Ensor, Signed (17 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Inscribed and signed by author Diane Lesko at the front free endpaper. Unmarked pages, clean text. A sound binding, some illustrations and sketches included in color, most images in black and white. Jacket wrapped snug to boards, a bit of wear at the edges of the jacket. Signed by Author(s).

Condition: Good. 1937. First Edition. 166 pages. No dust jacket. Signed by the author. Red cloth with black lettering to spine and front board. Black and white photographic frontispiece. Signed by author on slip of paper pasted to front endpaper. Binding remains firm. Pages are moderately tanned and foxed throughout. Moderate tanning and foxing to pastedowns and endpapers, with bookseller stamp to front pastedown. Frontispiece remains bright and clear. Boards have moderate edge wear with slight rubbing to surfaces. Moderate crushing to spine ends. Heavy bumping to corners. Moderate tanning and foxing to textblock.

Broche, 66pp., 14x22cm., etat acceptable (endommage par l'humidite). N?° XVII de LIV exemplaires sur Hollande van Gelder. Avec envoi de l'auteur. 165 g.

in-8, broché, 35p. Signé par Jean Milo et reproduction de celle d'Ensor sur la page de titre. NB. Nous exposons au Salon de la Bibliophilie place Saint-Sulpice à Paris, du 28 au 31 mai (10h à 19h et nocturne le samedi 30 mai jusqu'à 21h) Entrée gratuite. STAND 103 face à l'entrée rue Bonaparte. Les questions et commandes seront traitées en fin de journée et les expéditions reprendront début juin. Merci !

Radierung mit Plattenton. Auf eierschalenfarb. getöntem Karton. Inet // 50 J. `GriKu`, Kat. I, W: 150/ F16; Abb. s. Bd. II // Hamburg 1940 - lebt/ arb. in Hamburg u. München. -Tadelloses Blatt, unter PP! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001 25x24,1 cm (Pl./ Abb.). Signiert.

James Ensor (illustrator). THE RAREST CATALOGUE RAISONNE OF ENSOR'S PRINTS, AND THE ONE THAT FOCUSES MOST STRONGLY ON HAND-COLORED IMPRESSIONS. 304 pp. Profusely illustrated with hundreds of high-resolution color plates. Each item exhaustively described. 4to. Publisher's cloth, dustjacket. FINE AND BRIGHT, LIKE NEW.

Rilegato. Condition: ottimo. prima edizione. CUCCHI Enzo (Morro d'Alba 1949) Bruxelles, Artiscope (Zaira MIS), [Ateliers graphique et d'imprimeries Drifosett s.p.r.l., Bruxelles], 1999, 22x9 cm., paperback [softcover], pp. [12] covers included, black and white illustrated catalog, with the cover designed by Enzo Cucchi. An essay in French and Flemish by Guy Gilsoul and Florizoone Patrick. Published in occasion of the exhibition (Bruxelles, November 21, 1999 - February 28, 2000). Edition of 500 copies, 450 numbered and 50 special copies signed by the artist and numbered in roman numbers. Exemplar part of the special edition of 50, numbered XXVI - L (26 of 50) and signed. [Bibliography: Cucchi 2017: pag. 124]. Autografato dall'autore.

Bruges, Les éditions A. G. Stainforth, 1946. 20 x 14,5 cm, 101 pp. Broché, sous couverture rempliée, quelques rousseurs sinon bon exemplaire non coupé. Un des 400 exemplaires numérotés sur papier de Hollande Pannekoek. Préface, par James Ensor - Lettre d'Edmond Picard - Lettre de Georges Eekhoud - Réflexions sur l'art, par James Ensor - Poème inédit de Marcel Wyseur - Plaidoyer pour la conservation des bassins d'Ostende - Horoscope autographe de James Ensor. Quelques lettres reproduites en fac-similé, nombreux dessins reproduits. Livres.

P., chez René Van Den Berg, 1925, In-12, br., 91 pp. Bel envoi autographe signé de l'auteur.Edition originale tirée à 205 exemplaires numérotés, celui-ci sur alfa. Livres.

Liège, Pierre Aelberts, 1973. Brimborions n°186. 19 x 14 cm, non paginé. Broché en très bon état. Édition originale, un des 40 ex. num. et signé par l'éditeur, sur vélin blanc.

Two black & white illus. [20] pp. 8vo (190 x 140 mm.), orig. pictorial wrappers, stitched as issued. Liege: P. Aelberts, [1973]. A very scarce essay on Ensor (1860-1949), the Belgian painter and printmaker, by the distinguished curator and art historian Huyghe (1906-97); this copy is one of eleven printed on fine Hollande V.G. paper and is signed by the publisher. Two letters (one on the upper wrapper and the other on the title-page) and the tail-piece at end have been hand-colored by the publisher. In excellent condition. We find only one copy in North America.

