Cage John, Signed (30 results)

Pamphlet. Condition: Near Fine. Signed and inscribed to previous owner by the author. SIGNED AND INSCRIBED BY AUTHOR. Book.

Pamphlet. Condition: Near Fine. Signed and inscribed to previous owner by the author. SIGNED AND INSCRIBED BY AUTHOR. Book.

Soft cover. Condition: Fine. 1st Edition. SIGNED on title page--signature only. Signed by Author(s).

Softcover, 14 pages; as new condition; clean and crisp; inscribed and signed on first blank page, "L. Other People Think ! Alfredo Jaar 2015" no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. 1st Edition. First printing. Signed by photographer James Klosty with warm lengthy inscription. "To Mira A remarkable woman who cannot tell what is between us by the number of times - too few - we may ee each other over the years. (I wish I were only as talented as you) X) Jim". Fine fresh copy bound in publishers white cloth, not issued in dust wrapper. Inscribed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. signed by Larson on title page and dated by her July 23, 2012; signature obtained in person by bookseller; some light smudges on dust jacket and book edges; a sweeping tome on cultural change after WWII in America, the incredible music of John Cage, and the influence of Zen Buddhism in a transformative time. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. HARDBACK BOUND IN THE ORIGINAL CLOTH BINDING WITH THE ORIGINAL DUST JACKET, INSCRIBED & SIGNED BY THE AUTHOR TO FRONT ENDPAPER. BOOK MEASURES APPROX 9 X 6 INCHES WITH 11 + 194 PAGES. MINOR FOXING TO ENDPAPERS, OVERALL IN NEAR FINE CONDITION. EXTRA POSTAGE COSTS MAY APPLY TO OVERSEAS ORDERS. ALL BOOKS POSTED IN STURDY BOOK BOX. Signed by Author(s).

Encuadernación de tapa blanda. Condition: Bien. Ejemplar en buen estado, sin anotaciones ni desperfectos. Dedicatoria autógrafa del auto.

Hardcover. Condition: Fine. Dust Jacket Condition: Near fine. First Edition, First Printing. Oblong quarto. 11.25 x 8 in. 140 pp. Fully illustrated with color reproductions of photographs. Light foxing to title page otherwise fine in original pictorial paper-covered boards and near fine pictorial dust jacket with faint edgewear to head of spine. With laid in errata slip. Inscribed and signed on the title page by Kass. Includes CD of John Cage & The Mountain Lake Workshop. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Signed by Ray Kass with personalized inscription to title page dated Oct 8, 2011. FINE fresh copy in like jacket, with DVD sealed in pocket at rear. This book's critical essay and accompanying workshop diaries relate the methods at play in Cage's visual art to those of his musical compositions and theater pieces. The accompanying DVD offers a "live" view of John Cage at work, featuring a public reading with audience discussion, as well as an interview with him about his watercolor paintings. Inscribed by Author(s).

Schweizerische Erstaufführung. 34 n. n. Seiten und die Beilagen: "Biografien 90 / 91" Doppelblatt "Programm" sowie 10 lose Bll. "Handlung" (diese zweisprachig Englisch - Deutsch). Mit zahlreichen s/w Abbildungen. Illustrierte Originalbroschur. (Geringe Gebrauchsspuren). 31x16,5 cm * Zweisprachig. Deutsch und Englisch. In German and English. ----- Europeras ist der Titel einer Opernserie des Komponisten John Cage in fünf Teilen. Sie sind in seinem typischen experimentellen Stil gehalten. Die Bühne der Opern ist in 64 Quadrate aufgeteilt, welche das Schema für den Bühnenablauf bilden. Die Positionen der Menschen und Gegenstände auf der Bühne sind zufallsbestimmt. Innerhalb einer exakt vorgegebenen Aufführungsdauer wurden mit Hilfe des ältesten chinesischen Orakelbuches I-Ging zufällige Zeiteinheiten festgelegt, während deren die einzelnen Beteiligten ihre Aktionen ausführen. Europeras 1 & 2: In seinen Opern Europeras 1 & 2 aus 200 Opern in 64 Bildern dekonstruiert John Cage mittels Zufallsoperationen die Sprache der klassischen Opern des 18. und 19. Jahrhunderts. Cage stellte das Konzept zusammengefasst so dar: 200 Jahre lang haben uns die Europäer ihre Opern geschickt. Nun schicke ich sie alle zurück. Er unterwarf nicht nur die Musik dem Zufallsgenerator, sondern auch Bühnenbild, Requisiten, Licht, Tanzfiguren und Opernarien. Die Musik wurde von ihm zufällig aus über 200 Opern ausgewählt und wird ohne Dirigent aufgeführt. Den 28 Musikern ist freigestellt, wann sie diese innerhalb fest vorgegebener Zeitblöcke spielen. Die Opernarien werden jeden Abend zufällig ausgewählt und von 19 Solisten zu anderen Zeitpunkten und Orten auf der Bühne gesungen. Die Spieldauern sind exakt 90 bzw. 45 Minuten, die mittels einer Digitaluhr angezeigt werden, damit alle Beteiligten ihre Einsätze exakt einhalten können. Europeras 1 & 2 bildet Cages größte und radikalste Musiktheaterarbeit. Es gibt keine Handlung, aber eine Zusammenfassung im dadaistischen Stil, die aus Opernlibretti zusammengestellt wurde. Sie stellt eine Anti-Oper dar, an die das Publikum nur schwer herangeführt werden kann. Keine der Noten ist von Cage im ursprünglichen Sinne komponiert worden, sondern er benutzt nur urheberrechtlich nicht mehr geschütztes Material anderer Komponisten. Cage vermeidet in seinem Kompositionsprozess jegliche Semantisierung und erst in der inhaltlich nicht vom Komponisten beeinflussbaren Kombination der einzelnen Ebenen entstehen zufällige und unkalkulierbare semantische Bezüge. Das Werk ist eine Auftragsarbeit von Heinz-Klaus Metzger und Rainer Riehn. Die Uraufführung erfolgte im Dezember 1987 an der Oper Frankfurt unter Gary Bertini. Das Werk wird nur selten aufgeführt und ist noch nie eingespielt worden. 2012 eröffnete Heiner Goebbels mit ihm die Ruhrtriennale. 2017 wurde es am Staatstheater Braunschweig mit 4'33" als Ouvertüre aufgeführt, 2019 an der Oper Wuppertal unter dem Titel PLAY* Europeras 1&2 in der Regie von Daniel Wetzel vom Kollektiv Rimini Protokoll. (Quelle Wikipedia) ----- John Milton Cage Jr. (* 5. September 1912 in Los Angeles; 12. August 1992 in New York City) war ein US-amerikanischer Komponist und Künstler. Mit seinen mehr als 250 Kompositionen, die häufig als Schlüsselwerke der Neuen Musik angesehen werden, gilt er als einer der weltweit einflussreichsten Komponisten des 20. Jahrhunderts. Hinzu kommen musik- und kompositionstheoretische Arbeiten von grundsätzlicher Bedeutung. Außerdem gilt Cage als Schlüsselfigur für die Ende der 1950er Jahre entstehende Happeningbewegung und als wichtiger Anreger für die Fluxusbewegung und die Neue Improvisationsmusik. Neben seinem kompositorischen Schaffen betätigte er sich auch als Maler und befasste sich mit Mykologie, der Wissenschaft von den Pilzen. Der französische Musiker und Philosoph Daniel Charles verweist auf den ironischen Titel von Cages Arbeit Il Treno. Alla Ricerca del Silenzio Perduto (Der Zug. Auf der Suche nach der verlorenen Stille) und die Nähe zu Heideggers Ding. Während es bei Heidegger die Nähe sei, die der Mensch vergeblich suche, in der falschen Annahme, dass sie mit einer kurzen Entfernung gleichzusetzen sei, so sei es bei Cage die vergebliche Suche nach Stille vergeblich insofern, als es Cage zufolge Stille im Sinne absoluter Geräuschlosigkeit nicht gibt. (Quelle Wikipedia) Sprache: Englisch Gewicht in Gramm: 300.

Softcover. Condition: Gut bis sehr gut. Limitierte Ausgabe. B : in cloth boards in a fine slipcase. Signed by Cage on the limitation page. Signatur des Verfassers.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Signed & Inscribed to Artist Paul Harris and his wife Mimi. " To Paul and Mimi Harris with the wish that we get to know on another one of these days. John Cage Mar 1961". Hardcover with dust jacket. Stated First Edition . Book has some wear, foxing to edges. Some remnants of inerts of DJ to boards. DJ has price clipped with wear to edges, closed tears & rubbing. Signed by Author(s).

Hardcover. First U.S. Edition, First Printing. Octavo, 239 pages. In Very Good condition with a Very Good dust jacket. Spine off-white with blue and black lettering. Dust jacket protected with a mylar covering, price uncut: "$20.00." Mild general shelf wear. Spine slightly cocked. Signed flat by Cage on front free endpaper. DL Consignment. Shelved in Case 0. 1400176. Shelved Dupont Bookstore.

Soft cover. Condition: Fine. 1st Edition. 1st Printing. Signed. 2 pages. Published in 1990. Rare John Cage collectible piece. A pristine Souvenir Printout of the April 14, 1990 "John Cage: Music of The Spheres" Essay by Bill Marvel, signed by John Cage. The first and only edition. There is no ISBN. The Souvenir Printout is now rare. It is very beautifully printed on archival, thick uncoated stock paper by The Dallas Morning News to the highest standards. In protective plastic sheet with hard board backing. Without DJ, as issued. Presents Bill Marvel's "John Cage: Music of The Spheres" Essay. Published by The Dallas Morning News to announce and celebrate the premiere performance of John Cage's "Seven" as part of The Fifteenth Anniversary Season of the Voices of Change Ensemble. For a pioneering and ground-breaking group exclusively dedicated to new music, in deeply conservative Texas of all places, a truly admirable and moving milestone. Using otherwise conventional instruments (that are sometimes altered), they performed pieces by John Cage, Alexander Chaikovsky, Donald Grantham, and Henry Brant, among other 20th-century composers, over two unforgettable evenings. Cage was, unquestionably, the most influential and celebrated of the present group of composers (who were still living at the time). Aaron Copland and Igor Stravinsky were also performed in a separate concert. The Cage commission, "Seven", is named after the piece's seven instruments (flute, clarinet, percussion, violin, viola, cello, and piano), and marks the unconventional composer's return to conventional Classical Music instruments. "When I was young, you could either follow Stravinsky or Schoenberg. I chose Schoenberg. But if you imitate Schoenberg, what have you got? More Schoenberg. What we have now is an art based on many possibilities instead of one or 32. Our notion of what is beautiful has more windows into it" (John Cage). An absolute "must-have" title for John Cage collectors. This copy of the Souvenir Printout is very boldly and beautifully signed in purple pen-marker by John Cage. It is signed directly on the page itself, not on a tipped-in page. John Cage made a rare appearance for the performance of the piece that he composed for the Ensemble. This title is a late-modern classic. This is the only such signed copy available online and is in especially fine condition: Clean, crisp, and bright. A rare, one-of-a-kind signed copy thus. One of the most important and influential composers of the 20th century. A fine copy. Signed by Author.

With signed dedication from Behrendsen. Stapled booklet. Ills. -(In excellent condition.).

Softcover. Condition: Fine. First edition. Trade paperback original. Fine. Publisher's promotional card laid in. Inscribed by Antin to the playwright and poet Rochelle Owens and her husband, the poet George Enonomou: "for George & Rochelle old friends & longtime comrades in poetry & art. love, David.".

Soft cover. Condition: Very Good. 1st Edition. SIGNED and inscribed on half title by Richard Kostelanetz--visible in photo. Covers have abrasion on edges and creases to front tips--visible in photo. Book interior fine. Inscribed by Author(s).

28 seitiges Heft mit einer CD in gestalteter Pappmappe (ca 30x29cm). Heft mit Texten von K. Schippers (Victory Boogie-Woogie) und Roeland Hazendonk (Mondriaan and twentieth century music), die Texte in Niederländisch und Englisch. Die CD: Mondriaan and Music, von Vanguard Classics, a division of Arcade Entertainment Holdings. (Laufzeit 62 Minuten). CD und Heft in einer Papp-Mappe mit einer Art Gummiband geschossen. Erschien in einer Auflage von 1500 Exemplaren. Vorliegend in der absoluten Rarität mit den Signaturen. Der Pappeinband an den Rändern nachgedunkelt. Gutes Exemplar. Unikat. Good copy. Signed by the musician/composer Xenakis and three Members of the Mondriaan Quartetts. Good copy. Very rare. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Niederländisch Gewicht in Gramm: 1000.

Hardcover. Condition: Very good. No jacket. First edition. From the library of /signed by John Edmunds, Includes a typed and signed letter by John Cage from 1959. John Edmunds is former head of the American section of the Music Division of the New York Public Library, signed by Edmunds on the front endpaper. Includes a typed and signed letter by John Cage from 1959.Covers shelfworn.

Bethune : Edition Ecbolade, 2001- un volume agrafé et collé (16x24 cm), (46) pages - avec une photo originale collée sur la page de titre - envoi autographe signé de l'auteur à la critique littéraire Pascale Casanova - bon état - Livres.

Briefkarte (Leinen) mit eigenhändiger Unterschrift signiert - mit kleinem Repro-Porträtbild unter bordeauxrotes Passepartout (4 to) gerahmt (dito wie vor, auf linierter Karte signiert, in dunkelblauem Passepartout gerahmt, zum gleichen Preis vorhanden s. Abb. II).

Merve Verlag Berlin, 1984. 17 x 12 cm, 318 pp. Broché en bel état. Envoi autographe signé de Daniel Charles au peintre et graveur Robert Altmann.

Condition: Good. One reproduced visual poem on white paper, measuring 21 x 30 cm; signed by the artist and numbered 78/300, with a second sheet on green paper with text titled "Franco." Item is an "object-leaf" from Geiger 10 per Adriano Spatola, an anthology of experimental art and concrete and visual poetry published in memory of Adriano Spatola and edited by Maurizio Spatola in collaboration with Arrigo Lora-Totino and Franco Beltrametti.

8°, 238, (2) Seiten,(= dumont taschenbücher, 226) 1989,Farbig illustr. OKt. . , zahlr. Abb., 350 Gramm. - Vom Komponisten eigh. mit grüner Tinte signiert (Vortitel); sehr seltene deutsche Erstausgabe. - Aus dem Amerikanischen von Almuth Carstens und Birger Ollrogge. Mit ausführlicher Bibliographie und Personenregister. - Druckfrisch.

Dust Jacket Condition: dj. First Edition. First Edition. Humorously INSCRIBED by avant garde composer and former Black Mountain faculty member John Cage on the front flyleaf: "This is a book I haven't read. / John Cage." A history of Black Mountain College, the experimental college located in North Carolina that, although only in existence 24 years, had a profound and lasting influence as a major incubator of the American avant garde. Cage taught at Black Mountain from 1948 to 1952, and was in residence during the summer of 1953. It was here that Cage organized the first of what would later become known as "happenings," a term coined by Cage's student Allan Kaprow some years later. Very Good plus in a Very Good dust jacket. Owner name on the front endpaper. Page edges lightly foxed, with minor fading to the board edges. Jacket has several short closed tears, a few reinforced with cello tape on the verso, light creasing, and some minor chipping. Signed.

Condition: Very good. New York, October 14, 1976., 1976. Very good. - Over 110 words penned in two columns on his personal 7 inch high by 8-1/2 inch wide ruled "Message/Reply" stationery. John Cage writes to Sydney Cowell, Henry Cowell's widow, about Henry Cowell's compositions "Recv enclosed letter from my Japanese composer friend. Located piece (in Ms.) at Lincoln Center. It is actually 2 pieces called Set of Two but one was too difficult and the other was recorded (in Japan?) under the title Prelude for Vn & Hapschd. I have given Kuniharu Akiyama's address to Mr. Jackson." He goes on to indirectly refer to his own compositions "Renga" and "Apartment House 1776" which were performed in Boston: "The Boston piece went very well. Seiji was marvelous. Now must wk with Boulez on it. Singers were great." Signed "John". There are minor annotations along the top edge in an unidentified hand and staple holes at top left. Else, near fine. John Cage's compositions "Renga" and "Apartment House 1776" were performed simultaneously by the Boston Symphony Orchestra under Seiji Ozawa on September 29, 1976. Boulez performed the works with the New York Philharmonic on November 5th of that year. The Japanese avant-garde composer Kuniharu Akiyama (1929-1996) was also a music critic and a poet. He was a founding member of the Jikken Kobo group of avant-garde artists. The American avant-garde composer John Cage (1912-1992) was a pioneer in electroacoustic music and the unconventional use of instruments. An artist and music theorist, he was Merce Cunningham's lover and influential in the development of modern dance. Henry Cowell and Arnold Schoenberg were both his teachers. Henry Cowell's wife, Sidney Robertson Cowell (1903-1995) was a pianist and an American ethnomusicologist and collector of folk songs.

Limited Edition, one of an unnumbered edition. Published in conjunction with an event held at the Los Angeles Festival on September 5, 1987, honoring Cage on his 75th birthday. INSCRIBED by John Cage on the title page: "for Ben Latting / John Cage." Laid in with the booklet is a program for the event. The publication compiles remarks about Cage from various friends and colleagues, including Paul Zukovsky, Morton Feldman, and Minna Lederman, with text laid out in the style of a music score, with different typefaces used for each contributor (apparently Cage's design suggestion). Booklet: 8.5 x 11 inches. 25 leaves, spiral bound. Very Good plus, with light toning on the final two leaves and a small bruise on the bottom edge of the front wrapper. Program: 5.5 x 8.5 inches. Bifold. Near Fine. Signed.

16 beidseitig bedruckte, auf 24x15,5cm gefaltete Doppelseiten in offener Papp/Bütten-Kassette. jedem englischsprachigen Poem von Cage steht eine farbige Graphik von Kasper gegenüber. Widmung in Bleistift von Kasper. ("Für Dorothée 7.Juli 2004 alles beste + Dank für 14.00 - 15.00 Uhr herzlich Renate"). Auf der letzten Seite von Kasper signiert und nummeriert: 3/7. Sehr selten. Avantgarde. Signed by the artist. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Deutsch Gewicht in Gramm: 1000.

X,167,(3) S. Orig.-Kartonage. Mit eigenhändiger Widmung von John Cage auf dem Vortitel. - Einband berieben und angestaubt;Ecken und Kanten gering bestoßen.