Burchard, Signed (8 results)

Cloth. Condition: Very Good Plus. 278 pp. Tightly bound. Light bump to lower back corner. Text is free of markings. Text followed by 114 b&w plates. Inscribed By Author. Inscribed by Author(s).

Encuadernación de tapa blanda. Condition: Bueno. 1ª Edición. 61 p. ; 26x18 cm., ilustraciones b/n y color. Cuentos infantiles chilenos (LFC). Dedicatoria autógrafa del autor.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 78 p. ; 18x11 cms. , ilustraciones b/n. 100 grs. Poesías chilenas (A-305-OF-CO). Dedicatoria autógrafa del autor.

hardcover. Condition: Very Good. Berlin 1930; German text; Band I only; tan cloth covered boards; no dust jacket; covers soiled; gift inscription to Mr. & Mrs. Albert Kahn by editor on front fly; numbered edition, #298 of 535; color frontispiece and 103 monochrome plates; tight binding; interior unmarked, lightly toned; 15" tall x 11" wide; large heavy book will require additional postage for international or expedited orders. Signed by Editor.

Condition: Gut. S. 191-209. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT). - Mit Widmung des Autors. - Einband lichtrandig, Name des Autors handschriftl. auf dem Einband, Papier wenig braunfleckig, durchgängig Bleistiftanstr. - Aus dem Text: Wenn wir auch über die Begebenheiten der Regierungen Barbarossas und Heinrichs VI. durch zahlreiche zeitgenössische Zeugnisse im großen und ganzen gut unterrichtet sind, so bieten uns die Quellen der folgenden Epoche doch im einzelnen noch manche bedeutsame Ergänzungen, die dort freilich meist mit sagenhaften Nachrichten vermengt sind und aus wertloser Spreu erst durch kritische Forschung sorgsam ausgesondert werden müssen. Dies gilt namentlich von einer Gruppe südwestdeutscher Geschichtswerke aus dem ersten Drittel des 13. Jahrhunderts, so ganz besonders von dem Werk, das Otto von St. Blasien als Fortsetzung der Chronik Ottos von Freising um die Wende des Jahres 1209 verfaßt hat, wie auch von der um 1230 entstandenen Chronik des Propstes Burchard von Ursberg. - Wikipedia: Ferdinand Güterbock (* 8. Januar 1872 in Berlin; 15. April 1944 in Engelberg) war ein deutscher Historiker. Sprache: Deutsch Gewicht in Gramm: 550 Sonderdruck, klammergeheftet in Kartoneinband.

8vo. 5 Bll., 299 S. Mit Abb., Tab. u. Diagr. Originaler Verlagskarton. Guter Zustand! (Schriften zur südwestdeutschen Landeskunde, hrsg. v. Hansmartin Decker-Hauff, Ferdinand Elsener, Hans Jänichen u. a., 18). Dissertation, Eberhard-Karls-Universität zu Tübingen, 1981/82. - Mit hs. Widmung des Verfassers für Prof. Zimmermann auf Vortitel.

Condition: Very Good. No Jacket. Original offprint, 1944, signed by author, pp. 41-48, very good condition. Also included are six other original offprints by same author, most signed by author. Signed by Author. Book.

Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278. The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother. 0 g.