Dolci, Signed (13 results)

Spiral-bound. Condition: Good. 157 pages, signed and inscribed with a NON personal inscription by author, color illustrated, spiral bound, very slight edgewear, sticker on back, plastic spiral intact. Brick and mortar bookshop since 1975! signed by author.

Condition: Very Good. Signed Copy . Good dust jacket. Inscribed by author on front endpage. (cooking, cookery).

Soft cover. Condition: Good. No Jacket. *SIGNED BY THE AUTHOR*. THERE ARE TWO STICKER MARKS TO THE FRONT COVER. THE CORNERS ARE LIGHTLY BUMPED. THE BINDING IS TIGHT. SOME PAGES HAVE CREASES TO THE CORNERS. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1ST PRINTING STATED hardcover book NEAR FINE/dustjacket NEAR FINE in brodart cover, SIGNED on the FULL title page by author VIRGINIA ELBERT. Signed by Author(s).

Condition: Good. With handwritten signed letter of the author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1ST. Outstanding Copy - Signed - Bonn Appetite, Enjoy La Dolce Vita, The Sweet Life - By The Author On The Title Page. A First Edition, First Printing. Book Is In Fine Condition. Boards Are Clean, Not Bumped. Fore Edges Are Clean. Interior Is Clean And Legible. Not Remaindered. Dust Jacket Is In Fine Condition. Not Chipped Or Crinkled. Not Price Clipped. Dust Jacket Is Covered By Mylar Brodart. Thanks And Enjoy. Signed by Author(s). Book.

Brossura. Condition: ottimo. senza sovraccoperta. prima edizione. Formato in 8°; 103 pagine. Brossura editoriale figurata con alette. Lieve ossidazione ai tagli. Interno fresco. Dedica dell'Autrice. Con riproduzioni di stampe d'epoca in tavole fuori testo. Riedizione di un piccolo ricettario apparso a Napoli nel 1807 per la prima volta. Dedica dell'autore.

Soft cover. Condition: Near Fine. 1st Edition. Fine spiral bound softcover, SIGNED by Pappalardo on the title page. No writing or food stains. Spirals in fine shape, slight shelf wear to cover. 130 pages. M02923. Signed by Author(s).

1893 December 30th Original Antique Print taken from The Graphic: VIRGIN AND CHILD From the picture by Carlo Dolci (Florentine 1616-1686) in the National Gallery Overall size of this print is approx 40cm x 28cm with large margins, perfect for mounting for home, business, interior decorators, hotels, pubs, boardrooms and restaurants. All our prints are ORIGINALS ANTIQUES AND GUARANTEED TO BE AS DATED. Please note we are offering an ANTIQUE PRINT on this listing unless otherwise described. These prints are taken from the THE GRAPHIC and in many cases, there will also be text on the reverse of the image side. The Graphic was first published in 1869, founded by William Luson Thomas and was a weekly newspaper reporting details of local, UK and worldwide events and stories. The Graphic is known for its coverage of of the following subjects: The Wars, Ships, Boats, Guns, Sailing, Portraits, Fine Art, Old and Antique Prints, Wood Cut, Wood Engravings, Early Photographs, Victorian Life, Victorian Culture, Kings, Queens, Royalty, Travels, Adventures, Natural History, Birds, Fish, Mammals, Fishing, Hunting, Shooting, Fox Hunting, Sprts including Tennis, Cricket, Football, Horse Racing etc. WE ARE HAPPY TO COMBINE POSTAGE FOR UP TO 10 ITEMS FOR NO ADDITIONAL CHARGE OVER THE SINGLE ITEM POSTAGE COST FOR OVERSEAS BUYERS. FOR UK BUYERS, POSTAGE IS FREE. PLEASE NOTE THAT IF YOU WOULD LIKE THE ITEM TO BE SENT BY TRACKED AND SIGNED FOR MAIL, YOU WILL NEED TO PAY THE APPROPRIATE HIGHER POSTAL CHARGE.Exported By ExportYourStore.

Soft cover. Condition: Good. Publisher: John Pappalardo, 1996, Good, Spiral Bound, Soft Cover, 130 pp, **SIGNED** by author, cover wear. Signed by Author(s). Book.

Condition: Très bon. In-8 broché, couverture décorée à rabats. Peteites illustrations in-texte par par Sabah Salman Al-Basri. Exemplaire agrémenté d'un envoi autographe du poète. "Un jour, Sabah Salman Al-Basri, professeur à l'Ecole Internationale de Genève, rapporte d'un voyage en Irak - son pays - des friandises qu'il offre à son collègue Daniele Morresi. Or, Daniele est poète. Et la douceur du sucre dans son palais se mêle à l'amertume des images de guerre. Quelques mots lui viennent qu'il met sur le papier dans sa langue maternelle: Che sapore hanno i dolci di Baghdad? / Quel goût ont les douceurs de Bagdad?". Dédicacé par l'auteur.

1. großer Original-Kupferstich von Pierre-Francois Basan (in der Platte signiert) nach Carlo Dolci auf schwerem Büttenblatt mit dekorativ abgesetztem Plattenrand, in der Platte nummeriert als Tafel "41", bildliche Darstellung ca. 33 x 26 cm, Plattenrand ca. 38 x 37 cm, Blattgröße ca. 60 x 50 cm, sauber und bemerkenswert gut erhalten, sehr selten und für uns anderenorts antiquarisch nicht nachweisbar - großer und/oder schwerer Artikel mit zusätzlichen Kosten für Versand und Versicherung - large and/or oversized item with additional costs for shipping and insurance - will be shipped rolled in a solid mailing tube - please ask us before you order 2100 gr.

Dresden, 1753. Large engraving on strong paper. Christ, half-length, at a table with the Eucharist, a chalice with wine in front of him, holding up bread in his left hand, looking upwards, making the sign of a blessing with his right hand. Below image signed in the plate "Ch. Hutin Del. - F. Basan sculp. Parisii"; and inscription in Italian and French giving details on the original painting: "Quadro di Carlino Dolci, Cavato dalla Galleria Reale di Dresda. Alto Piedi 3 onc 2. Largo Piedi 2 onc 3. - Tableau de Carlino Dolce, de la Galerie Royale de Dresde. Haut 3 pieds 2 pouc: Large 2 pieds 3 pouc:". Numbered "No. 41" in lower right corner. In center coat of arms of Dresden Gallery. 38,3 x 27,4 cm.*I.F.F. II, 94, No. 12. Le Blanc I, 186, No. 12. Plate 41 from "Carl Heinrich von Heineken: Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde", Vol. I., 1753. Fine print from the rich collections of Pierre François Basan, engraver, etcher and especially publisher of prints. Engraved in Paris after one of the best works of the Italian Baroque painter Carlo Dolci, which was then in the Gemäldegalerie, Dresden; now in the Burghley House, in Stamford, England. - A few brown spots in the very ample margins.[(6021)].