Catch by Weiss, Signed (7 results)

hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Copyright 1951 Ted Weiss, no additional printings indicated. Inscribed to previous owner and signed by author, dated Jan. 11, 1959. Very good hardcover with dust jacket. Binding is tight, sturdy, and square. Grey cloth boards are VG with sharp corners. Titling on spine and front board is lightly dulled but remains fully intact and clearly readable. Previous owner's name stamp on front an rear pastedowns. Pages are unmarked, text is very good throughout. Unclipped dust jacket ($2.25) has light edgewear, age toning two very small dark spots on front panel. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Signed by Author.

Hardcover. Condition: Very Good. First Edition. SIGNED BY THE AUTHOR to "a fellow sufferer." Part of the Twayne Library of Modern Poetry. Gray gilt cloth. Fine but for newsprint stain from a laid-in clipping on the front endpapers. Out of print and scarce. Signed.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Twayne Publishers: 1951. Octavo. Hardcover with a dust jacket. First edition. Inscribed by the author on the first free end paper. Grey boards with gold lettering. Book is near fine, unclipped jacket is very good. Inscribed by Author(s).

Hardcover. First Edition; First Printing. Near Fine in a Very Good dust jacket. Jacket has pencil scrawl across front panel, age toned with foxing and small tears at the corners. Spine sunned. ; Gift inscription to one of author's students FEP. It appears a child has scrawled in pencil across the same page. ; 8vo - over 7¾" - 9¾" tall; Signed by Author. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First edition. Fine in a spine-toned, very good or better dust jacket with a short split at the spine base. Inscribed to poetry editor Harry Ford on the front fly: "For my very good friend Harry Ford, maker nonpariel of superb books, Ted." The author's first book. Poetry.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First edition. Fine in a very good price-clipped dust jacket with shallow chips and tears. Inscribed by the author.

8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling - Volume of interest. Inscribed by the author: "For Paul de Man with fond regards - Bob". Volume I includes essays by Durling on "Ancient and Medieval Influences", Two Roman Poets, Chaucer, Petrarch, Four Renaissance Epics: Boiardo, Ariosto, Tasso, Spenser. Volume II includes for example the following essays: The Poetics of Becoming: Paul de Man in the Fifties / Poetics, Metaphysics, Temporality: Paul de Man and Martin Heidegger / Language, Nature and the Absence of Being: Paul de Man's Romanticism etc. Volume III is a first edition, signed and inscribed by american poet and editor, Theodore Russell Weiss. Volume IV includes essays like "The Literary Reputation of Langston Hughes in the Hispanic World and Haiti" / Langston Hughes's Works Translated into Spanish / etc. Volume V inscludes many different and important essays by Harry Levin, like: "Why Literary Criticism is not an exact Science" / A Dialogue with Arthur Lovejoy / Memoirs of Scholars (Milman Parry, Fernand Baldensperger, Renato Poggioli, Perry Miller) / An Introduction to Ben Jonson, On the Earl of Rochester, William Carlos Williams and the Old World etc. etc. Paul de Man (December 6, 1919 December 21, 1983), born Paul Adolph Michel Deman, was a Belgian-born literary critic and literary theorist. At the time of his death, de Man was one of the most prominent literary critics in the United Statesknown particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory. Along with Jacques Derrida, he was part of an influential critical movement that went beyond traditional interpretation of literary texts to reflect on the epistemological difficulties inherent in any textual, literary, or critical activity. This approach aroused considerable opposition, which de Man attributed to "resistance" inherent in the difficult enterprise of literary interpretation itself. (Wikipedia) Sprache: english.