Estampes Dessins, Signed (18 results)

Paperback or Softback. Condition: New. Catalogue d'Estampes Des Xvie, Xviie Et Xviiie Si�cles, Eaux-Fortes Modernes, Lithographies: Autographes, Dessins. Book.

Paperback or Softback. Condition: New. Manuscrits Et Autographes, �ditions Originales d'Auteurs Modernes, Peintures, Dessins Et Estampes: de la Collection de M. S. Vente, H�tel Drouot, Pari. Book.

in 8 broché de 46 pages (non paginé) Notice biographique. 119 numéros décrits. 25 reprodictions en noir dont une lettre autographe. Bon exemplaire.

First Edition. First edition. Oblong softcover. 12 pages. Exhibition catalog for a show that ran April 28 through July 15, 1981. Text in English and French and with a preface by Sean B. Murphy. Includes with the covers 10 illustrations with 1 in color. A very good copy in stapled wrappers with some slight wear and soiling and with a laid in text sheet and additionally a note signed by Beament. Uncommon thus.

Soft Cover. Condition: Near Fine Plus. First Edition /First Printing. soft cover with french-fold cover., tiny letter/number code inked to corner of rear endpaper. one minute spot of wear to spine of cover, minor. no other flaws. clean. no text or exterior markings. strong binding. galerie price list laid-in., this copy has a gift inscription to art historian donald karshan from american art dealer virginia lust in ink, on title page.; copy number 122 from edition of 1000., 104pp., illustrated throughout in b/w. Size: 8vo - over 7¾" - 9¾" tall. Signed by Previous Owner. Exhibition Catalogue.

origi.Broschur, 8°, 43 Seiten. Vom Künstler signiert auf Titel, sonst guter Zustand.

Firmin-Didot, Ambroise (illustrator). tall 8vo. contemporary half leather, five raised bands, marbled paper-covered boards, top edge gilt. (viii),xxxi,541; 31+(1) pages. 2 volumes bound in 1. Text in French. Auction catalogue with 5,790 lots. Prices realized bound in. In a signed binding by Alfred Matthews. With the bookplate stating that this book was one of 120 books, relating chiefly to engraving, from the library of Edward Bement left by him to The Grolier Club on the front pastedown. Spine soiled and rubbed at the joints. Corners and edges rubbed. contemporary half leather, five raised bands, marbled paper-covered boards, top edge gilt.

Hardcover. Condition: Very Good. No Jacket. Volume I is a reprint of the 1921 edition; Volume II is a Supplement and is a first edition; both are matching tall quarto volumes bound in pale green cloth. B&W illustrations; text in French. Loosely laid in is an envelope containing a handwritten, signed postcard from the author of this work (Lugt) to Craddock & Barnard in Tunbridge Wells in England. The postcard is from Paris, dated Dec. 14, 1935 and is written in English. There is also another postcard addressed to Craddock & Barnard from Franz Meyer in Dresden and dated April 29, 1936 and written German. Condition: corners slightly bumped; very light wear & soiling to bindings; small rubber-stamp to bottom of both title pages and circular, embossed ex-libris on each title page; else very good condition. Pages: Vol. I: xi, 594; Vol. II: xi, 463. Signed by Author(s).

Paris, Damascène Morgand, 1893. Broché. 675 pp. Exemplaire non rogné. En étui marbré. Exemplaire curieux: sur le page de faux-titre en manuscrit de G.B. (l'auteur) on peut lire: 'Il a été tiré trois exmplaires sur ce chine. Un pour le Général Mellinte, dedicace imprimée, avec une tranche de lauris, aquarellé de Donatien Roy. Les deux autres sont moi. Ce chine a éte pris par moi chez Lips.' Sur ce faux-titre on peut découvrir l' ex-libris de l'auteur. Des faits contradictoires. Le Général [Emile] Mellinet a décédé en 1894 à un âge avancé de 96 ans, un an après cette publication, et à ce moment l'auteur avait 48 ans. La dédicace imprimée est présente, mais l'aquarelle de Donatien Roy est manquante. Très probablement les héritiers ont rendu cet exemplaire à l'auteur, et gardé l'aquarelle.

Paperback. Condition: Very Good. Color plates; other illus., 10.25 x 8", color pict wraps, 282pp + pp, covers a bit rubbed, glassine torn/creased/chipped/browned, extremities bumped and worn, spine creased and cracking, textblock edges a bit toned, but still a decent copy. LIMITED TO 200 NUMBERED COPIES ON JAPON (this is #57), WITH TWO CALLED-FOR "POINTE SECHE ["dry point"] ORIGINALE" (page 36 & 130), but without the portfolio containing the four "lithographie originales". LAID IN LOOSE IS AN AUTOGRAPH LETTER SIGNED BY "H. Floury" DATED "14-11-1938" DISCUSSING THE HISTORY OF JOYANT'S BOOK ON TOULOUSE-LAUTREC; folds, edge-wear/soiling.

