Ellen Gallagher, First Edition (27 results)

Soft cover. Condition: Near Fine. 1st Edition.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran March 7 through April 11, 1998. Features text by Gallagher and Greg Tate. Includes several color illustrations. A fine copy in stapled wrappers with fold out flaps.

Hardcover. Condition: Fine. Fine 8vo in blue cloth boards with gold cover image; 75 pages, color ills.

Hardcover. Condition: Near Fine. 1st Edition. London: Anthony d'Offay Gallery, 2001. Hardcover in NF condition with NF dust jacket. Unobtrusive remainder mark to base of text block.

Soft Cover. Condition: Very Good. First Edition; First Printing. Articles on Ellen Gallagher; Meredith Monk, and others. With numerous color plates. ; In Very Good condition. Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. ; 4to; 144 pages.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Very cool production, almost an 'artist's book.' Dozens of color plates. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts; the home of good books and sane prices since 1991. 9 26 23.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 4to. 46pp. Grey cloth-covered boards with blindstamped titles, in dust-jacket. Colour plates throughout, many pages unfold vertically to reveal gatefold-style four-panel colour plates. Previous owner's tidy ex libris, dated 2002, on front free endpaper; otherwise unmarked. Dust-jacket is crisp and bright in protective mylar sleeve.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. London: Anthony d'Offay Gallery, 2001. Book in like-new condition. DJ has very light shelf wear.

Soft Cover. Condition: Fine. First Edition. Softcover Gaggosian exhibit catalgoe, 1st Ed as new, no remainder or other markings, pristine Fine copy; 8vo; fully illus in color.

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Des Moines Art Center, 2001. Quarto. Book is like new. A lovely copy of this book displaying the art presented in Ellen Gallagher's first museum exhibition in the United States. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Fine. 1st Edition. Black women and their hair styles. A fine copy. Unread.

Condition: New. 2013. 1st Edition. paperback. . . . . .

4To Oblong Hardcover. Condition: Very Good. 1st. 119p. Contents unmarked on glossy pages with colorful illustrations. Grey paper boards are crisply pointed and clean. Binding is square, hinges are secure.

hardcover. Condition: Like New. First Edition. Publisher: D.A.P./ICA, Boston, 2001. FINE Hardcover in pictorial boards, as issued. First Edition. First Printing. As new. Pristine.

Paperback. Condition: Near fine in wraps. First Edition. 19 x 25cm 96pp near fine paperback exhibition catalogue with essays including: 'Vectors and Veneers: The Thickness of Blackness' by Adrienne Edwards plus Ellen Gallgher in conversation with Adrienne Edwards: 'Are We Obsidian?' and 'I'll dream fast asleep' by Philip Hoare. Also includes black and white plus colour reproductions showing the mixed works of the American artist.

Paperback. Condition: Near fine in wraps. First Edition. 17 x 23cm near fine exhibition catalogue, pages uncut with colour reproductions showing the works of Ellen Gallagher whose media includes painting, works on paper, film and video. Some of her pieces refer to issues of race, and may combine formality with racial stereotypes and depict "ordering principles" society imposes.

Hardcover. Condition: Very Good. 1st Edition. First edition. Hardback. 27 × 27.5cm, 119pp. Ellen Gallagher has emerged as one of the most acclaimed young artists in the United States over the past decade, and this book will be the first to present a significant body of recent work in one volume. Gallagher inflects the surface of her layered drawings and paintings with unique irony and wit. They refer obliquely to a history of African American stereotypes through minute interventions on the canvas: tongues, eyes, wigs, and lips appear like individual musical notes. Their lack of fully formed bodies underlines the manner in which these stereotypical images were used: appearing as disembodied parts in advertisements, toys, and other products of the popular culture. It is through repetition of this limited vocabulary of signs that meanings are established and transformed in Gallagher's work. The large-scale paintings in the exhibition and this accompanying book explore her personal iconography of forms. Included will be Gallagher's recent all-black paintings as well as a carefully selected group of drawings from the artist's own collection. In addition, it features an extensive interview with the artist, for which she has executed several drawings specifically to illustrate this section, as well as critical essays on the work. Condition: Very good condition.

HardBack. Condition: Very Good. First edition. Blue cloth boards, gilt art work to front. Faint water mark to foot of back board, otherwise a very good copy.

