Cou, First Edition (112 results)

Soft cover. Condition: Very Good. 1st Edition. Cover is a bit watermarked, otherwise very good very clean copy.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. see the real Vietnam, he had to overcome Western misconceptions, and the propaganda of Vietnam's government. Written with British wit, this book exposes a country still trying to recover from a devastating war. Xiv+466 pages, photos. Published @ C$35.00.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. 160 pages. Every other page is a photograph of a cadaver section with the opposing page describing, in great detail, all the tissues in French and Latin. large book 28 x18 cm. text in French. cover corners slightly rounded. Interior contents (all cadaver sections photographed in color) are excellent.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Lengua española (illustrator). 1ª Edición. El servicio contrareembolso tiene un coste adicional de 3 euros.

Primera edición. Catálogo. Muy buen estado. ANTES DE HACER EL PEDIDO, DEBE INFORMARSE ACERCA DE LOS GASTOS DE ENVÍO HACIENDO CLICK EN EL ENLACE QUE ACOMPAÑA A ESTA FICHA, YA QUE ÉSTOS VARÍAN EN FUNCIÓN DEL PESO DE LOS LIBROS, LA MODALIDAD DE ENVÍO (ORDINARIO, CERTIFICADO O MENSAJERÍA), EL DESTINO Y LA FORMA DE PAGO (TARJETA, TRANSFERENCIA O CONTRA REEMBOLSO). Size: 155 Pp. 20x13.

Soft cover. Condition: Fine. 1st Edition. Small address label top of front cover. Orange covers, spiral bound. With a signed letter inserted by the author about this genealogy. About 80 pp with charts, illustrations. Printed on one side of each sheet.

Hardcover. Condition: Fine. First Edition. SOLEIL COU COUPE, Nazraeli One Picture Book No 10 with aoem by FReddt De Vree and an original photograph signed on the back by Julien Coulommier. Number 204/500. Hardcover, no dustjacket. Fine condition. 5 3/4" x 7 3/8".

Encuadernación de tapa blanda. Condition: Bien. Física (illustrator). 1ª Edición. Todos nuestros libros son de segunda mano.

First Edition. First edition. Small hardcover. The 10th entry in the One Picture Book Series. Number 163 from an edition of 500 copies. Includes a poem by Freddy De Free along with an original tipped in photograph. A very fine copy in publisher's ziploc bag. No dust jacket as issued. Signed by Coulommier on the verso of the photograph. An as new copy. Signed.

Primera edición. Buen estado. ACERCA DE LOS GASTOS DE ENVÍO HACIENDO CLICK EN EL ENLACE QUE ACOMPAÑA A ESTA FICHA, YA QUE ÉSTOS VARÍAN EN FUNCIÓN DEL PESO DE LOS LIBROS, LA MODALIDAD DE ENVÍO (ORDINARIO, CERTIFICADO O MENSAJERÍA), EL DESTINO Y LA FORMA DE PAGO (TARJETA, TRANSFERENCIA O CONTRA REEMBOLSO) Size: 230 Pp. 24x16,5.

Encuadernación de tapa blanda. Condition: Bien. Filosofia (illustrator). 1ª Edición. Col. L'Esparver Llegir, 67 Todos nuestros libros son de segunda mano.

Encuadernación de tapa blanda. Condition: Bien. Llengua (illustrator). 1ª Edición. Pròleg d'Antoni Mª Badia i Margarit. Col. El Punt. La fotografía que aparece en la pantalla puede ser distinta a la real. Todos nuestros libros son de segunda mano.

