Deleuze Performance (101 results)

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780748635047.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. - Corners bumped w/ some creasing - Covers a little rubbed - Book ow/ solid, clean and bright - vi/282 pages.

Hardcover. Condition: Good. hardcover with no dust jacket. inside pages are marked with handwritten notes.

Paperback. Condition: new. Paperback. This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Rio examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection. Grounding her analysis in these powers, del Rio shows the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body of performance.Deleuze and the Cinemas of Performance will be of interest to any scholars and students of film concerned with bodily aspects of cinema, whether from a Deleuzian, a phenomenological, or a feminist perspective.Key Features*The first study of the interface between Deleuzian theory and film performance.*A sustained consideration of the links between the body of performance and the body of affect.*A reevaluation of central concepts in earlier film theory-from fetishistic spectacle and performativity to Brechtian distanciation, sadomasochism, and narcissism.*An analysis of the relation of the performative body to a feminist politics.*New readings of classical melodramas as well as contemporary independent cinemas. The first study of the interface between Deleuzian theory and film performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New. This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection. Grounding her analysis in these powers, del Río shows the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body of performance.Deleuze and the Cinemas of Performance will be of interest to any scholars and students of film concerned with bodily aspects of cinema, whether from a Deleuzian, a phenomenological, or a feminist perspective.Key Features*The first study of the interface between Deleuzian theory and film performance.*A sustained consideration of the links between the body of performance and the body of affect.*A reevaluation of central concepts in earlier film theory-from fetishistic spectacle and performativity to Brechtian distanciation, sadomasochism, and narcissism.*An analysis of the relation of the performative body to a feminist politics.*New readings of classical melodramas as well as contemporary independent cinemas.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.…

Condition: New. pp. 248.

Paperback. Condition: new. Paperback. Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike. Deleuze and Performance is an interdisciplinary collection of thirteen new essays that focus on the relationship between the philosophy of Gilles Deleuze and the performing arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

Condition: New. pp. 288 4 Illus.

Softcover, 292 pages; very good condition; except large gallery withdrawn sticker on rear cover; no internal marks. Foreign shipping may be extra.

Condition: New. Num Pages: 240 pages. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 233 x 162 x 15. Weight in Grams: 404. Powers of Affection. 240 pages. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: APFA. Dimension: 233 x 162 x 15. Weight: 404. . 2012. Reprint. Paperback. . . . . …

hardcover. Condition: Very Good. Palgrave Macmillan, c.2018, smaller 8vo., boards, 238pp., NF $.

Paperback. Condition: New.

Condition: New. pp. 248 1st Edition.

Condition: New. Deleuze and Performance is an interdisciplinary collection of thirteen new essays that focus on the relationship between the philosophy of Gilles Deleuze and the performing arts. Editor(s): Cull, Laura; Buchanan, Ian. Series: Deleuze Connections. Num Pages: 288 pages, 4 black & white illustrations. BIC Classification: HPN. Category: (P) Professional & Vocational. Dimension: 233 x 156 x 17. Weight in Grams: 436. . 2009. Paperback. . . . .…

Condition: New. pp. 248.

Condition: New. pp. 288 1st Edition.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Num Pages: 240 pages. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 233 x 162 x 15. Weight in Grams: 404. Powers of Affection. 240 pages. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: APFA. Dimension: 233 x 162 x 15. Weight: 404. . 2012. Reprint. Paperback. . . . . Books ship from the US and Ireland. …

Condition: New. pp. 288.

Condition: New.

Condition: New.

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition.