Language: English
Published by Taylor & Francis Group, 1998
ISBN 10: 185928325X ISBN 13: 9781859283257
Seller: Better World Books: West, Reno, NV, U.S.A.
First Edition
Condition: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Language: English
Published by Taylor & Francis Group, 1998
ISBN 10: 185928325X ISBN 13: 9781859283257
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First Edition
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Taylor & Francis Ltd, 2016
ISBN 10: 1138269050 ISBN 13: 9781138269057
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Language: English
Published by Routledge 1998-10-29, 1998
ISBN 10: 185928325X ISBN 13: 9781859283257
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Language: English
Published by Taylor & Francis Ltd, 1998
ISBN 10: 185928325X ISBN 13: 9781859283257
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketHardcover. Condition: Brand New. 174 pages. 9.50x6.50x1.00 inches. In Stock.
Published by Aldershot: Ashgate, 1998, 1998
An examination of the parts played by performers, listeners, critics, and theorists in the creation of musical culture. First edition. 23.5 cm; 174 pp; illustrated from photographs and musical examples. Owner's name; else a very good copy or better in gilt-stamped boards, in an unevenly faded dust jacket.
Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Composition, Performance, Reception | Studies in the Creative Process in Music | Wyndham Thomas | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2016 | Routledge | EAN 9781138269057 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Composers, performers, listeners, critics and theorists all play vital roles in the creation of music culture; yet often each group can appear to hold widely divergent views of a musical work's aims and effects. As the title indicates, this book examines the parts played by these groups and the interaction between them. In the first of eleven essays, Robert Saxton discusses the difficulty in pin-pointing the moment of inspiration for a new composition; while Raymond Warren looks at the problems facing operatic performers, including those that arise when interpretations are suggested by the libretto but not in the music. The changing perception of the composer's art from the 14th century to the present day is charted by Wyndham Thomas, in particular attitudes towards arrangement. Two quite different views of the performer's responsibility in communicating the composer's intentions are taken by Charles Rosen and Susan Bradshaw, the latter arguing for the need to bridge the gap between theoretical and practical analysis of a work; and in two fascinating case studies, Eric Clarke and Jennifer Davidson highlight the ways in which attention to movements of the body in performance can reveal aspects of musical structure. The reception of music is tackled from a variety of perspectives in the book. In his assessment of audience reaction to Jonathan Harvey's 'The Riot', Adrian Beaumont concludes that our response is influenced by a complex web of expectations and previous musical experience. The influence of record sleeves in also determining a listener's response to music is discussed by Nicholas Cook; while Stephen Walsh and Adrian Thomas explore two milieux of critical reception - the first to the music of Stravinsky, and the second to works composed during the social-realist period in Poland. On a more personal level, Bojan Bujic's essay forms a fitting counterpart to Saxton's in his attempt to locate the ways in which we experience a new musica.
Seller: preigu, Osnabrück, Germany
Buch. Condition: Neu. Composition, Performance, Reception | Studies in the Creative Process in Music | Wyndham Thomas | Buch | Einband - fest (Hardcover) | Englisch | 1998 | Routledge | EAN 9781859283257 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Composers, performers, listeners, critics and theorists all play vital roles in the creation of music culture; yet often each group can appear to hold widely divergent views of a musical work's aims and effects. As the title indicates, this book examines the parts played by these groups and the interaction between them. These absorbing essays offer new insights into our understanding of music making in all its senses, and suggest future ways of approaching works whether as a composer, performers or listener.