German Opera Libretti (30 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good. Very good condition. Former library book. Remainder dot on bottom edge; spine tight, pages clean.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Very Good.

Condition: Fine. 1st edition. Paperback, F. xiv+284pp, a nice fine copy. New. The libretti of five German Operas, translated into English. 300 grams.

Paperback. Spine a bit discoloured, else a (very) good copy. Text in English. Please see description or ask for photos.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 284 pages, 8vo. The German Library - volume no. 52. Includes foreward by Jost Hermand and 5 chapters: Mozart, Beethoven, Wagner, Strauss and Schonberg. Slight smudging to dust jacket. Otherwise very clean, crisp and tight copy.

Condition: As New.

Condition: As New.

Softback. 284pp. book.

Condition: very good. New York: the Continuum Publishing Company, 1995. Or. hardcover. Dustjacket.xiv, 284 pp. Condition : very good copy. ISBN 9780826407382. Keywords : , Germany.

Hardcover. Condition: Brand New. 284 pages. 8.75x5.75x1.00 inches. In Stock.

Paperback. Condition: New. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Condition: New. In English.

1st edition hardback with dust jacket Fine octavo xiv + 284pp..

Condition: New. Satisfaction Guaranteed or your money back.

Condition: New. Satisfaction Guaranteed or your money back.

Originalhardcover. Condition: Gut. VII, 347 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben, ansonsten tadelloser Zustand / slightly rubbed otherwise perfect condition - Preface -- This study on the development of verse forms suitable for German-language opera has its roots in two interdisciplinary courses I taught in the Literature, Science and the Arts Program at the University of Iowa. The first, Opera as Drama, I team-taught with Professor Richard Hervig of the School of Music in 1980. The second, Poetry and Song, I taught twice with Professor D. Martin Jenni, also of the School of Music, in the several years following the first course. In these team-taught courses I first confronted the issues of the relationships of the two media in vocal music, and I am very grateful to both Dick Hervig and Martin Jenni for their stimulating responses to my questions and challenges. -- This study is also a natural outgrowth of my long involvement with the dramatic works of Caspar Stieler, all of which employ vocal music to some extent. In that context, I first completed a study of early German opera libretti in the mid-1980s and published it as Caspar Stieler and the German Singspiel, Chapter 7 in my book on that author: Scaramutza in Germany: The Dramatic Works of Caspar Stieler (Boston: Hall, 1989). The focus was on Stielers works, and the conclusion was that Caspar Stieler, practically alone, had made the necessary breakthroughs in versification for recitative and aria. ISBN 9783447046534 Sprache: Englisch Gewicht in Gramm: 743.…

Paperback. Condition: Brand New. 1st edition. 324 pages. 8.50x5.75x0.75 inches. In Stock.

Paperback. Condition: New. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron. The question whether the text, music, singers, or setting is the most important feature of an opera has long been debated. At one time, the courts of Vienna and Munich imported Italian opera before the German language gained acceptance. Once established, German opera, from Mozart to Schoenberg, reached the highest peak—as seen in the libretti of this volume. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condition: new. Paperback. Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron. The question whether the text, music, singers, or setting is the most important feature of an opera has long been debated. At one time, the courts of Vienna and Munich imported Italian opera before the German language gained acceptance. Once established, German opera, from Mozart to Schoenberg, reached the highest peak—as seen in the libretti of this volume. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThe question whether the text, music, singers, or setting is the most important feature of an opera has long been debated. At one time, the courts of Vienna and Munich imported Italian opera before the German language gained accep.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Foreword by Jost HermandThe libretti of the greatest German operas: Mozart's The Magic Flute, Beethoven's Fidelio, Wagner's Parsifal, Strauss's Der Rosenkavalier, and Schoenberg's Moses and Aron.

Taschenbuch. Condition: Neu. German Opera Libretti | Jost Hermand | Taschenbuch | Kartoniert / Broschiert | Englisch | 1995 | Continnuum-3PL | EAN 9780826407399 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.