Floriste (16 results)

Condition: New. In.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

A Paris, Chez Estienne LOYSON, au Palais, à l'entrée de la Galerie des Prisonniers, au nom de Jésus, 1673 - Avec Permission - Imprimatur le 29 sept. 1672 - Fort In-12 plein veau d'époque, 5 gravures en taille douce dont le frontispice - les deux dernière dans le dernier livre consacré à la vénerie, et à la fauconnerie ; lettrines et culs-de-lampe, bandeaux, 1ff-426pages-1ff, en pagination continue des volumes, frottements et usures, coins émoussés, nerf inf. présentant un déficit laissant visible une partie du nerf, coiffe supérieure en bonne condition, manque en pied, mouillures claires affectant les 12 premières pages, et les 30 dernières env. *Le dernier ouvrage, consacré à la Vénerie et à la fauconnerie (28pp et 8pp) ne comporte pas de mention d'éditeur et ne retient guère l'attention sinon pour ses deux fig. Mention de cinquième édition sur l'édition Française pour ce premier volume, celle-ci, peu courante, relié avec deux livres supplémentaires dans une pagination continue. Mention de cinquième édition sur l'édition Française, celle-ci, peu courante, relié avec deux livres supplémentaire dans une pagination continue. Le Floriste François est en fait une réimpression pirate du livre éponyme de Charles de La Chesnée Monstereul, paru à Caen en 1654, dans laquelle apparaît certes l'auteur, mais pas l'éditeur. Le livre, 133 pp., est plus resserré, comparativement, en sa typographie, et se termine par un substantiel catalogue dont nous avons également comparé les entrée avec l'édition postérieure de Charles de Sercy (1697) : mis part de menues variantes sans incidence, l'ensemble de ce catalogue est complet, tant par rapport à l'édition princeps, qu'à celle de Sercy. On note simplement l'évolution de l'usage et des caractères typographiques. Le dernier ouvrage, consacré à la Vénerie, 28 pages puis la fauconnerie (8pp) ne comporte pas non plus de mention d'éditeur . Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais Mondial Relay pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 0 à 1kg (5 env).

Original etching on laid paper (c. 33 x 25 cm). The 6 issues of Les Feuillets d'Art were published in Paris by Vogel between May 1919 and July 1920. Les Feuillets was issued in limited edition portfolio form. Each issue contained 5 feuillets, or leaves, on the subjects of literature, theatre, arts and design, music, and fashion (issues 3 through 6 have a sixth leaf, les feuillets de la publicité.) Vogel intended for Les Feuillets to be a fashion-savvy review in which he professed a dedication to "finding in the taste of the moment all that is traditional and durable." To accomplish his goal Vogel brought together the crème de la crème of the literary, artistic and musical worlds of 1920's Paris. Amazingly there is poetry by Paul Claudel, the younger brother of sculptor Camille Claudel, the first publication of a composition by Maurice Ravel, and original woodblock prints by Raoul Dufy, Odilon Redon, and John Storrs. (The Cleveland Museum of Art).

