Fort Bard (23 results)

Condition: New. In.

Condition: NEW. Roveyaz, Fabio (illustrator).

Condition: Fine. French édition - Livre issu de déstockage JAMAIS LU pouvant présenter des petits plis cornes marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée. 20x26x1cm. 2009. Broché. 128 pages. Fine.

Condition: As New. 20x26x1cm. 2009. Broché. 128 pages. As New.

Condition: As New. 20x26x1cm. 2009. Broché. 128 pages. As New.

Listing Template 2018 Home About Us View Feedback Contact Us 1829 Antique Print ITALY - View of PORT DE BARD Val d'Aosta Fort of Bard (TI78)Click image to enlargeDescription1833A fine original hand coloured antique print titledPORT DE BARD,Val d'AostaProvenanceTaken from 'THE TOURIST IN ITALY' by Thomas Roscoe Illustrated from Drawings by J D Harding published by Jennings and Chaplin, 62 Cheapside.Overallsize 20cm x 13cm with large borders, readyfor mounting and framing.Excellent fresh condition with Original hand colour.James Duffield Harding (1798 and#8211; 4 December 1863) was a British landscape painterlithographer and author of drawing manuals. His use of tinted papers and opaque paints in watercolour proved influential.Harding was born atDeptfordin 1798, the son of a drawing-master who had been a pupil ofPaul Sandby. He was taught perspective by his father and had lessons fromSamuel Prout.At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy.He was apprenticed to the engraverCharles Pye, but left him after only a year to concentrate on painting watercolours, and when he was 18 he was awarded a silver medal by theSociety of Arts. In 1818 he showed with theSociety of Painters in Watercolours,(known as the Old Watercolour Society or OWCS from 1831)for first time. He was to contribute to its exhibitions for the rest of his life. He was elected an associate of the society in 1820 and a full member in 1821. In 1843 he took up oil painting, and exhibited many landscapes in that medium at the Royal Academy. In 1847 he resigned his membership of the OWCS , hoping to be elected a member of the academy; but, after nine years without success, he withdrew his candidature, and was re-elected to the OWCS.From an early on in his career Harding was a successful and popular teacher. Whenlithographybecame popular in Britain, he quickly adopted it as a means of reproducing good examples for the use of pupils and students. His first productions were drawing-books, consisting of pencil sketches and studies of trees; they were printed in tints with two stones, allowing the reproduction of more elaborate drawings. HisSketches at Home and Abroad, a series of fifty plates using this method, was published in 1836. In 1841 he publishedThe Park and the Forest, a set of sketches drawn on the stone with a brush instead of the crayon, a technique of his own invention which he called lithotint. His other lithographic works includedA Series of Subjects from the Works of R. P. Bonington(1829and#8211;30);Recollections of India(1847, from drawings by C. S. Hardinge) andPicturesque Selections(1861).In 1830, Harding exhibited a series of Italian views sketched on papers of various colours and textures, the syyle of which was widely imitated.His use of opaquebody colourinwatercolour, following the example set byJ.M.W. Turneralso proved influential.His drawings were praised byJohn RuskininModern Painters.[1]From the 1830s a range of papers was produced under the name of JDH pure drawing paper, initially forWinsor and Newton. The papers, which proved popular amongst both amateur and professional artists, and which Harding used himself, were produced in white, and in shades of cream, buff and grey. They were marketed until around 1910. Winsor and Newton also produced pencils under Harding's name.He was described byGilbert RedgraveinA History of Water Colour Painting in Englandas a skilful and rapid draughtsman, though somewhat mannered, and rarely rising above the commonplace.[4]Harding was a prolific author of educational manuals, and hisLessons on Art,Guide and Companion to Lessons on Art,Elementary Art, or the Use of the Chalk and Lead Pencil advocated and explained, andThe Principles and Practice of Art, were widely used both in Britain and abroad.HisDrawing Models and Their Uses(1854) describes the use of a range of solid forms which he prepared and marketed.He died atBarnes, on 4 December 1863, and was buri.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture souple. Condition: bon. R300313583: 1990. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 142 pages - nombreuses photos, illustrations et cartes en noir et blanc et en couleurs dans et hors texte. . . . Classification Dewey : 355.021-Militaria.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Softcover. Condition: Sehr gut. 220x220mm, 287pagine, fotografie a colori e b/n, Exemplaire à l'état de neuf. sehr gut.

in brossura. 220x220mm, 287pagine, fotografie a colori e b/n, Exemplaire à l'état de neuf. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

London, 1832, incisione in acciaio di cm. 15 x 11.

Pas de couverture. Condition: Très bon. GRAVURE ANCIENNE NAPOLEON-L'ARMEE FRANCAISE TRAVERSE LE DEFILE D'ALBAREDO PRES DU FORT DE BARD 21 MAI 1800 D'après Mongin et Loeillot, circa 1838-1849 (Gravure authentique du XIXe siècle-original print) Dimensions de la feuille : 47 x 32,5 cm environ Dimensions de la gravure au coup de planche : 17,8 x 19,6 cm environ Tirage sur papier vélin Gravure extraite de l'ouvrage : Galeries historiques de Versailles chez Gavard, 1838-1949, In Folio. Le roi Louis-Philippe après avoir pris la décision en 1833 de transformer le château de Versailles en musée décida de mettre à la portée de tous par la gravure les collections du palais. L'oeuvre fut confié à Charles Gavard ( 1794-1871) qui développa le panthographe et le diagraphe pour une réduction optimale des sujets Etat : superbe estampe (ref-R 1042).

Incisione in acciaio di J. b. Allen tratta da un soggetto di William Brockedon, mm 230x152. Buon esemplare.

Pas de couverture. Condition: Très bon. GRAVURE ANCIENNE NAPOLEON-PASSAGE DE L'ARTILLERIE FRANCAISE SOUS LE FORT DE BARD 21 MAI 1800 D'après Bagetti, circa 1838-1849 (Gravure authentique du XIXe siècle-original print) Dimensions de la feuille : 47 x 32,5 cm environ Dimensions de la gravure au coup de planche : 23,3 x 14,3 cm environ Tirage sur papier vélin Gravure extraite de l'ouvrage : Galeries historiques de Versailles chez Gavard, 1838-1949, In Folio. Le roi Louis-Philippe après avoir pris la décision en 1833 de transformer le château de Versailles en musée décida de mettre à la portée de tous par la gravure les collections du palais. L'oeuvre fut confié à Charles Gavard ( 1794-1871) qui développa le panthographe et le diagraphe pour une réduction optimale des sujets Etat : superbe estampe (ref-R 1043).

Raffigurazione del passaggio delle truppe, attraverso la stretta gola di Albaredo.

Veduta del forte, tratta dall'opera di Camillo Mapei " Italy / Classical, Historical and Picturesque ".

Esercito napoleonico che marcia nelle valli Aostane.

Veduta della strada lungo la Dora che porta verso Fort Bard.

Disegno originale con veduta del castello visto da nord.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 96 pp. Französisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering.