Atlante, Signed (16 results)

Encuadernación de tapa blanda. Condition: Muy Bien. Dust Jacket Condition: Muy Bien. A10454 - EDAF - Ed. 2002 - 8441410887 - Tapa blanda - 24 cmts - 217 págs - Muy bueno - Dedicatoria firmada por autora. Dedicado por el Autor(es).

In 8° formato album, mezza tela, pp. XXVI di testo+ 93 tavole che illustrano 337 riproduzioni in nero. Dedica autografa dell'editore al frontespizio.

Encuadernación de tapa blanda. Condition: Muy bien. Edizioni Ensemble, SRLS, 2018 Roma. Èchos Narrativa. Rústica ilustrada. Muy buen estado general. 8ºM (20x13 cm) 121 págs. "Per quasi otto mesi si erano solo scritti delle mail e degli sms. Il tono a volte rasentava la confessione intima, a volte diventava impertinenza allusiva per poi, in qualche caso, spingersi in esplicite provocazioni sessuali. In mezzo c?erano pause in cui restava soltanto la percezione di una presenza lontana, un diversivo che voleva essere promessa di un rapporto e, come tale, acquistare un valore aggiunto che entrambi ci tenevano a preservare. Ignoravano che, dopo il loro incontro, si sarebbero nuovamente adeguati alla continuità del vivere, sapendo entrambi che, sul piano dell?esistenza più profonda e insondabile, era avvenuto un crollo a cui non ci sarebbe stato rimedio neanche in futuro.". Dedicatoria autógrafa del autor.

Condition: Gut. 438 s/w-Abb., 206 S. ; Pr. Widmung von G. Constantini auf Vorsatz. Einband berieben und bestoßen, Stempel auf Titel. // Cover rubbed and bumped, otherwise clean, dedication of g. Constantini on endpaper. Sprache: Italienisch Gewicht in Gramm: 1010 31,5x24,5 cm, beigefarb. Org.-Leinen / Hardcover.

Condition: OTTIMO USATO. ITALIANO Legatura dalla copertina rigida con macchie sparse di umidità e polvere, sovraccoperta illustrata con dissolvenza diffusa tracce d' uso, interno ben preservato, le pagine uniformemente ingiallite, raccolgono corposa documentazione storico - artistica e fotografica, su tavole e figure nel testo e fuori, in nero e colore, i lievi danni nel complesso rilevati, determinano un ottimo stato di conservazione del volume. Presente dedica autografa. Numero Pagine 471.

in-8° pp. 142 con 16 tav. f.t. Bross. edit. Dedica autografa dell'autore all'intreno. Copia n° 931 di una tiratura di 1500 esemplari.

2a edizione. 27 cm, ril. editoriale in piena tela con tit. in oro al piatto e al dorso, sovracop. illustrata, p. 230, 301 immagini a colori e 13 in nero n.t. Dedica autografa alla prima c.b Molto buono.

Condition: Good. 8vo. Soft Cover. [ca. 220 pp.] B&W and Color Plates, Fold-out Double pages. Very good. Text in Italian. Signed and Inscribed by Author Matteo Bianchi.Loosely laid In: Handwritten letter in Ink signed by the Author, Matteo Bianchi, Great Grandson of Luigi Rossi, with the Inscription addressed to Richard Grant.Loosely laid In: Two Folded Marketing Posters for Pagine d'Arte; Provenance: Richard Diebenkorn Foundation. Some items presented to Phyllis, his wife (1921-2015).

In 8° 15 pp. Con una grande tavola ripiegata. Brossura editoriale, dedica dell'autore, 2 etichettine. Buono stato. All books are in stock in fine condition or described meticulously. Very safe packaging.

190 S. Quart. mit zahlreichen farbigen Fotos. Universita. Siena. 1981. Mit Gebrauchsspuren/Used condition. Gebundene Ausgabe/Hardcover. mit Widmung des Verfassers Cresti. Sprache: italienisch/italian.

2 volumi, 27 cm, brossura editoriale, p. xiii, 334; (6), alcune tabelle e 137 figure nel testo del 1° volume. 16 grandi tavole più volte ripiegate al secondo volume che illustrano i bacini dei fiumi emiliani. Dedica autografa di Galdi alla 1° copertina. Qualche traccia d'uso alle copertine Molto buono l'interno.

