Dada, Signed (133 results)

Soft Cover. Condition: Near Fine. Near Fine 1st edition paperback in Japanese. SIGNED and inscribed by author on title page. Also includes laid-in a handwritten card from author saying "Rots of Ruck. Spencer". Signed by Author.

Soft Cover. Condition: Very Good. 1st Edition/1st Printing PBO. SIGNED and inscribed by author on title page. Spine slant. Covers rubbed. Also includes laid-in a typed SIGNED letter (TLS) from author. Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Binding is tight and pages are unmarked. Dust jacket has small tears and creases in back. Inscribed by author. 1999 reprint. Inscribed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. Paperback in Very Good+ condition, narrow 8vo. Illustrated stiff wrappers, notes. First printing. Minor creasing to top of front dj panel, light soiling to back wrapper; inscribed and dated on title page by author to New York books seller and collector. From Princeton's "Public Square Book Series". Bookseller accession no.: DD235. From the wrapper flap blurb, "The Posthuman Dada Guide is an impractical handbook for practical living in our posthuman world - all by way of examining the imagined 1916 chess game between Tristan Tzara, the daddy of Dada, and V.I. Lenin, the daddy of communism. This epic game at Zurich's Cafe de la Terrasse - a batle between radical visions of art and ideological revolution - lasted for a century and may still be going on.". Inscribed by Author(s).

Paperback. Condition: Near Fine. First Edition; First Printing. A copy in excellent condition. This book is very clean; with no writing, no highlighting, and no marks of any kind. ; SIGNED by the author. ; Public Square; 7.9 X 4.0 X 0.7 inches; 248 pages; Signed by Author.

Paperback. Condition: Fine. 2nd ed. Small quarto in glossy photo-illus stiff paper wraps; xvi, 231 pages: illustrations; 24 cm; bibliographical references (pages 213-222) and index. Signed and inscribed by primary author. Contents: Dirty politics: South African energy -- Interrogating nuclear and renewable energy -- Low-hanging fruit always rots first: observations from South Africa's carbon market -- Climate fraud and carbon colonialism -- World Bank carbon colonies -- Prototype carbon fund beneficiaries -- Biog oil and Africans -- Oil companies and African wealth depletion -- Oil, climate change and resistance from the South -- Beyond Bali -- Conclusion: leave the oil in the soil. / Climatic changes -- South Africa. Climatic changes -- Social aspects -- South Africa. Climatic changes -- Economic aspects -- South Africa. Carbon offsetting -- South Africa. Pollution -- Economic aspects -- South Africa. Energy policy -- South Africa. Petroleum industry and trade -- Environmental aspects -- South Africa. Climat -- Changements -- Afrique du Sud. Climat -- Changements -- Aspect social -- Afrique du Sud. Climat -- Changements -- Aspect ?conomique -- Afrique du Sud. Compensation des ?missions de carbone -- Afrique du Sud. Politique ?nerg?tique -- Afrique du Sud. Carbon offsetting. Climatic changes -- Economic aspects. Climatic changes. Climatic changes -- Social aspects. Economic history -- Environmental aspects. Energy policy. Petroleum industry and trade -- Environmental aspects. Pollution -- Economic aspects. Klima?nderung Kohlendioxidemission Umweltzertifikathandel Zivilgesellschaft Time: Since 1991 South Africa -- Economic conditions -- 1991- -- Environmental aspects. Afrique du Sud -- Conditions ?conomiques -- 1991- -- Aspect de l'environnement. South Africa. S?dafrika. Fine.