Hardcover. Condition: As New. 1st Edition. 1st Printing. Signed. 16 pages. Published in 2002. Artist Book. The 10th title in the now-legendary "One Picture Book" Series by Nazraeli Press, one of the most superb ongoing projects of contemporary art photography. Limited Edition of 500 numbered and signed copies. Accompanied by one tipped-in, original print by the artist/photographer (hence the Series' name). An elegant production by Chris Pichler: Small-size volume format. Titles on cover and spine, as issued. Photograph by Julien Coulommier. Poem by Freddy De Vree. Printed on pristine-white, archival stock paper to the highest standards. Without DJ, as issued. Presents Julien Coulommier's "Soleil Cou Coupe". The artist/photographer's first and only contribution to the One Picture Book Series, which culminates the multi-page poem by Freddy De Vree. "The Belgian photographer, author, and critic Julien Coulommier has been an important figure in Western European avant-garde art since the early 1950's. His association with Otto Steinert led Coulommier to be seen as a representative of subjective photography in Belgium and Holland, but his most important stimulus came from the Belgian surrealist Marcel Broodthaers, with whom he became friends. Coulommier started out at a time when abstract art and figurative art were seen very much as separate genres. With great skill and imagination he has melded these opposing styles, presenting the abstract figuratively and the figurative in an abstract way. He has long been concerned with exploring the difference between knowledge about things and images of them. Freddy De Vree has written a memorable and vividly descriptive poem in honor of Coulommier's work and it complements perfectly the original print tipped into the final page of each book" (Publisher's blurb). An absolute "must-have" title for Julien Coulommier and Freddy De Vree collectors. This is a copy of the Limited Edition, indicated/numbered as such in pencil on the Back Limitation Page. It comes with an original print that is very prominently, neatly, and beautifully numbered and signed in black ink-pen on verso by Julien Coulommier. This title is a contemporary art photography classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 1 poem, 1 original print. One of the most brilliant artist/photographers of our time. A fine copy. (SEE ALSO OTHER ONE PICTURE BOOK TITLES IN OUR CATALOG) ISBN 1590050037. Signed by Author.

Encuadernación de tapa blanda. Condition: Bien. Lectura (illustrator). 1ª Edición. Col. L'Esparver. Llegir, 91 Todos nuestros libros son de segunda mano.

Couverture souple. Condition: Bon. Edition originale. C1 Harold R. DANIELS. JUSQU'AU COU. Edition Presses de la Cite 1956, "Un Mystere" # 288 broche, Format 11.5*17 cm, 191 pages. BON ETAT, Traduit de l'americain (In His Blood - 1956 ) EDITION ORIGINALE en francais Je n'ai pas trouve de resume en francais : Harold R. Daniels was nominated for an Edgar in 1955 for his first novel, In His Blood. His other five novels feature the excellence of his first: interesting plots and situations, solid characterizations, and a sense of realism few crime novels achieve. In His Blood (Dell, 1955) is the story of Milton Raskob, a worker at Hammersmith Chemical, a loner. Then something happens to change his dull, meaningless life: The knife was as familiar to his hand and as innocuous as a pencil, in spite of its razor edge. And yet earlier in the day he had closed his hand on the sharp edge and noticed with surprise that the steel had sliced painfully, if not seriously. into his palm. There had been a flow of blood, which he rinsed off in the sink, and afterwards when he again picked up the knife to strip the mill, it felt different to him, almost like a personal possession, and he found himself gripping the wooden handle with a new and strangely pleasant familiarity. (pages 5-6) Raskob is seized by the urge to kill, and he does. After following a school girl after a movie, he uses his knife to butcher her. The buildup to the scene is powerful and realistic. Lieutenant Ed Tanager of Homicide is given the case. Tanager has personal problems: his daughter is hospitalized with suspected polio; Tanager's wife is an emotional zombie as a result. Raskob endures various humiliations, and after each he feels the urge to use his knife. He almost murders a little black girl, but she gets away. Later, he butchers a small boy in the park. Finally, the fever takes over and he slits the throat of a newborn baby in its crib. The investigation is believable, realistic, and professional as Tanager and his men hunt for the killer. The reader feels the frustration of the lack of clues; but he also feels for Raskob as a man driven beyond his limits. In His Blood isn't a perfect book. Daniel's writing style has its weaknesses, and the dialogue wanders into cliches too frequently. But In His Blood is a superb study of a modern day Ripper. NON REEDITE en francais a l'heure actuelle ***** ATTENTION ! ! A PARTIR DU 1er JUILLET, LE TARIF ECONOMIQUE LIVRE ET BROCHURE N'EXISTE PLUS. ENVOI A L'INTERNATIONAL EN TARIF COURRIER OU COLISSIMO, BEAUCOUP PLUS ONEREUX.

Encuadernación de tapa blanda. Condition: Bien. Filosofia (illustrator). 1ª Edición. Col. L'esParver. Llegir, 81 Todos nuestros libros son de segunda mano.

Encuadernación de tapa blanda. Condition: Bien. 1? Edición. Tapa blanda. Buen estado. Ex libris. Cubierta deslucida. Roces en bordes. Fotografías b/n. Libro idiomas. Francés.

