Crippa by Crippa Roberto (29 results)

Paperback. Condition: Good. Good Plus, internally clean, solid paperback exhibition catalog, text in English and Italian. Some light stains to the covers. #250 of 500 copies on glossy Kromekote paper printed "sur les presses de la Tipostle de Milan". #.

[14] pp.; 22.4 x 17.4 cm.; accordion; other special feature[s]; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with texts by Robert Lebel and Franco Russoli in French. Designed by Sergio Tosi. Fair. Rubbing and dusting of covers with gentle bumping of edges and corners. Light yellowing along right side edge of title page. Accordion fold pages have been cut into completely separate sections in five places. 17.3 cm. area of loss to second to last page. Contents otherwise clean and unmarked.…

Hardcover. Condition: Near Fine. No Jacket. First Edition. Boards, in near fine condition, very slight browning to bottom of cover and top of first page edge The collection contains 12 full page plates including two in color. Includes an essay by Guido Ballo. The text is in English, French and Italian. Published on the occasion of the exhibition, 26 May to 22 June 1962. Scarce item in this fine condition. Size: 7¾" - 9¾" Tall. Crippa, Roberto (illustrator).…

[68] pp.; 20 x 14.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with essay by Giampiero Giani. Inludes biography and index / exhibition checklist. Text in English. Good. Rubbing, dusting, and yellowing of covers with discoloration and light soiling. 2.2 cm. dog-ear to bottom right corner of recto and 4 cm. crease to top right corner of recto. 1.8 cm. gentle crease to pages and light rippling of endpaper. Contents otherwise clean and unmarked.…

Softcover, 18 pages; in French; very good condition; light rubbing to white cover; no internal marks.

10 Bll. (20 S.) mit einer montierten Farbabbildunge, 15 Tafeln. Geschenkexemplar (gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 750 4°. Orig.-Karton mit transparentem Kunststoffumschlag.

Paperback. Condition: Used: Good. Palazzo Reale sala delle Cariatidi; The book is paperback in good overall; there is a bump at the top corner, and some mild edgewear; 2 lbs 1 oz.

paperback. Condition: Good. Catalogo di mostra, 21 maggio - 6 giugno 1970. Uno scritto di Franco Passoni. Con 30 illustrazioni in bianco enero. Elenco delle 30 opere esposte . 8vo. pp. 32. . Ottimo (Fine). . . . Book.

Hardcover without dustjacket as issued, 112 pages; Italian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Bon état. plaquette petit in-4, brochée, jaquette illustrée, 10 pp. (jaquette usée), reproductions en noir. Bon état.

Brossura. Condition: fine. Monza, Serrone di Villa Reale, 27 febbraio - 3 aprile 1999.A cura di Caramel L. e Sega Serra Zanetti P.Milano, 1999; br., pp. 120, 114 ill. b/n e col., cm 23x27.(Biblioteca d'Arte). Il volume rappresenta il catalogo dell'esposizione di Monza, Serrone di Villa Reale, viale Brianza (26 febbraio - 3 aprile 1999), curata da Luciano Caramel e Paola Sega Serri Zanetti per i Musei Civici di Monza. Libro.…

loose_leaf. Condition: Very Good. Brochure della 419ma mostra del Cavallino, Venezia, 6 - 15 settembre 1958, dedicata a Robrto Crippa. Brevi estratti critici su due facciate. Con fotoritratto in bianco e nero dell'artista. Allegato  un quartino sciolto con tre illustrazioni in bianco e nero di cui sulla doppia pagina interna  . Cm 17x12 (aperto / open 34x24 cm). . . Molto buono (Very Good). . . . Book.…

paperback. Condition: Fine. Prima edizione (First Edition). Testo in inglese di Giampiero Giani. Con 17 tavole in bianco e nero fuori testo, 6 immagini in bianco e nero nel testo. Due grafiche originali (xilografie) di Roberto Crippa firmate su lastra, eseguite appositamente per questo catalogo. Con una accurata bibliografia a cura di Milena Milani e Giampiero Giani . Cm 24x18. pp. 20 + 17 tavole. . Ottimo (Fine). . Prima edizione (First Edition). .…

First Edition. 22 x 23cm good card-covered publication, some marks to rear off-white covers, some hand-writing at top of the rear cover, minor detachment to front free end paper. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artists was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana. Italian text with single page colour reproductions.…

Haus Lange Verlag. 1963. 4°. 8 Seiten. Mit ganzseitigen Abbildungen auch in Farbe. Broschur. Einband etwas unfrisch, sonst sehr gut. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Card covers. Condition: Good in wraps. First Edition. 17 x 23cm good card-covered publication with French text plus colour reproductions. Minor bumps to corners. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artist was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana.…

Hardcover. Condition: Very Good. 1st Edition. 8° - 14pp - 2 Lithographs and B/w Plates of Sculptures. Figurations by Roberto Crippa (1921-1972) Italian painter and sculptor. First edition, text in Italian. Original boards. In Very good condition.