Hardcover. Condition: As new in shrinkwrap. Orange cloth with color pictorial glossy dustjacket. 255 pp., 42 color and 178 bw plates. "For about ten years, beginning with the Armory Show in 1913, New York City was host to the odd-sounding accents and queerer-looking paintings and constructions of a mixed bag of European and American avant-gardists. Besides the inscrutable figure of artist Marcel Duchamp, the European contingent included such iconoclastic visitors as the playboy painter Francis Picabia, the composer Edgard Varese, the diplomat Henri-Pierre Roche (author of Jules et Jim and adviser to the extraordinary collector John Quinn), and painters Albert Gleizes and Jean Crotti. Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg." "New York Dada is the first comprehensive study devoted exclusively to the accomplishments of these vanguard artists in America in the period 1915-23 - among the most underappraised, though most influential periods in the history of American art. Within months after the word "Dada" was discovered by a group of refugee artists and writers living in Switzerland, news of the movement reached artists in New York, who, by then, had already made works of art and engaged in activities that were similar in spirit to those produced by their European counterparts." "For this groundbreaking book, Francis M. Naumann has interviewed virtually all the survivors and has amassed a wealth of rare photographs and newspaper clippings, including pictures of early installations of modern art in homes and exhibitions, to capture the spirit of New York Dada in a work that is both informative and captivating. In view of the current trend to investigate the potential of a conceptually oriented approach to art and to the art-making process, it is perhaps no coincidence that New York Dada is now finally recognized for the important role it played in the formative phases of a modernist aesthetic."--Jacket. Contents as follows: Preface and Acknowledgments; (starting p. 6) --; Introduction; (starting p. 8) --; 1; Proto-Dada; (starting p. 12) --; 2; The Arensbergs; (starting p. 22) --; 3; Marcel Duchamp; (starting p. 34) --; 4; Francis Picabia; (starting p. 56) --; 5; Man Ray; (starting p. 76) --; 6; The Arensberg Circle; (starting p. 94) --; Albert Gleizes and Juliette Roche; (starting p. 96) --; Jean and Yvonne Crotti; (starting p. 100) --; Edgard Varese; (starting p. 105) --; Henri-Pierre Roche; (starting p. 109) --; Beatrice Wood; (starting p. 112) --; Clara Tice; (starting p. 117) --; Charles Sheeler; (starting p. 121) --; Morton Schamberg; (starting p. 126) --; Charles Demuth; (starting p. 130) --; John Covert; (starting p. 134) --; Joseph Stella; (starting p. 142) --; The Stettheimer Sisters; (starting p. 148) --; Katherine Dreier; (starting p. 155) --; Arthur Cravan and Mina Loy; (starting p. 162) --; Baroness Elsa von Freytag-Loringhoven; (starting p. 168) --; 7; The Independents; (starting p. 176) --; 8; New York Dada; (starting p. 192) --; 9; Aftermath; (starting p. 212) --; Notes; (starting p. 224) --; Selected Bibliography; (starting p. 244) --; Index; (starting p. 250) --; Photograph Credits; (starting p. 255).

First Edition. First Edition, a trade paperback original. INSCRIBED by the author on the front endpaper and dated 1984. Very Good plus in perfect-bound wrappers, with moderate foxing to the page edges. Signed.

Soft Cover. Condition: Near Fine Plus. First Edition /First Printing. soft cover, folded card covers, as issued. any signs of handling would be strictly negligible in impact. no flaws or wear. clean, no markings, tight binding.; this copy shows an ink gift inscription signed by the author, dated 08/25/2011 on a blank preliminary page.; 235pp. a title in the public square book series from princeton university press. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Soft cover. Condition: New. 1st Edition. New, no dust jacket as issued. SIGNED by the author on the title page (signature only). 1st edition, 1st printing, complete number line. New, unread copy. By the Peabody Award-winning filmmaker ("Road Scholar"), Ovid Prize-, General Electric Foundation Poetry Prize-, and Big Table Poetry Award-winning poet, NPR commentator, and ACLU Freedom of Speech Award-, Literature Prize of the Romanian Cultural Foundation-, Lowell Thomas Gold Award-, Towson State University Literature Prize-, Radio România Cultural Award-, and Pushcart Prize-winning author of "Messiah" and "The Blood Countess". Where possible, all books come with dust jacket in a clear protective plastic sleeve, sealed in a ziplock bag, wrapped in bubble wrap, shipped in a box. Signed by Author(s).

Trade Paperback. Condition: Near Fine. Freese, Stephanie (illustrator). Signed. Trade paperback, signed by Matt Wood, light bump to top edge, a touch of edgewear, otherwise clean and bright, a Near Fine copy.