Very rare first edition of the first French treatise on the cultivation of tulips, written by a gentleman-gardener. It one of the earliest treatises on tulips published after the well-known bubble-burst in Holland in 1637. Although interest in cultivating exotic and distinguished gardens increased during the 17th-century, the tulip remained an elite commodity, and took on new meanings as a symbol of personal distinction and connoisseurship. The catalogue included at the end of the present work lists 438 variants of tulips, including the "Monstereulle" and the "Panacée de Caen", with descriptions of their colouration.The text contains a history of the tulip, how to cultivate the flower, a catalogue of tulip names, and, most importantly, the first serious consideration of the nature and causes of "tulip breaking", a phenomenon in which multi-coloured streaks appear in the petals of the tulip. This variation, which was caused by a virus, was incredibly rare and highly sought after. In the 17th-century the cause of this variation was unknown, but the author, gardener Charles de la Chesnée Monstreul (1623-ca.1700) claimed to have discovered the secret, which he encoded in a poem in the present work.The work is dedicated to a noblewoman, mademoiselle de Beuvron, a scion of the House of d'Harcourt, who is mentioned by Tallemant des Réaux in his Historiettes as "une des plus belles personnes de la cour". A second edition of the work was published in 1658 in Rouen and 12 further editions, with the title Traité des tulipes, appeared between 1678 and 1692.With the bookplate of the library of Louis Hippolyte Rangeard de la Germonière mounted on the verso of the first flyleaf, and an owner's inscription on page [8]. The boards are slightly warped. The endpapers have been replaced, the work is somewhat browned throughout, but otherwise in good condition.l Goldsmith, STC French, L133; Lindley library catalogue, p. 244; Meritte-Longchamp, Catalogue des livres publiés à Caen, no. 43; National agricultural library, no. 90, p. 53; USTC 6120989 (11 copies); WorldCat 1253816055, 8371018 (8 copies); not in Hunt; Nissen; Pritzel. Contemporary vellum, with the title printed in red on the spine, red and blue sprinkled edges. With a woodcut vignette on the title page, 2 decorated woodcut initials, and numerous head- and tailpieces, both woodcut and made up of typographical ornaments. Pages: [44], 250, [4], [2 blank] pp.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1658 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 301 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 301.

. Illustrateur : LABOUREUR (Jean-Emile). (illustrator). Gravure au burin monogrammée et datée en bas à droite, 1920, 18.5 x 13.9 cm. Jean-Emile LABOUREUR (Nantes1877-Penestin 1943) est un peintre, graveur influencé par Gauguin, puis par le cubisme. Il tient une place prépondérante dans le grand mouvement de l'art moderne. Artiste talentueux et précoce, il apprend la gravure avec Auguste LEPERE et la lithographie avec TOULOUSE-LAUTREC. Son vif intérêt pour le cubisme lui permet d'adapter la simplification des formes tout en restant dans le figuratif. Il fréquente Guillaume APOLLINAIRE et Marie LAURENCIN. En 1923, il fonde l'Association des Peintres et Graveurs. (In Sylvain Laboureur, 192.) Oeuvre originale.

1 gravure In-4 Burin original. Très belle gravure.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1654. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 316, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 316 316.

Paperback. Condition: new. Paperback. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Radierung von Jean Emil Laboureur, dat. 1929, 18,5 x 14 cm.

Radierung con Jean Emil Laboureur, dat. 1929, 18,5 x 14 cm.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Le Floriste Fran¿¿¿¿¿ois (1658) est un livre ¿¿¿¿¿crit par C. De La Chesnee Monstereul qui traite de la culture des fleurs en France. Il contient des informations sur les diff¿¿¿¿¿rentes esp¿¿¿¿¿ces de fleurs, leur entretien et leur utilisation dans les jardins. Le livre s'adresse aux amateurs de jardinage ainsi qu'aux professionnels qui cherchent ¿¿¿¿¿¿ am¿¿¿¿¿liorer leurs comp¿¿¿¿¿tences dans ce domaine. Il est consid¿¿¿¿¿r¿¿¿¿¿ comme un ouvrage de r¿¿¿¿¿f¿¿¿¿¿rence en mati¿¿¿¿¿re de floriculture fran¿¿¿¿¿aise. Le Floriste Fran¿¿¿¿¿ois est un livre incontournable pour tous ceux qui s'int¿¿¿¿¿ressent ¿¿¿¿¿¿ la beaut¿¿¿¿¿ des jardins et ¿¿¿¿¿¿ la culture des fleurs en France.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Taschenbuch. Condition: Neu. Le Floriste Francois (1658) | C. De La Chesnee Monstereul | Taschenbuch | Kartoniert / Broschiert | Englisch | 2009 | Kessinger Publishing, LLC | EAN 9781104256784 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.