Condition: Ottimo (Fine). 994 Stefanini Gimmi e Crippa jr Roberto Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013. MIlano, Edizioni Galleria Pace 2013 italiano, in quarto 395 14300994Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013, in-4, rilegato a tutta tela, pp.395, illustrazioni b/n e a colori n.t. Ottime condizioni. Book. …

Paperback. Condition: As New.

Milano, Galleria Schwarz, collana «Antologia Internazionale dell'incisione contemporanea diretta da Tristan Sauvage. I contemporanei», n. 2, 1962, Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione Elegante volume realizzato dalla milanese Galleria Schwarz nel 1962 con dieci acqueforti originali di Roberto Crippa firmate e testi di Tristan Sauvage (ovvero Arturo Schwarz, scrittore e poeta oltre che editore e gallerista). Un libro a due, in cui le incisioni dell'artista monzese sostengono le parole di Sauvage/Schwarz, a loro volta realizzate - come recita il sottotitolo in francese - «pour mieux comprendre Crippa et moi-même». E un libro, al tempo stesso, doppio, con due diversi frontespizi a introdurre il fruitore/il lettore alla sezione di Crippa - intitolata «Dix eaux-fortes. Illustrées par Tristant Sauvage» - e a quella di Sauvage - «D'une pierre deux coups». Realizzata in 100 esemplari - 75 numerati da 1 a 75 e XXV con cifre romane -, l'opera fa parte della collana «Antologia internazionale dell'incisione contemporanea» diretta dallo stesso Tristan Sauvage, in 8°, tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero, pp. [28], 10 incisioni originali firmate protette da cornici in cartone e acetato. Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero.…

Milano, Conchiglia (stampa a mano a cura di Giampiero Giani), 1957, febbraio, Prima edizione. Ex. 36/98, in ottime condizioni. Rarissimo. «Questa poesia di Raffaele Carrieri tradotta in lingua inglese da Roberto Sanesi, edita da «La Conchiglia», in Milano, nel febbraio dell'anno 1957, è dedicata a Charlie Chaplin». I testi sono illustrati dalle suggestive tavole e da disegni di Crippa intercalati nel testo, meravigliosamente stampati. In fine una lettera a Carrieri di Giampiero Giani, il tipografo. Carta di puro straccio Fabriano. Tiratura di 98 esemplari numerati a stampa in diverse serie (nn. 1-12 di testa variamente combinati), oltre 10 copie f.c. in 4°, legatura editoriale di gran pregio in mezza pelle bianca con piatti in carta plastificata, pp. n.n. in carta di pregio con barbe (7 tavole a colori n.t., protette da veline; ill. monocolore nero o rosso nel testo). Prima edizione. Ex. 36/98, in ottime condizioni. legatura editoriale di gran pregio in mezza pelle bianca con piatti in carta plastificata.…

Galleria d'Arte Cortina Milano, 1968. 22 x 23 cm. Softcover. With illustrations in color and b/w. Backcover slightly damaged. Very good copy [Art / international artist [Buitenlandse Kunstenaars] ].

17,5 x 22,5 cm. 14 unpaginierte S. als Leporellodruck. OBüttenkarton. Hinterer Einbanddeckel etwas nachgedunkelt, sonst sehr gutes Exemplar. Wie meist bei Iolas schön gestalteter Katalog in Art eines Künstlerbuches. Mit einem Text von Robert Lebel sowie einem Beitrag von Franco Russoli, datiert 2.4.1967. Eingelegt in einen Umschlag aus festem Fabrianobütten klappt das Buch einem Leporello gleich auf, ohne sich komplett zu öffnen. Es läuft eine Farbkonstruktion in Fotolithographie durch die Seiten, in die sich die Texte einfügen. Mit 2 Prägedrucken. Gestaltung Sergio Tossi, Milano.…

CATALOGO D'ARTISTA CON PAGINE A SOFFIETTO ILLUSTRATE IN VARI COLORI, COPERTINA BIANCA CON TITOLO AL PIATTO. TESTI IN LINGUA FRANCESE ED ITALIANA. ROBERT LEBEL PER LA PARTE IN FRANCESE E FRANCO RUSSOLI PER QUELLA IN ITALIANO. LE PAGINE TOTALI SON 28, A SOFFIETTO numero pagine: 14 + 14 BIANCHE formato: 22.5X17.5 stato conservazione: BUONO.…