Royal 4to (31 x 27 cm). 2 vols. 439; 46, (2 blank) pp. (vol. II, pp. 1-2 blank). With 2 title-pages printed in red and black, each with the author's wood-engraved decorated GAV monogram and motto; vol. 1 with 2 folding lithographed maps (1 printed in black, brown and blue, with the route coloured by hand in red, of the Sinai Peninsula; the other in black and white, of the city of Petra); 40 mounted albumen prints after paintings by Emile Pierre Metzmacher (mainly 11.5 x 16 cm), individually mounted with letterpress captions on the mount; and 2 engraved plates; vol. 2 with 6 numbered engraved plates of molluscs and insects. Set in roman and italic types, with incidental Arabic, and sans-serif Greek and Latin capitals to render ancient inscriptions. The Diario in the original publisher's maroon cloth with the author's crowned monogram gold-blocked on the front board and spine, and blind-blocked on the back board, with the title in gold on the spine. The Atlante in the original publisher's blue cloth, with the author's crowned monogram and the title gold-blocked on the front board, and the monogram in a larger size blind-blocked on back board. Both volumes with gilt edges, orange endpapers and with tissue guard leaves tipped in, protecting the albumen prints and engraved plates. Rare first and only edition of an Italian account of an 1865 expedition through "Arabia Petrea", meaning the Sinai Peninsula and adjoining parts of what are now Israel and Jordan, including the ancient city of Petra, now in Jordan, where parts of "Raiders of the Lost Arc" were filmed (the spectacular ancient buildings are carved into the solid rock walls of the cliffs and probably date from the 5th century BC to the 2nd century AD). - The photographically reproduced paintings show the author on camelback, numerous Bedouins, Arabs, Egyptians and Ethiopians as well as archaeological sites, monuments and topographic views. The plates in the second volume depict molluscs and insects, reflecting the author's own research interests in the field of natural history, in addition to archaeology. The typography has been designed to suit the antiquarian subject, with Louis Perrin's Augustaux roman capitals on the title-pages, the main text set in what would then have been considered an "antique" style (types influenced by pre-1800 models) and sans-serif capitals used to represent the ancient Greek and Latin inscriptions. The author quite literally put his stamp on the work, with his crowned monogram not only on the title-page and binding, but also embossed in the paper, where it serves as a sort of watermark. - The book does not indicate the size of the edition, but since most of the illustrations are original albumen prints, there cannot have been many copies produced. The present copy may be a more deluxe binding than the Blackmer copy, also inscribed by the author to a woman, for it was in green cloth with only Visconti's single initial "V" on the front board. The volume with the Diario is a presentation copy with the author's presentation inscription to a woman named Josephine. - Bindings slightly worn, the blue cloth a little stained. First and last leaves of both volumes browned, some foxing, some fly-leaves with a tear (not affecting the plates), the map of Petra stained due to oxidation, with some browning caused by the albumen prints on the facing leaves, but overall in good condition. - Blackmer 1742. Gay 3650 bis. Macro 2254 (not noting plates): Not in Howgego, Ibrahim-Hilmy, or Weber.

2 volumes. Rare first and only edition of an Italian account of an 1865 expedition through "Arabia Petra", meaning the Sinai Peninsula and adjoining parts of what are now Israel and Jordan, including the ancient city of Petra, now in Jordan, where parts of "Raiders of the lost arc" were filmed (the spectacular ancient buildings are carved into the solid rock walls of the cliffs and probably date from the 5th century BC to the 2nd century AD. The photographically reproduced paintings show the author on camelback, numerous Bedouins, Arabs, Egyptians and Ethiopians as well as archaeological sites, monuments and topographic views. The plates in the second volume depict molluscs and insects, reflecting the author's own research interests in the field of natural history, in addition to archaeology. The typography has been designed to suit the antiquarian subject, with Louis Perrin's Augustaux roman capitals on the title-pages, the main text set in what would then have been considered an "antique" style (types influenced by pre-1800 models) and sans-serif capitals used to represent the ancient Greek and Latin inscriptions. The author quite literally put his stamp on the work, with his crowned monogram not only on the title-page and binding, but also embossed in the paper, where it serves as a sort of watermark. The book does not indicate the size of the edition but since most of the illustrations are original albumen prints, there cannot have been many copies produced. The present copy may be a more deluxe binding than the Blackmer copy, also inscribed by the author to a woman, for it was in green cloth with only Visconti's single initial "V" on the front board.The volume with the Diario is a presentation copy with the author's presentation inscription to a woman named Josephine. Bindings slightly worn, the blue cloth a little stained. First and last leaves of both volumes browned, some foxing, some fly-leaves with a tear (not affecting the plates), the map of Petra stained due to oxidation, with some browning caused by the albumen prints on the facing leaves, but overall in good condition.l Blackmer 1742; Gay, Bibl. de l'Afrique et l'Arabe 3650 bis; Macro, Arabian peninsula 2254 (not noting plates); not in Howgego; Ibrahim-Hilmy; Weber. The Diario in the original publisher's maroon cloth with the author's crowned monogram gold--blocked on the front board and spine, and blind-blocked on the back board, with the title in gold on the spine. The Atlante in the original publisher's blue cloth, with the author's crowned monogram and the title gold-blocked on the front board, and the monogram in a larger size blind-blocked on back board. Both volumes with gilt edges, orange endpapers and with tissue guard leaves tipped in, protecting the albumen prints and engraved plates. With 2 title-pages printed in red and black, each with the author's wood-engraved decorated GAV-monogram and motto; vol. 1 with 2 folding lithographed maps (1 printed in black, brown and blue, with the route coloured by hand in red, of the Sinai Peninsula; the other in black and white, of the city of Petra); 40 mounted albumen prints after paintings by Emile Pierre Metzmacher (mainly 11.5 x 16 cm), individually mounted with letterpress captions on the mount; and 2 engraved plates; vol. 2 with 6 numbered engraved plates of molluscs and insects. Set in roman and italic types, with incidental Arabic, and sans-serif Greek and Latin capitals to render ancient inscriptions. Pages: 439; 46, [2 blank] pp. (vol. II, pp. 1-2 blank).

