Classical Plot Invention Western Narrative by Lowe (38 results)

Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Unread. In stock ready to dispatch from the UK.

Condition: New.

Paperback or Softback. Condition: New. The Classical Plot and the Invention of Western Narrative. Book.

Condition: New.

Hardcover. Condition: Like New. First Edition. Firm, square and tight with sharp corners and sturdy hinges, just showing a few minor rubs and some mild cosmetic wear. Hence a non-text page is stamped 'damaged'. Despite such this book is in nearly new condition. Thus the contents are crisp, fresh and clean. It has no pen-marks and is not from a library so no such stamps or labels. Offered for sale at a very sensible price.

Condition: New.

Paperback. Condition: new. Paperback. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. In.

Condition: New.

First edition, super octavo, black cloth boards with gilt lettering to spine, xiii + 293pp, nr fine, in d/w, VG+ (bookseller's label to rear, light soiling & rubbing to rear).

Condition: New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: new. Paperback. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: New. In stock ready to dispatch from the UK.

Condition: New.

Paperback. Condition: new. Paperback. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the story of how Western literature first developed its distinctive taste for the kind of tight, economical plotting still employed in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling, centered on Homer, early tragedy, Hellenistic comedy, and the Greek love-novels of the early centuries AD. Along the way, it draws on cognitive science and current literary theory to offer a resilient yet accessible new theory of what 'plot' is and how it works.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. pp. 308.

Hardcover. Condition: new. Hardcover. From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in recent literary theory. The first part of the book draws on current developments in narratology and cognitive science to propose a new way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with new insights into the fundamental narrative poetics of each. This is the story of how western literature first developed its distinctive taste for the kind of tight, economical plotting still supreme in modern fiction and cinema. The book shows how this taste was formed in Greco-Roman antiquity out of a series of revolutions in storytelling. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - From Homer to Hollywood, the western storytelling tradition has canonised a distinctive set of narrative values characterised by tight economy and closure. This book traces the formation of that classical paradigm in the development of ancient storytelling from Homer to Heliodorus. To tell this story, the book sets out to rehabilitate the idea of 'plot', notoriously disconnected from any recognised system of terminology in literary theory. The first part of the book draws on developments in narratology and cognitive science to propose a way of formally describing the way stories are structured and understood. This model is then used to write a history of the emergence of the classical plot type in the four ancient genres that shaped it - Homeric epic, fifth-century tragedy, New Comedy, and the Greek novel - with insights into the fundamental narrative poetics of each.

Cambridge UP, 2000. xiii,293 pp. Boards w.dustj.

Paperback. Condition: Brand New. 293 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 490.