Paperback. Condition: Fine. First Edition. Wraps. 4to. Wraps, stapled at spine. With a small plain white label reading 'Simon Lee' indicating the book came from the art reference collection of the Simon Lee Gallery (2002-2023) dealers in contemporary art in Mayfair, London and Hong Kong. This volume was published on the occasion of the exhibition 'Ellen Gallagher: New paintings' March 7-April 11, 1998. ISBN: 188015420X Pages: 10 Fine.

Paperback. Condition: Very good in wraps. First Edition. 23 x 29cm 228pp very good paperback with largely white wraps, black type and a colour reproduction of one of Gallagher's works. Catalogue published on the occasion of the exhibition: 'Ellen Gallagher AxME' first held at Tate Modern, London 1 May-1 September 2013. With essays by Robin D.G. Kelly 'Confounding Myths', 'Ellen Gallagher" Mythopoetics and Materials' by Carol Armstrong and two others. Includes many colour reproductions showing Gallagher's various works.

First Edition. 27 x 27 cm 119 pp with colour illustrations throughout. Pictorial boards, a very good copy.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Hardback book (no dust jacket) titled GREASY by Ellen Gallagher. Published by Gagosian Gallery on the occasion of the exhibition Greasy by Ellen Gallagher, January 22 - February 26,2011. Bookseller since 1995 (LL-Base2-BS-7-bottom) rareviewbooks Language: eng.

Paperback. Condition: Very good in wraps. First Edition. 20 x 28cm 112pp very good paperback exhibition catalogue, minor marks to rear cover. Includes essays by Greg Tate and Karen Alexander plus full page colour reproductions demonsgtrating the American artist Gallagher's bold works. Ellen Gallagher's work has been shown in numerous solo and group exhibitions and is held in the permanent collections of many major museums. Her media include painting, works on paper, film and video. Some of her pieces refer to issues of race, and may combine formality with racial stereotypes and depict "ordering principles" society imposes.

Paperback. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Qto., 128 pages, colour illustrated. Unused, a Fine copy in a Fine dust jacket.

paperback. Condition: Like New. First Edition. Publisher: Tate Gallery, Liverpool, 2007.FINE SOFTcover book in NEAR FINE+ die-cut dust jacket. A single coffee droplet on the DJ's front panel, otherwise as new. First Edition, First Printing.

Soft cover. Condition: Very Good. 1st Edition. This is a "Limited-Edition Artist Paper conceived by Ellen Gallagher"; limited to 200 unnumbered copies; it is not signed; the double-sided pictorial broadsheet designed by Gallagher, containing a playful collage of texts and images from vintage Ebony advertisment, articles from magazines, newspaper fake stories, and other sources: titled "The Preserover", somes essays by Huber Harrison, Richard Eoin Nash, Mike Wise and Carol Kaesuk Yoon; the unfolded broadsheet measures: 33 x 16-1/2in; the broadside is layed into a protective embossed pictorial white card cover based upon one of Gallagher's drawings, printed on Monadnock Dulcet 80# Dulcet Smooth Cover and Duratone Newsprint White; the front also has embossed text that reads "Ellen Gallagher Preserve - The Drawing Center - Drawing Papers 27"; the folder measures: 17 x 11in; both the broadsheet & folder are wonderful for framing; published at the time of her exhibition at the Drawing Center in N.Y. 2002; and there is a tiny crease on the front & back of the white folder, otherwise in VERY GOOD COND.

Soft cover. Condition: As New. 1st Edition. This is a "Limited-Edition Artist Paper conceived by Ellen Gallagher"; limited to 200 unnumbered copies; it is not signed; the double-sided pictorial broadsheet designed by Gallagher, containing a playful collage of texts and images from vintage Ebony advertisment, articles from magazines, newspaper fake stories, and other sources: titled "The Preserover", somes essays by Huber Harrison, Richard Eoin Nash, Mike Wise and Carol Kaesuk Yoon; the unfolded broadsheet measures: 33 x 16-1/2in; the broadside is layed into a protective embossed pictorial white card cover based upon one of Gallagher's drawings, printed on Monadnock Dulcet 80# Dulcet Smooth Cover and Duratone Newsprint White; the front also has embossed text that reads "Ellen Gallagher Preserve - The Drawing Center - Drawing Papers 27"; the folder measures: 17 x 11in; both the broadsheet & folder are wonderful for framing; published at the time of her exhibition at the Drawing Center in N.Y. 2002; the broadsheet & white wrappers are in EXCELLENT COND.