Editions Ananké / Collection BMP HC n° 18 de 2007. In-12 broché de 31 pages au format 12,5 x 18 cm. Couverture et illustrations de Frank Leclerq. Etat de neuf. Tirage unique à 200 exemplaires signés et numérotés par l'auteur. Celui-ci est un des exemplaires, notés " E.A ", réservés à l'auteur. Edition originale, totalement épuisée, enrichie d'une superbe et cordiale dédicace autographe signée de l'auteur.

Brossura. Condition: Discreto. Prima edizione. Opera completa in tre volumi, con apparato iconografico di 82 tavole fuori testo. Cm.31,8x23,6. Volume I: "Monumenti di pura archeologia" (pg.104, con 34 tavole litografiche); Volume II: "Monumenti storici e preistorici del bronzo e pietra", con appendice sull'origine delle Terremare per Luigi Besini (pg.116, con 32 tavole litografiche); Volume III: "Monumenti storici e anistorici del ferro bronzo e pietra" (pg.32, con 16 tavole litografiche). Esemplari da rilegare. Opera di assai difficile reperibilità completa delle sue tre parti, impreziositi da dedica autografa dell'autore al secondo volume. > Lozzi, I, 2159. 1600 gr.

"Editions de la Flamme d'Or / Collection " Visions Futures " de 1952 à 1953. 10 volumes in-12 brochés d'environ 190 pages chacun au format 18 x 11,5 cm. Superbes couvertures illustrées par Jef de Wulf. Dos carré dont quelques uns pâlis. Plats et intérieur frais, malgré, parfois, de petits frottis aux coins et aux mors. Editions originales, en bel état de fraicheur. Rare en série complète.Visions Futures, fut une éphèmere collection parue entre 1952 et 1953, réputée pour ses superbes couvertures illustrées par Jef de Wulf et aussi pour avoir publié le 1er livre de André Ruellan alias Kurt Steiner sous le pseudonyme de Kurt Wargar. Quand aux autres auteurs, René Gordon semble avoir plutôt écrit pour le théâtre des comédies et vaudevilles et c'est ici son seul ouvrage de SF connu. Alan Brightmill qui est sans doute un pseudonyme n'est connu que pour ces deux titres parus ici tout comme France Potz, Maurice Renaud et Christian Bergen. Charles-Anthoine Gonnet, ancien rugbyman international à dirigé et écrit les collections policières et d'espionnage édités à la même époque à la Flamme d'or. Il est notamment l'auteur du roman de SF " On a volé le Canon Atomique" paru dans la collection " Missions Secrètes " chez le même éditeur. Grégoire Brainin et Henri Keller ont quand à eux de très nombreux titres de SF à leur actif. Titres Parus :01. Fusée X.II, France Potz, 195202. Opération Soucoupe !, Alan Brightmill, 1953 03. Croisière de l'Alligator, René Gordon, 195304. S.O.S. Planète en péril, Fance Potz, 1953 05. Le Robot de Chair, Christian Bergen, 1953 06. Alerte aux Monstres, André Ruellan alias Kurt Steiner sous le pseudonyme de Kurt Wargar, 195307. Stop à l'invasion, Alan Brightmill, 1953 08. Et le Monde faillit changer, Maurice Renaud, 195309. Mister Bob, Charles-Anthoine Gonnet, 195310. Planète Atlante ( sous-titré Les Pionniers du Mystère ), Grégoire Brainin et Henri Keller, 1953 avec belle dédicace de Grégoire Brainin.".