First edition, 4to (290 x 210 mm), [6], 22pp., Dawson Turner's Copy, 120 engravings on 116 sheets (complete), engraved title as plate one, 4 sheets having of two engravings, some occasional browning and spotting to plates, finely bound in contemporary full green morocco, lightly faded, joints rubbed, boards and spine decorated in gilt and blind, five double-raised bands, all edges gilt, a very handsome volume. The catalogue is dedicated to the art collection of Antoine Poullain, French art collector. It includes 120 engravings after paintings by Old Masters, from the collection of Poullain, among them Rembrandt Harmenszoon van Rijn, Peter Paul Rubens, Anthony van Dyck, Claude Lorrain, Gerrit Dou and many others, accompanied by short biographies of the artists. The engravings were engraved by different artists under the direction of the French engraver Pierre François Basan. The collection of Antoine Poullain, documented in this catalogue, was sold at auction in Paris after his death in 1780. Many masterpieces from his collection are now in prominent museum collections. Provenance: From the library of Dawson Turner sold as lot 692, at the auction of his library on 9th March 1853, signed a dated by him on front fly-leaf, along with three notations: the first relating to the auction of the collection in 1780; the next concerns a Rembrandt from the collection being re-sold in London in 1814; and the third noting that plate 61 is included on plate 20 "This requires to be observed, or the book may be supposed incomplete". Later in the library of Charles Butler (1821-1910), Warren Wood in Hatfield, Hertfordshire, armorial bookplate to front paste-down. Brunet I, 686; Cohen-De Ricci, 116.

In-4, 27 cm, lettre a entete illustree, signee par Paul Proute, une reponse autographe du destinataire esquissee au verso, Nb-0385,

Livre en feuillets. BEAU DESSIN DEDICACE DE FASSIANOS PLEINE-PAGE ; In-8 (22,5 x 22cm), en feuilles, 18 planches, 31 pages, catalogue à petit tirage de la Galerie du Chapitre: «Estampes et dessins 1978», avec un texte de présentation «la cimaise des pendus» d'Yves Navarre, envoi autographe accompagné d'un beau dessin pleine-page de Fassianos (au crayon de couleur violet) à Serge Tamagnot: «Pour Serge, t toujours ami A. Fassianos»; plats légèrement brunis, bon état par ailleurs. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. hypothèse, Coups de coeur de Bernard Fassianos A.

40 pp. Late 19th-cent. aubergine morocco-backed marbled boards, spine gilt. Paris: Paillet, Narjot, Moisnel, & Bénard, 1820. An interesting and rare catalogue for an auction that dispersed the collection and studio contents of the prodigious painter Pau de Saint Martin (1751-1820). He studied with J.B. Leprince and Vernet, then exhibited frequently at the Salon. He produced a great number of landscapes of France, especially Normandy, and Switzerland. His son, Pierre Alexandre, also a painter, signed his pieces similarly to his father, leading to some confusion. This catalogue lists a total of 286 lots, a number of which are large group lots. It begins with 173 lots of paintings, with works by Asselijn, Brauwer, Canaletto, Cuyp, Dou, Hoet, I. & F. Moucheron, Miel, van Poelenburgh, Ruysdael, Wouwerman, F. Boucher, Coypel, both Fragonards, Drolling, Landon, Leprince, Oudry, both Pau de Saint Martins, Watteau, etc. We also find an impressive number of drawings and prints, many of which were in portfolios. A fine copy. Unidentified 19th-century engraved bookplate above the engraved bookplate of Georges Pannier (1853-1944), the art dealer and collector of auction catalogues, on the front paste-down, and stamp of the Bibliothèque Heim on verso of title. ? Lugt 9884. Oxford Art online.

G. Vanoest, Editeur, 1926, 5 volumes regroupant les fascicules de 1 à 20, reliure signée : H. Jacquet, demi chagrin rouge à coins, dos à 5 nerfs ornés de titres et tomaisons dorées, tranches de tête dorées, gardes de couleurs. Feuillets non rognés. Bon état.

19. Paris, chez Basan et Poignant , 1781, small in-folio, 31 x 23 cm, title with wood-engraved vignette + (4) nn pp (with copper engraved vignette, signed Choffard) + 22 pp + 120 copper engravings on 116 leaves, 19th century dark green half leather binding, raised gilt back, marbled end-papers, nice uncut copy. The plates were executed under the direction of François Basan and are interpretation copper-engravings of the paintings in the collection of Mr. Poullain. Among the painters are Brueghel, Blanchard, Veronese , Lorrain , van Everdingen , Gerard Dou , Houbraken , Lairesse , Rembrant , Rubens , Van Dyck.The text at the beginning contains short biographies. (Lewine p.46). Plate 14 represents a painting by Jacques Blanchard, now in the Metropolitan Museum. It was sold in 1780 in the LeBrun sale and acquired by the Comte d'Orsay. In 1790 it was in the Basan sale. So all three persons involved in this catalogue owned this painting at some point. This provenance history is probably exemplary for other paintings in the collection.

Paris, Damascène Morgand, 1893 ; in-8 Jésus, 3 ff.n.ch. + 675 pp., demi-maroquin bleu nuit à coins, dos richement orné à nerfs, lieu et date d'impression estampés en pied, couvertures et dos conservés, tête dorée (V. Champs). Vicaire I, 901. Édition originale, un des cinq exemplaires sans numéro, réservés pour l'auteur, parmi les 50 du tirage de tête réimposés au format in-8 Jésus, et tirés sur un beau papier de Hollande Van Gelder Zonen. Justification du tirage manuscrite monogrammée par l'auteur, et envoi autographe signé de Gutave Bourcard au Marquis de Surgères, dont on retrouve également l'ex-libris. Très bel exemplaire, jolie reliure par Victor Champs. 1893.

Condition: Good. Monique PEHEM (BRETON-PROUTÉ) (illustrator). First Edition. Monique PEHEM (BRETON-PROUTÉ) | Estampes et dessins | Year: 2004 | Medium: etching - gravure | Dimensions: 38 × 28 cm | Support: Hahnemühle paper - papier Hahnemühle | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 20 copies | Catalogue Raisonné: Corribras 118 | Condition: in mint condition - en très bon état Print on Demand.