Cercle d'Art Studio, Imprimerie Smissaert, Ostende, 1935.Un volume broché in-8 non paginé (10 feuillets dont un portrait d'Ensor par E. Triebels), sous couverture d'édition de papier bleu.Exemplaire n°82 sur 100 sur papier anglais.Deux dessins au bic bleu sur la première de couverture datée lundi 29/viii 1960 et signée par Ghelderode, ainsi qu'une note paraphée du même : acheté à Ostende bouquinerie d'occ 196 été chez Corman 10fr rare. Livres.

Fata Morgana.Dessins.Dédicace.Etat neuf.

Original-Radierung (Kaltnadel), auf Hahnemühle; Abbildung: 19 x 14,5 cm; WVZ / Nr. des Druckers Lau; sehr guter Zustand, im neuen Passepartout 50 x 60 cm. - / Posthumer Abzug von der Original-Platte (1985), von der Witwe Charlotte Hassebrauk signiert u. bezeichnet u. im Verlag der Kunst Dresden erschienen. - // Ernst Hassebrauk (1905 Dresden - 1974 Dresden), Maler und Grafiker; 1925-27 Studium an der Kunstakademie Dresden; 1927-32 Studium der Philosophie u. Kunstgeschichte an der Universität Leipzig, parallel Studium an der Leipziger Kunstakademie bei Willi Geiger; 1947 Professur an der Hochschule für Grafik und Buchkunst Leipzig (HGB); 1949 Entlassung im Rahmen der Formalismusdebatte; 1958-60 Arbeit an den Staatlichen Kunstsammlungen in Dresden; freie Entfaltung seines Schaffens mit intensiver Farbigkeit und barocken Formen (Interieurs). Zahlreiche Ausstellungen (auch in Westdeutschland viel beachtet) und Publikationen.

Condition: Sehr gut. (Bert Gerresheim, geboren am 8. Oktober 1935 in Düsseldorf, gestorben am 16.07.2025 ebenda. Studium 1956 bis 1960 an der Düsseldorfer Kunstakademie bei Otto Pankok, zusammen mit Günther Uecker und Germán Becerra. Bildhauer, Grafiker und Pädagoge). Original-Zeichnung mit Bleistift auf weißem Papier. Von Bert Gerresheim in Blei mit beschreibendem Text, Signatur und Zueignung "Liebe Christl, diesen blütenfrohen Ensorgruß zum Dank für Deine farbenbunte Übersetzung", versehen. Provenienz: Aus der Sammlung von Wilhelm Blasberg. Maße Blatt: 28,0 x 21,0 cm. Maße Abbildung: 23,0 x 14,0 cm. Rückseitig kleiner transparenter Klebestreifen. Sehr guter Zustand. Original drawing in pencil on white paper. Engraved in pencil by Bert Gerresheim with descriptive text, signature, and dedication: "Dear Christl, this blossoming Ensor greeting in thanks for your colorful translation." Provenance: From the collection of Wilhelm Blasberg. Sheet dimensions: 28.0 x 21.0 cm. Image dimensions: 23.0 x 14.0 cm. Small transparent adhesive strip on the verso. Very good condition.

Henry de Groux (illustrator). Henry de Groux 1866 - 1930 Le visage de La Victoire - magnificent WWI charcoal signed; from the famous series as later reproduced in the book Enfant terrible of the famous Les Vingt group XX, with James Ensor, Theo van Rysselberghe and Van Gogh. De Groux was thrown out of the group for Nat wanting to exhibit with flower painter Van Gogh - Escaped mental institution? Groux (later adding the royal 'de' to his name) was a wild child Magical WWI drawing from famous collection I sell an Extra large pastel painting by de Groux 'Le Christ' about the misunderstood christ.

Condition: Very Good. A postcard (138 × 88 mm), with the pictorial letterhead of 'Piers Court | Stinchcombe Nr Dursley Glos.' on the verso; postally unused, but still in the original envelope addressed by Waugh ('Aubrey Ensor Esq | The Old Thatch | Thakeham | Pulborough | Sussex'). The letterhead, printed in brown, would appear to be designed by Reynolds Stone; he contributed the wood engravings to Waugh's 'The Holy Places' (1953). Minor pencil annotations to the recto of the card and the envelope; in excellent condition. Waugh's note reads in full: 'Very many thanks indeed for your charming letter of sympathy. My best wishes for Christmas and the next year, Evelyn'. Perhaps not surprisingly, because of the personal and intimate nature of the short message, the card was sent in the envelope, with the recto of the card left blank. The envelope is postmarked Dursley, 17 December 1954; Waugh's mother Catherine (1870-1954) died on 6 December. Aubrey Ensor was a teacher at Heath Mount Preparatory School when Evelyn Waugh was a day boy there (1910-1917). In 'My Brother Evelyn and Other Profiles' (1967), Alec Waugh writes: 'For nearly every artist there is someone outside the family, a schoolmaster, a parson, who at a very early age lengthens his horizon, opening windows on new landscapes. Aubrey Ensor did that for Evelyn'. [2 items]. Signed.