Hardcover. Condition: New. Dust Jacket Condition: New. Ordóñez, Miguel (illustrator). 1st Edition. Signed Book, First Edition, First Printing. Signed by Author(s).

Paperback. Condition: Very Good. No Jacket. SIGNED by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Signed by author on fly leaf. Clean and unmarked pages. Secure packaging for safe delivery. signed by author.

Plate Planche. Condition: In quite good condition. First Impression. Broadside, [28.5cm/11.25in], orchid colored silk screen on white card stock with deckled lower edge. Signed by Rothenberg on verso. . Rothenberg has continued to be a prolific poet into the present, publishing over seventy books of poetry, translation, and assemblage since 1970. In that year the first version of his selected poems appeared as Poems for the Game of Silence (2000), and soon after that he became one of the poets published regularly by New Directions. Provoked by his own ethnopoetic anthologies, he began, as he wrote of it, "to construct an ancestral poetry of my own in a world of Jewish mystics, thieves, & madmen." The first work to emerge from that, both thematically and formally, was Poland/1931 (1974), described by the poet David Meltzer as Rothenberg's "surrealist Jewish vaudeville." Over the next two decades Rothenberg expanded this theme in works such as A Big Jewish Book and Khurbn & Other Poems, the latter an approach to holocaust writing, which had otherwise been no more than a subtext in Poland/1931. He also reexplored American Indian themes in A Seneca Journal (1978), and the relation of his work to Dada and Surrealism culminated in a further cycle of poems, That Dada Strain, in 1983. A merger of experimental sound poetry and ethnopoetics was the basis in the 1970s and 1980s of works composed by an approach that he was calling "total translation," most notably "The 17 Horse Songs of Frank Mitchell" translated from Navajo with a privileging of sonic effect alongside strict or literal meaning. Compositions such as these became centerpieces of Rothenberg's expanding performance repertory and underlay his critical writings on the poetics of performance, many of which were gathered together in Pre-Faces & Other Writings (1981). During this time and beyond it, he also engaged in a number of collaborations with musicians Charlie Morrow, Bertram Turetzky, Pauline Oliveros, and George Lewis, among others and took part, sometimes performing, in theatricalizations of his poetry: Poland/1931 for The Living Theater and That Dada Strain for Westdeutscher Rundfunk in Germany and the Center for Theater Science & Research in San Diego and New York. His New Selected Poems 1970-1985, covering the period since Poems for the Game of Silence, appeared in 1986. In 1987 Rothenberg received his first tenured professorship at the State University of New York in Binghamton, but returned to California in 1989, where he taught for the next ten years as a professor of visual arts and literature at the University of California, San Diego. The works published since 1990 include over fifteen books of his own poetry as well as four books of poetry in translation from Schwitters, Lorca, Picasso, and Nezval and a book of selected translations, Writing Through, which extends the idea of translation to practices like collage, assemblage, and appropriation. In 1994 he published Gematria. In 1995 and 1998 he published, in collaboration with Pierre Joris, the two-volume anthology-assemblage, Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, and in 2000, with Steven Clay, A Book of the Book: Some Works & Projections About the Book & Writing. Waiting for publication in 2008 is volume three of Poems for the Millennium, co-edited with Jeffrey C. Robinson as a nineteenth-century prequel to the first two volumes, and a new book of selected essays, Poetics & Polemics 1980-2005. Numerous translated editions of his writings have appeared in French, Spanish, Dutch, Swedish, Portuguese, and other languages, and a complete French edition of Technicians of the Sacred appeared in 2008. Charles Bernstein has written of him: "The significance of Jerome Rothenberg's animating spirit looms larger every year. [He] is the ultimate 'hyphenated' poet: critic-anthropologist-editor-anthologist-performer-teacher-translator, to each of which he brings an unbridled exuberance and an innovator's insistence on transf.

