German Opera Libretti (36 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. Very good condition. Former library book. Remainder dot on bottom edge; spine tight, pages clean.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Very Good.

Condition: Fine. 1st edition. Paperback, F. xiv+284pp, a nice fine copy. New. The libretti of five German Operas, translated into English. 300 grams.

Condition: Please see description. Paperback. Spine a bit discoloured, else a (very) good copy. Text in English.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Edited by James Steakley. Foreword by Jost Hermand. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation in a heavy cardboard box. Fine condition in fine dust jacket. Unread. A volume in the German Library series. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; The German Library; Vol. 52; 8vo.; 284 pages.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 284 pages, 8vo. The German Library - volume no. 52. Includes foreward by Jost Hermand and 5 chapters: Mozart, Beethoven, Wagner, Strauss and Schonberg. Slight smudging to dust jacket. Otherwise very clean, crisp and tight copy.

Condition: As New.

Condition: As New.

Softback. 284pp. book.

Condition: very good. New York: the Continuum Publishing Company, 1995. Or. hardcover. Dustjacket.xiv, 284 pp. Condition : very good copy. ISBN 9780826407382. Keywords : , Germany.

Hardcover. Condition: Brand New. 284 pages. 8.75x5.75x1.00 inches. In Stock.

Condition: New. pp. 300.

Paperback. Condition: New. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Boards. Condition: Very Good. Slight wear, VG+.

Condition: New. In English.

1st edition hardback with dust jacket Fine octavo xiv + 284pp..

Originalhardcover. Condition: Gut. VII, 347 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben, ansonsten tadelloser Zustand / slightly rubbed otherwise perfect condition - Preface -- This study on the development of verse forms suitable for German-language opera has its roots in two interdisciplinary courses I taught in the Literature, Science and the Arts Program at the University of Iowa. The first, Opera as Drama, I team-taught with Professor Richard Hervig of the School of Music in 1980. The second, Poetry and Song, I taught twice with Professor D. Martin Jenni, also of the School of Music, in the several years following the first course. In these team-taught courses I first confronted the issues of the relationships of the two media in vocal music, and I am very grateful to both Dick Hervig and Martin Jenni for their stimulating responses to my questions and challenges. -- This study is also a natural outgrowth of my long involvement with the dramatic works of Caspar Stieler, all of which employ vocal music to some extent. In that context, I first completed a study of early German opera libretti in the mid-1980s and published it as Caspar Stieler and the German Singspiel, Chapter 7 in my book on that author: Scaramutza in Germany: The Dramatic Works of Caspar Stieler (Boston: Hall, 1989). The focus was on Stielers works, and the conclusion was that Caspar Stieler, practically alone, had made the necessary breakthroughs in versification for recitative and aria. ISBN 9783447046534 Sprache: Englisch Gewicht in Gramm: 743.…

Condition: New. Satisfaction Guaranteed or your money back.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: Brand New. 1st edition. 324 pages. 8.50x5.75x0.75 inches. In Stock.

Paperback. Condition: New. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New. pp. 300 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam This item is printed on demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.