Couverture rigide. Condition: Très bon. Edition originale. un volume in 8 relié en cartonnage éditeur, 8pp., 381pp., nombreuses figures dans le texte.

Tapa Blanda. Condition: Bien. 1ª Edición. Temas de C.O.U. para las Universidades de Madrid. Rústica. Sin anotaciones ni subrayados. Buen estado.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. 1ª Edición. COUNTERPOINT, 20 capítulos, Appendix. Con ilustraciones, textos EN INGLES Y ESPAÑOL a una y dos columnas. Cuidada letra tipográfica. Atractiva encuadernación en rústica original editorial con cubiertas ilustradas. Con buen estado general de conservación. TEXTO, COU, INGLES.

Couverture souple. Condition: Bon. Edition originale. Deux dessins de Maurice RAPIN illustrent ce tract daté du 23 décembre 1957. Maurice RAPIN (1924-2000), peintre et poète, tout d'abord proche d'André Breton, puis du mouvement lettriste. Avec son épouse Mirabelle Dors (1913-1999), peintre et sculptrice d'origine moldave, il crée en 1957 les tracts de La Tendance Populaire Surréaliste qui deviendra en 1978 la Figuration Critique. - Paris, La Tendance Populaire Surréaliste : M. Rapin, sans date (1957), 9,5 x 21 cm, feuillet bleu givré imprimé au recto. Aucune mention d'imprimeur.

Encuadernación de tapa blanda. Condition: Bueno. 1ª Edición. Encuadernación de tapa blanda. RUSTICA ILUSTRADA. EL EJEMPLAR SE ENCUENTRA EN LOS PRIMEROS CAPITULOS SUBRAYADO A LAPIZ. Catalán.

Couverture souple. Condition: Très bon. Edition originale. Grand in-4° broché 193 pp.

Rustica Editorial Ilustrada. Condition: Muy buen Estado. Dust Jacket Condition: Sin Sobrecubiertas. 1ª Ed. Sin paginacion continua unas 60pp aprox. Size: 24x16cm.

8°, Original-Leder. Condition: Gut. 1. Auflage. 128 S. : mit Illustrationen Einband gering berieben u. begriffen sowie leicht geblichen, Spuren von kleiner Einklebung auf Vorsatz, Seiten dezent gebräunt, insgesamt gutes Exemplar. 10-04-43 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Französisch Gewicht in Gramm: 460.

Rústica. Condition: Bien. Dust Jacket Condition: Bien. 1ra edición. Libro de ocasión en buen estado, presenta marcas de cinta adhesiva en la primera y última páginas de cortesía y el nombre del antiguo propietario. Publicado en Madrid el año 1978. Primera edición. Encuadernación en rústica. 232 páginas. 24x17x2.5 cm. 670 g. No. Libro.

376 S., gr.okt., Kt., Anm. a. Schnitt, NaV.- [ Sprache SpracheES J| 1985 N| Francisco Fernández Rei N| Henrique Monteagudo N| Gonzalo Navaza Blanco N| Camiño Noia Campos | 72660 ].

Primera edición. Foro/Latín. Libro de texto. Ilustraciones en b/n. Leve huella de humedad en parte inferior de contracubierta y últimas páginas. Buen estado, en general. Raro. ANTES DE HACER EL PEDIDO DEBE LEER LAS CONDICIONES DE PAGO Y ENVÍO DE LA LIBRERÍA. Size: 255 pp. 26 x 18,5 cm, 547 gr.

Primera edición. Introducción de R. Gabás Pallás. Buen estado. ACERCA DE LOS GASTOS DE ENVÍO HACIENDO CLICK EN EL ENLACE QUE ACOMPAÑA A ESTA FICHA, YA QUE ÉSTOS VARÍAN EN FUNCIÓN DEL PESO DE LOS LIBROS, LA MODALIDAD DE ENVÍO (ORDINARIO, CERTIFICADO O MENSAJERÍA), EL DESTINO Y LA FORMA DE PAGO (TARJETA, TRANSFERENCIA O CONTRA REEMBOLSO) Size: 429 Pp. 21,5x15,5.

Couverture souple. Condition: Très bon. 1ère Édition. Avec un envoi autographe de l'auteur à l'homme de lettres Georges emmanuel Clancier. Année de l'édition originale, exemplaire du service de presse. Broché, très bon état, 111 p.