Paperback. Condition: Very Good+. First Edition; First Printing. Illustrated perfect bound softcover, bright and clean, general shelf wear. Oblong 8vo. First printing. SIGNED on title page by Stephanie Freese and Matt Wood. Book is firm in binding, b&w illustrations, unread. The adventures of Dirk Dada and Monique Monique. Introduction by John Lustig of Last Kiss Comics. Free of any markings, not ex-library. ; Oblong 8vo 8" to 9" tall; Unpaginated pages; Signed by Author & Illustrator.

Trade Paperback. Condition: Near Fine. Inscribed. Trade paperback, inscribed by Milloway, a touch of edgewear, otherwise clean and bright, a Near Fine copy.

Soft cover. Condition: Near Fine. 1st Edition. First Edition. INSCRIBED by the author to art critic Donald Kuspit at front free endpaper. 10 x 7 inches, x, 318 pp. b/w illustrations. Illustrated wraps. Faint shelf-wear. Near Fine. Inscribed by Author(s).

Original wraps. Condition: Very good. First Edition. 27p quarto, printed recto only. A very good copy in tan printed wraps with black plastic spine. Long warm inscription from the author to.

First Edition. Softcover. Presentation copy inscribed by the poet on half-title. Errata slip tipped onto half-title. 219pp. Fine.

Soft cover. Condition: Near Fine. First Edition. 8vo. Stapled wrappers. Unpaginated (30pp.). One of 350 copies. Poems from the early 1980s. Some creasing around the spine, in production, otherwise Fine. This copy has been signed by the author. Signed by Author(s).

Couverture souple. Condition: Très bon. Edition originale. Broché, paginé 753 à 780. Tirage à part. Envoi de Serge Fauchereau.(ct22-0,100). Signé par l'auteur.

Condition: Good. Signed Copy First edition copy. . Inscribed by author on half title page. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Softcover. Condition: Fine. Autoren- / zusammenhängende Unterschrift; Abnutzung / Risse - leicht; Vergilbt / ausgeblichen.

Rústica con broches. Condition: Buen estado. De la Revista de Derecho y Letras, Julio de 1913. Firma y dedicatoria del autor. [Libro en Español / Book in Spanish]. Firmado por autor.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed by both author and illustrator on the title page. First printing. Hardcover, bound in boards with dust jacket. Signed Edition sticker on the jacket. Unmarked. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. B & W Photographs (illustrator). First Edition; First Printing. Hardcover. 8vo. Sheed and Macmillan. 1977. 184 pgs. Signed by the authors on the FFEP. DJ in excellent shape, unclipped and with no tears present. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. E-58; 12mo 7" - 7½" tall; 184 pages; Signed by Author.

Paperback. Condition: Fine. First edition. 8vo. original green paper wrappers. pp 369-380 from the original publication. Presentation inscription from Pierre Prigion to John Lyle. From the Library of the English Surrealist and bibliophile John Lyle, with his book-plate.

Hardcover. Condition: Collectible. The Mayor Gallery, London, 1997. (70) pages. Illustrated. 7.25 x 7.5", cloth, no dj. Signed presentation from Timothy Baum on blank. Clean, tight, very good/none.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. First Edition. Another fine contribution to the series edited by Stephen C. Foster, Crisis and the Arts: The History of Dada, this being Volume VIII. Also SIGNED by one of the contributors, Tashjian Dickran. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Contributions by the editor, Martin Ignatius Gaughan, and byEstera Milman, Ruth L. Bohan, Dickran Tashjian, Naomi Sawelson-Gorse, Michel Sanouillet, David Hopkins, and Dafydd Jones. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. Signed by Author.

First Edition. Very good paperback copy, signed by the author. Edges somewhat dust-dulled and nicked. Remains well-preserved overall. Series; Centro de Estudos de Cartografia Antiga (Portugal), 99. Physical description; 73 pages : illustrations, map ; 30 cm. Notes; "Separata de Memórias da Academia das Ciências de Lisboa, Classe de Ciêncas, Tomo XX 1977." Text in Italian, introduction and notes in Portuguese. Subject; Portugal History Period of discoveries, 1385-1580 ; Sources. 3 Kg.