Chirico, First Edition (343 results)

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. B/W and Color Illustrations, very light shelf rubbings to the edges, fading to the DJ spine.

Soft cover. Condition: Near Fine. 1st Edition. 4to, card covers, 58pp., figures, plates. First English-language edition. Near Fine.

First edition. Near fine in wrappers. Review copy with material laid in.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. First Edition. Spine chipped, exposing signatures, significant darkening to edges of covers, in heavily chipped and worn dustjacket. However pages are clean and readable and spine is intact.

Soft cover. Condition: Fine. No Jacket. 1st Edition. Chapultepec, Mexico: Museo de Arte Moderno. 1st edition, F/. Book has very little wear. 39 full-page color illustrations, many more smaller examples in black & white. Some parts of the catalog are in English. De Chirico lived from 1888-1978 and was the prominent Surrealist artist of Italy. This catalog gives a full range of his art. Nice copy. RDN5.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. New York: Rizzoli International Publications, 1989. First edition. 12 x 8 1/2 inches: pp. 128. White illustrated stiff paper cover with black type. Cream cloth boards with black type. Dust jacket has edge and corner wear, creasing, small tears at upper spine. Small bit of bumping on bottom edge of boards. Some toning at page edges. Text is unmarked. Binding tight.

Condition: New. 2025. 1st Edition. paperback. . . . . .

Paperback. Condition: Very Good. Color & b/w Illustration (illustrator). First Thus. In color pictorial wraps, 4to, illustrated. (light browning to outer wraps. Size: 4to - over 9¾" - 12" tall. Book.

Encuadernación de tapa blanda. Condition: Como Nuevo. Dust Jacket Condition: Como Nuevo. 1? Edición. Condición: Como nuevo, sin marcas por uso. La obra presenta la trayectoria de Giorgio de Chirico como pionero de la pintura metafísica, destacando su capacidad para dotar de misterio escenas cotidianas con elementos arquitectónicos, sombras y objetos descontextualizados. Analiza cómo sus plazas desiertas y figuras inertes revelan tensiones entre realidad y sueño, evocando un espacio simbólico más allá de lo visible. Se indaga también en su evolución artística: del primer periodo metafísico a etapas posteriores más clásicas o neometafísicas. El texto reflexiona sobre su influencia en las vanguardias del siglo XX y su legado estético en el arte moderno.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. pg.63 clean tight copy with slight edge and corner wear.

Wrappers. Condition: Good. 1st Edition. 72 pages. Paperback. Texts in English. There is some wear to the edges of the covers with a bit of delamination to the lower right corner of the front cover and a bit of foxing staining to the endpapers. Still, the binding is solid, the interior free of markings. Bound in stiff illustrated paper covers. Illustrated, some in color. Book.

1st edn. 4to. Original pictorial card covers (softback) (bottom edge a little marked, small marks on covers - otherwise VG). Pp. 264, illus with coloured plates and coloured and b&w photos in text (no inscriptions).

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. Cloth, xi, 164 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the J. Paul Getty Museum in Los Angeles, November 2, 2011 to January 16, 2012, and at the Muse e Picasso in Antibes, France, from February 16 through May 20, 2012. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "An unlikely episode in the history of European Modernism is the alliance between the avant-garde and the antique forged by artists of impeccable radical credentials. This book focuses on the reinventions and transformations of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. In distinctly different ways, classicizing creations such as de Chirico's enigmatic piazzas, Picasso's post-Cubist women, Leger's mechanized nudes, and Picabia's Transparencies reflect what the eyes and minds of these artists found so arresting in the arts of antiquity and how they made those arts modern. Classicism in the modern age has often been condemned as a conservative regression of the avant-garde in light of the totalitarian regimes that formed in Europe during this period. Yet far from being a reactionary language, the "classical" provided a range of elements that were surprisingly in tune with the "modern." Modern Antiquity draws unprecedented attention not only to the aesthetic impact ancient art had on twentieth-century artists but also to the ways in which these artists shaped our contemporary experience of antiquity. The result is a new and more nuanced appreciation of the complex role the classical past has played in western modernity." - Publisher. Size: 4to. Collectible.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Rizolli, New York, 1989, Hardcover First American Edition. Fine copy in a Very Near Fine dustjacket - just a bit of near invisible sunning - negligible.Looks New.

Soft cover. Condition: As New. 1st Edition. This is a fine, as new, 72 page first edition paperback copy black spine.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A fine, clean and tight copy in a fine jacket/brodart covered. First American Edition. A nice copy. No bumped corners to book.156 illustrations, most in color.

Soft cover. Condition: Good. 1st Edition. 119 p colour illustrated paperback. Covers rubbed with wear to corners, bottom corner kinked - solid reference copy.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Tudor Publishing Co., 1962. 12mo. Paperback. Book is very good with light shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. De Chirico. Giorgio De Chirico; William Rubin (ed.) Museum of Modern Art, New York, 1982. 208p. oversized trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked--19.00: 9780870702907.

Softcover. Condition: Very Good. First edition. Small octavo. Stapled wrappers. Very good with rubbing, some waviness and creasing. Advance Review Copy with the publisher's slip laid in.

Condition: Very good. New York: The Museum of Modern Art, (1982). , (1982). . Very good. - Quarto, 11 inches high by 9 inches wide. Softcover, bound in color illustrated golden orange wraps. 207 & [1] pages, profusely illustrated in color and black & white. There is minor staining to the bottom edge of the last page. Near fine. First edition. The Museum of Modern Art's exhibition pamphlet is laid in at the front.

Soft cover. Condition: Fine. No Jacket. 1st Edition. First edition 1990. Published on occasion of the exhibition at Tate Gallery by Tate Publishing. Oversized softcover i without DJ as issued. Condition fine, square, tight and clean book, spine slightly creased, corners not bumped, bright, no markings of any kind, no names, no underlinings, no highlights, no bent page corners, not a reminder. Folio, 264 pages. Illustrated throughout. Heavy book will require additional postage or international orders.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Los Angeles: J. Paul Getty Museum, 2011. First edition. Hardcover. Illustrated boards. Very Fine in a very fine dust jacket. A tight, clean, unopened copy, still in original shrink-wrap. Profusely illustrated in color and black and white. Christopher Green is the author of Picasso: Architecture and Vertigo and Art in France 1900-1940; Jens M. Daehner is Senior Curator of Antiquities at the J. Paul Getty Museum. This volume stands as a major exhibition catalogue rather than part of a numbered authorial oeuvre. Cloth, xi, 164 pages, illustrations (some color); 29 cm. Published on the occasion of an exhibition held at the J. Paul Getty Museum in Los Angeles, November 2, 2011 to January 16, 2012, and at the Muse e Picasso in Antibes, France, from February 16 through May 20, 2012.

Condition: New. 2017. 1st Edition. paperback. . . . . .

Hardcover. Condition: Good. Dust Jacket Condition: Fair. First Edition. Spine chipped, exposing signatures, significant darkening to edges of covers, in heavily chipped and worn dustjacket. However pages are clean and readable and spine is intact. Book.