Carrie; Rippon, Peter, Maloon, Terence and others. Cover by John Edwards. 48 pages, paper, black and white reproductions. 11 3/4" x 8 1/4". Small stain to back cover otherwise very good condition.

Soft cover. Condition: Good. Good copy with b/w images . 0.

Soft cover. Condition: Very Good. Billy Childish (illustrator). 1st Edition. 4to. 104pp. Paper wrappers. Articles include: Hanging Man; Billy Childish; It;s a Maggot Farm: :The B Boys and Fly Girls of British Art; Snakes and Ladders. The Archive of Dr.Willi Bongard. Light wear on covers, else good.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Markus Lupertz pp.63 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Eric Fischl pp71 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Malcolm Morley pp77 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Bill Woodrow pp72 see images for content. Condition As New Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by pp.71 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Jorg Immendorf pp.69 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: Fine. Bi-monthly softcover. stapled. illustrated throughout. covers by Ian McKeever pp71 Condition Fine see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. covers by Karel Appel pp.67 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout. pp71. covers by Julian Schnabel. pp4 Illustrated insert for Manuel Alvarez Bravo exhibition Dreams-Visions-Metaphors , The National Museum of Photography, Film & TV, Bradford and The Photographers Gallery, London. Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout, covers by Adrian Berg. see images for content. pp65. Condition As New Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. stapled. illustrated throughout Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

96 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1989 issue of Artscribe International, edited by Stuart Morgan. Contents include: interview between Regina Cornwell and Yoko Ono, "View;" "True Fictions: Barbara Bloom," by Nancy Spector; "Past Present Future: Count Giuseppe Panza di Biumo," interviewed by Stuart Morgan; "Not all about death: Jenny Holzer," interviewed by Steven Evans; "Pitz Files," by Hermann Pitz," photographs by Florian Kleinefenn; "3000 Years: Carl Andre," interviewed by David Batchelor; "Some Other Sense: Art & Language," by Charles Harrison; "Oktober 1977: Gerhard Richter," by Bettina Semmer; "Reviews" and "Books." Good. Light edgewear. Page five has separated from binding. Light yellowing of page edges. Contents otherwise clean and unmarked.

Soft cover. Condition: Very Good. 1st Edition. Oblong 8vo. Original paper wrappers, stapled. Essay by Ben Jones and James Faure Walker andf David Sweet. Each artist with biography and b/w plate. incs Graham Crowley, Jennifer Durrant, Noel Forster, Jeff Lowe, Nicholas Pope, Adrian Searle, Trevor Sutton, Gary Wragg etc.

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with colour and b/w images .

Soft cover. Condition: Near Fine. 1st Edition. Issue of this magazine. Very light only edgewear, still quite a nice copy. Derek Jarman cover subject. Articles include: Psychedelia, Coke, and Sherlock Holmes: Medical Hermeneutics. - Eastward in Eden: Derek Jarman Talks about God, Poland, and Gardening. - Not a Pretty Sight: Mike Kelley. - Other Relations: The Persistence of Colonial Attitudes, (Venice Biennale, German Unification, Artaud, Fiji and the Museum of Cruelty). Plus the usual great advertisements.

Soft cover. Condition: As New. Bi-monthly softcover. perfect binding. illustrated throughout. covers by George Condo pp.91 Condition see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example. 'Collings's successor Stuart Morgan was a highly respected art writer who freelanced for various publications, including Artscribe, Art Monthly and Artforum. He also played an influential role in the UK as a curator.' (Wiki). This is the first issue published by Patricia Fleming Butler.

Soft cover. Condition: As New. Bi-monthly softcover. perfect binding. illustrated throughout. cover by Ilya Kabakov pp.96 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example. 'Collings's successor Stuart Morgan was a highly respected art writer who freelanced for various publications, including Artscribe, Art Monthly and Artforum. He also played an influential role in the UK as a curator.' (Wiki).

Soft cover. Condition: As New. Bi-monthly softcover. perfect binding. illustrated throughout. covers by Ina Barfuss & Thomas Wachweger pp.100 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Soft cover. Condition: As New. Bi-monthly softcover. perfect binding. illustrated throughout. covers by Bruno Ceccobelli pp.92 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example. 'Collings's successor Stuart Morgan was a highly respected art writer who freelanced for various publications, including Artscribe, Art Monthly and Artforum. He also played an influential role in the UK as a curator.' (Wiki).

Condition: Gut. 100 S. Einband leicht berieben. - Mythologies: Art and the Market. Jeffrey Deitch interviewed by Matthew Collings -- Young Necrophiliacs, Old Narcissists. Donald Kuspit -- Expression and Exhaustion: Art and Criticism in the Sixties Part II. Charles Harrison -- The Picture as Process: The Work of Ina Barfuss and Thomas Wachweger. Wolfgang Max Faust -- A Bootful of Brains: Walter Dahn. Wilfried Dickhoff -- Frank Bowling: In Search of an El Dorado. Dennis De Caires -- Alison Wilding: Sailing On. Lynne Cooke -- Being an Artist is Not a Goal: Georg Herold. Interviewed by Barbara Catoir -- Donald Lipski's Book of Knowledge. Barry Schwahsky -- AR TIST'S PAGES: Albert Irvin -- Enzo Cucchi. A conversation with Paola Igliori -- Joshua Reynolds. Tim Hilton -- Cries and Whispers. Stuart Morgan. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.