Caffè, Signed (24 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. vg in vg dj, clean and tight, gift inscribed and SIGNED by author. Inscribed by Author(s).

Condition: Like New. Signed (inscribed) by editor on title page. Text block, pages, boards and binding are pristine. Dust wrapper is like new. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Softcover. Condition: As New. Autorensignatur.

False (illustrator). In-8°, pp. 327, brossura editoriale. Dedica autografa dell'autore alla prima carta bianca.

[60]pp.with ills.in and out-of-text in colour, signed with dedication by Remo Squillantini, in the series "Quaderni" n.7, softcover, 21cm., VG, [exhibition catalogue, Padova, Storico Caffè Pedrocchi (1992-1993)].

Volume: 1 21,5x15,5 cm., in brossura, in copertina: A. Cecioni, 'Caricatura del Caffè Michelangiolo'; pp. 354, 36 tavole con illustrazioni in bianconero - cronaca, ritratti, eventi, opere di pittura ecc.- in italiano, normali segni d'uso e tempo, buone condizioni. DEDICA autografa A. ad personam.

4 Bde / vols. 154,189, 123 & 195 S. / pp. Paket mit vier Titeln auf Italienisch, Französisch u. Deutsch / Bundle of four books in Italian, French and German. 2 Bände mit WIDMUNG der Autorin / 2 volumes with DEDICATION by the author. Zustand: Gut bis fast wie neu / Condition: Good to almost like new. Sprache: Italienisch Gewicht in Gramm: 1200 20,5x12cm, geb. mit Schutzumschlag / hardcover with dustjacket (1 Bd. / vol.) / OBroschur / original softcover (3 Bde / vols.).

Brevi racconti sulla realtà napoletana, sull'arte contemporanea, sulle nuove opere dell'architettura, sui vezzi dei napoletani. Pref. di P.A. Toma. Napoli-Kairos, 2006 in 8° pp. 174. In appendice: Napoli click and go servizio fotografico di F. Ferrara (24 fotogr. a colori). Cop. ill. a colori. Dedica autografa dell'A.

Gr.-8° grauer OKart. 69 Seiten mit Fotografien von Alberto Favaretto. Widmungsexemplar "au amcio Katz" von Fabrizio Plessi auf Vorsatz signiert und datiert.Texte englisch / italienisch.Gutes und sauberes Exemplar. Sprache: Italienisch Gewicht in Gramm: 410.

30,5x24,5 cm, 112 S., OPbd., sehr gut erhalten EA, Hs. signiert: "Für . ganz herzlich von Walter" Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

CD. Condition: Gut. Mit Widmung und Signatur von Linard Bardill, mit Booklet, Papphülle berieben und bestoßen, CD mit leichten Gebrauchsspuren, gut erhalten, Lagerfach B-CD B-CD //Rechnung mit ausgewiesener MwSt. liegt bei.// Sprache: Deutsch Gewicht in Gramm: 90.

18 [2] pp. 5 x 3-1/4 inches; original illustrated wrappers in publisher's clear acetate wrapper. First edition; No. 163 of 1000 copies. A fine copy. Signed by Nino Caffe' on the half-title.

Unbound. Condition: Fine. Signed leaf folded to make an 8 page mailer. About fine. Combination calendar of events and promotion for the Caffe. Signed by composer Ned Rorem, with his addresses and phone numbers in both New York and Nantucket.

Couverture souple. Condition: Bon état. In-8 20,5 x 13 cm. Broché, couverture beige, auteur & titre en noir sur le premier plat de couverture, 19 pp. Exemplaire enrichi d'un envoi autographe de Olivier de Gourcuff.

Hard Cover. Condition: Very Good+. First Edition. Hardcover in original gilt-stamped & decorated red satin boards SIGNED & inscribed by artist Nino Caffé to second page & dated 1966, 1st Ed 1st Printing, illustrated in monochrome and with color plates mounted on heavy laid paper with introductory text by Greene, revised from its original appearance in 1953 in a small gallery publication by New York's Knoedler Gallery, satin boards show very minor shelf/edge wear with faint crease to front board, small Florence Art Gallery stamp to endpaper, boards slightly bowed, else a bright tight very nice signed copy (25865); sm ob 4to, illus. Signed by Artist.

Small 4to. [4]p. Printed in fraktur and roman type. Woodcut ornamental title vignette. Royal decree dated 19 June 1794 prohibiting the so-called 'Swedish coffee' and any other concoction which by smell, taste, or preparation resembles coffee. The reason for this measure was to avoid smuggled coffee being sold as a surrogate in order to evade import duty, as government officials were evidently not sufficiently experienced to detect the difference. The decree is signed with the printed names of Baron Johan Liljencrants, president of the Swedish Chamber of Commerce and a number of other officials. Hünersdorff, 'Coffee: A Bibliography', p1453.

Small 4to. [4]pp. Fraktur type. Woodcut vignette of royal crown on title. Royal ordinance against coffee drinking, enforcing the decree of June 1766, and condemning transgressions. Signed with the imprint of the king 'Adolph Friedrich' and that of the secretary 'J.Wallencreutz'. Hünersdorff, 'Coffee: A Bibliography', p1452.

Small 4to. [4] p. Fraktur type. Royal ordinance of 23rd October 1769 addressed to the upper courts of the department of trade customs permitting the import of coffee beans, provided duty is paid. It suspends the decree of 26 June 1766 which prohibited the trade and consumption of coffee, explaining that this change of policy aims to save losses in revenue to the crown resulting from widespread smuggling of beans since the introduction of prohibition. Signed with imprints of the king 'Adolph Friedrich' and that of his secretary 'Daniel Plaan'. Hünersdorff, 'Coffee: A Bibliography', p1452.

Large 4to. 4 parts in 2 vols., bound in one. 288 pp. 287, (1) pp. Printed in double columns. Contemporary green half calf over marbled boards with giltstamped title to spine. Third collected edition of a principal journal of the Italian enlightenment, "The Coffeehouse", modelled on the English periodical "The Spectator". It was published by the "Società dei pugni" (Society of Fists), members of which included the Milanese brothers Pietro (1728-97) and Alessandro Verri (1741-1816), the philosopher Cesare Beccaria (1738-94) and the mathematician Paolo Frisi (1728-84). Covering a large range of subjects, the journal's emphasis was on economics and public policy. It did not enjoy a long life: the first issue appeared in June 1764 (at Brescia to avoid censorship), the last in May 1766. The first collected edition appeared as early as 1765-66 in Brescia, and a second one in Venice in 1766. In 1764, the year that "Dei delitti e delle pene" was published, Beccaria contributed to one of the first issues an article on the relationship between tariffs and smuggling ("Tentativo analitico su i contrabbandi", vol. 1, pp. 122f.). This essay has been recognized by various authors as an important early contribution to mathematical economics and is been treated at length by Reghinos Theocharis. Beccaria posed the problem of a smuggler desirous to compute the risks of his profession. He attempts to express in algebraic formulae the relations between the value of goods purchased by the smuggler, the value of goods left after part of the goods have been seized by customs, and the value of the confiscated goods. This article "intended to convey a slight idea of how economic science may be considered analytically". Beccaria reasoned that algebra is "a precise and quick method of reasoning about quantities, which can be applied not only to geometry or mathematics but also to economic problems". While the articles are signed with an initial only, the present edition includes a publisher's note which resolves their identities. Both volumes have also an added leaf with a systematic table of contents. - Occasional foxing. Two old stamps to title of first part, and another to title of the third. - Kress B.4775. Einaudi 6161 (the original journal). OCLC locates reprint editions only. Schumpeter p.179. Theocharis pp. 21-24. Bousquet p. 43. New Palgrave I, 218f. (Beccaria).

Condition: bon état. nantes 1788 une lettre (de 4 pages , une grande feuille pliée en deux) manuscrite à l'encre brune sur les 2 premières pages sur papier velin ligné filigrané, format : 20 centimètres de large x 25,5 centimètres de haut, adresse de la lettre au centre de la 2ème page à l'encre brune : à Mr Louis Admyraud négociant à la Rochelle, lettre signée BOURCARD , Nantes, LE 28 MAY 1788, bon état Navire : "Le Bon Père" négrier (avec qui il a des fonds en commun avec son beau frère).RARISSIME.en bon état (good condition).

Condition: en trés bon état. La Rochelle 1790 une lettre (de 4 pages, une grande feuille pliée en deux) manuscrite à l'encre brune sur les 3 premières page sur papier velin bleuté ligné filigrané, format : 20 centimètres de large x 25,5 centimètres de haut, adresse de la lettre au centre de la 4ème page à l'encre brune : à Mr Louis Admyraud négociant de la Rochelle, Chez Mr Vincent, Rue St Joseph à PARIS, lettre signée SUIDRE , La Rochelle, le 10 Juillet 1790, en trés bon état le navire Le Bon Père : parti de Rochefort, le 9 Avril 1789, ira d"abord sur la côte d'Angole pour faire provision d'Esclaves Noirs avant d'aller les vendre à SAINT DOMINGUE ou il arrivera en Avril 1790, Là il va vendre les esclaves et recharger en sucres, cotons et caffés pour rentabiliser son voyage de retour à La Rochelle ou il arrtivera en septembre 1790.EXTRAITS DE LA LETTRE : ICI ON NE CROIT PAS A LA GUERRE, CEPENDANT LA FLOTTE ANGLAISE ET CELLE DE HOLLANDE SONT EN MER, DES NOUVELLES FRAICHES DE PORT-AU-PRINCE (SAINT-DOMINGUE), 200 ML DE REMISES (SUR LA VENTE DES NEGRES) ET CHARGEMENT DU SUCRE PAR "LE BON PERE"(NAVIRE NEGRIER), LE RESTANT DU CHARGEMENT SERA DU CAFFE ET DU COTON.".RARISSIME.en bon état (good condition).

In-8, 24 cm, 39pp., petites restaurations sur la couverture, hommage autographe de l'auteur, Nb-0203,

In-8-carre, 22 cm, 70pp., illustr., photographies, texte italien-francais, hommage autographe par Mimmo Rotella, Nb-0329,

First edition, first impression. Inscribed by the artist on the second leaf, "Best wishes! Nino Caffè, Jan. 1966". An earlier version of Graham Greene's appreciation of Italian painter Nino Caffè, 'the painter of young priests', had previously appeared in the catalogue for Caffè's exhibition at the Knoedler Gallery in New York in 1953. Text in English, Italian and French. An uncommon Graham Greene title. Miller 5 (for the 1953 exhibition catalogue). Oblong quarto. 14 tipped in colour plates and black and white illustrations in the text. Original red satin boards, titles to spine and front board gilt, decoration to front board gilt, bevelled edges. Small white stain to tail of spine and front board, cloth with a few tiny chips, mainly affecting rear board, light spotting to endpapers, else contents bright. An excellent copy.