Card covers. Condition: Very good. First Edition. 18 x 23cm card-covered catalogue with concertina pages and colour lithographs designed by Sergio Tosi. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artist was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana.…

Milan, Galerie Schwarz, 1962. In-4, [10] ff. [10] pl., broché, toile jaune illustrée de l'éditeur, étui noir (étui un peu défraîchi, quelques taches). Édition originale illustrée de 10 eaux-fortes originales de Crippa, signées et numérotées, montées sur onglet sous plastique neutre et accompagnées d'un petit texte poétique de Sauvage. Un des 25 exemplaires sur papier pur chiffon des papeteries Miliani de Fabriano destinés aux collaborateurs, celui-ci comporte un envoi autographe signé de l'auteur à André Breton. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.…

Milano, Galerie Schwarz, 1962, in-4, legatura editoriale in piena tela beige, figura impressa in rosso e nome di Crippa in nero sul piatto anteriore, custodia, pp. [8] + 10 acqueforti (8 a colori) entro passepartout in cartone, con acetato trasparente di protezione, ciascuna preceduta da un carta recante testi di Schwartz (con le 8 pagine iniziali in totale le pagine di testo sono, dunque, 28). Esemplare n. 60 di una tiratura di 100 copie (75 + XXV copie). Bellissimo volume contenente dieci acqueforti originali firmate di Roberto Crippa e testi di Arturo Schwarz, editore, gallerista scrittore e poeta. Collana Antologia internazionale dell'incisione contemporanea: i contemporanei. Ottime condizioni di conservazione. R. Jentsch, I libri d'artista italiani del Novecento, Torino, Edizioni Umberto Allemandi & C., 1993, p. 119 e illustrazione n. 178.…

Rome, Iolas Galatea, 1967. 22 x 18 cm. Leporello van 14 bladen geschept papier geplakt in een omslag. Twee opstellen, een in het Frans en een in het Italiaans, met een kleurige doorlopende versiering. 1e druk. Klein eigenaarsstempeltje op binnenflap. Netjes. Uit het opstel van Lebel: 'Crippa (Roberto) - Artiste - peintre-aviateur, issu d'une vieille famille d'artistes crétois dont les plus célèbres furent Dédale et son fils Icare'. Crippa (1921-1972) was een kunstenaar, maar ook een vliegenier in de beste Italiaanse traditie, een kunstvliegenier: een groot beoefenaar van de aërobatiek. Bij de voorbereiding voor de wereldkampioenschappen aërobatiek 1972 kwam hij in zijn Zlin Trenér bij een vliegongeluk om het leven. Een sereen boek.…

Condition: Near Fine. ROBERTO CRIPPA "Sgraffio" 29 x 26 cm - ORIGINAL SCRATCHED BOARD, SIGNED BY THE ARTIST. IN FINE CONDITION. Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter and sculptor. His artistic training took place in the late 1940s at the Brera Academy in Milan. In these years he got to know Aldo Carpi, Carlo Carrà and Achille Funi. His first production is characterized by a figurative style influenced by Picassian cubism, but his friendship with Fontana led him to join the spatialist movement and to sign its manifesto in 1950. Already in 1948 he was invited to exhibit at the Venice Biennale, where I will also return in 1950, 1954 and 1956. The Fifties saw the participation of Crippa 'Manifesto dell'Arte Spaziale'. His production of these years is characterized by a series of paintings, the Spirali, of a geometric and abstract character, where the painter with a circular, but never perfectly round gesture, creates involuted spaces from which rays ideally projected out of the two-dimensionality of the canvas. Subsequently, Spirali become denser, fuller and interlaced with each other and are called Totem. Also known abroad for his works, Crippa reached New York, where he met the surrealists Max Ernst, Victor Brauner and Yves Tanguy. The mid-1950s marked the transition to polymaterial works, which evolved to include materials such as iron, bronze, steel, but also asbestos, cork, newspaper and tissue paper, combined with different materials and colors. Having been the victim of a flight accident and forced into wheelchairs for almost a year, Crippa continues to paint and exhibit internationally. Of these early sixties are the polymaterial and abstract landscapes, and his Amiantiti series, made with thin asbestos sheets applied on an engraved table. He died in 1972 due to a plane crash involving his pupil Piero Crespi.…