Chrysanthemums, Signed (21 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover in overall good shape with light general wear. Binding firm and square. Clean throughout. Signed by Author(s).

Condition: Good. 1964. First Edition. 111 pages. Signed by the author. Pictorial dust jacket over red cloth. Flat signed by author to title page. Black and white photographic plates throughout. Binding remains firm. Pages and plates have light tanning and foxing throughout. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Unclipped jacket has heavy edgewear with areas of loss, heavy tears, chips, and creasing. Tape to spine and edges.

Softcover. Condition: Very Good. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Tanning to text. Flat-signed by author on title page. ; 0.8 x 8.7 x 5.7 Inches; 282 pages.

Wraps. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; Minor surface rubbing. ; 8vo - over 7¾" - 9¾" tall; Signed by Author.

Paperback. Condition: Very Good. First Edition, First printing 1994. Signed on Title page. Slight tanning of the pages.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. Signed and inscribed by the author. COLLECT SIGNED BOOKS. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First edition. Near fine in an about Very good dust jacket. Very light browning. Dustwrapper rubbed with minor tears along edges and spine, light browning, sticker on back.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. First edition. Signed in blue ballpoint pen on the ffep. b/w photos and index. Many arrangements by the author. 92 pp. No jacket. Signed by Author.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, First Printing in French Boards in Fine condition. Signed by the author. Signed by Author(s).

Soft cover. Condition: As New. No Jacket. Limited Edition. 3 pages. First edition. One (204) of 350 printed. This one is signed by Bly on the title page. As new book in wrappers. A beautiful copy! Signed by Author(s).

Paperback. Condition: Very Good. 6.25 x 4", string-tied wraps, one page, a nice copy. Ox Head 4. LIMITED TO 350 NUMBERED COPIES (this is #19), SIGNED BY THE POET, ROBERT BLY, ON THE TITLE PAGE.

7 pp. 12mo, original printed wrappers. No. 324 of 350 copies. Fine. Signed, with little drawings of flowers, by Robert Bly.

Condition: Good. 1967. First Edition. 64 pages. Signed by the author. White dust jacket with red lettering over red cloth. B&W and colour photographs throughout. Clean pages with firm binding. Notable foxing and tanning to endpapers and page edges. Mild wear to spine, board edges and corners, with soiling to boards. Unclipped dust jacket. Mild wear and tear to edges and corners. Notable foxing, tanning and soiling to DJ.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. First edition, a very good copy in slightly dulled dust wrapper. ?400 Irish writer Donagh McDonagh's copy, with a letter from the author, partly in Irish, loosely inserted. Signed by Author(s).

First Edition. 10,5 x 16 cm. 3 pages. Original olive colored wraps in protective Mylar. Excellent condition. Signed by Robert Bly on the title page. Number 334 of the 350 copy edition. Sprache: english.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Third printing. Inscribed by Betjeman, and uncommon thus. Nice copy in jacket.

Hardcover. Condition: Very Good. Signed. Flat signed by Betjeman on the title page.

Hardcover. Condition: Very Good. 1st Edition. The deluxe issue of the first edition, limited to just 50 numbered copies signed by the author (this being #40). Slim 8vo. vi, 95pp. Full white buckram lettered in gold at the spine. With marbled endpapers, and a gilt top edge, the others rough-trimmed. Buckram very lightly marked in two or three places, and with a tiny bump to the tip of one corner. Light superficial crease to the half-title. Pencilled former owner name to an unprinted preliminary leaf, alongside which is a pencilled note stating "from the collection of Michael Sadlier. Sotheby's. 17 Nov 1958". A super copy of a most uncommon volume. No dust wrapper called for, but lacking the original unprinted tissue protector, but with a fresh sheet of acetate supplied. Thirty-four poems. Signed by Author(s).

First edition. Small octavo. 95 pages. Thirty-four poems. Buckram covers. Top edge gilt. Marbled endpapers.Number 6 of 50 copies signed by the author.Fine in the original tissue dustwrapper which is chipped and torn.

Giclà e printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 15¾ in.).

No Binding. Condition: Fine. JEAN-LOUIS PRÉVOST, CALLED LE JEUNE (FRENCH, CA. 1760 AFTER 1810) Chrysanthemums Watercolor and pencil on vellum laid on board Signed 'Prevost del.' lower right Paper size: 12 3/4 x 9 1/2 in. Frame size: 24 x 21 in. Jean Louis Prévost was a successful and widely renowned flower painter, respected his watercolor and oil paintings, and for his engraved works. His paintings were consistently exhibited in the prestigious Paris Salon, and his original watercolors served as models for a series of exquisite color-plate botanical books. His "Collection des Fleurs et des Fruits" is one of the greatest French flower books of the early 19th century. Unlike Redouté, his great contemporary, Prévost's intention with his works was not primarily scientific. His great "Collection" was intended as a reference work for china and fabric pattern designers. Prévost here demonstrates his mastery of the traditional still-life genre. These strong compositions indicate his aesthetic concerns, while the delicate, detailed and highly accurate depiction of each flower also exemplifies the artist's exceptional rendering skill. Although he was not primarily a botanist, all of Prévost's works were based on careful observation of specimens. Loca:6.3WCC.5C.