Goldfinger, Signed (40 results)

Taschenbuch. Condition: Gut. 143 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Mit Autorensignatur. Sprache: Deutsch Gewicht in Gramm: 170.

Condition: Good. 2017. First Published in Great Britain. 380 pages. Signed by the author. Pictorial paper covers. Signed by the author with dedication to half title page. Black and white and colour photographic plates. Minor thumb marking and tanning to pages. More prominent to text block edges. Plates are bright and clear. Binding remains firm. Paper covers have light edge-wear and corner curling with mild scuffing overall. Spine has minor rolling and creasing.

Soft Cover. Condition: Very Good. First Edition. Oversized trade paperback, 208 pages including many black-and-white illustrations; inscribed by Eaton on the title page, signed in full and dated by her "7-9-2002"; one light spine crease, otherwise very gently used, tight in binding, very clean and unmarked. Signed by Author.

Softcover. Auflage 400. 50 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten bestoßen. Aus einer Klosterbibliothek mit Kennungen (Stempel, Rückenschild). Mit einer Zueignung des Verfassers auf der Innendecke. Sprache: Deutsch Gewicht in Gramm: 200.

First edition, first printing.An architectural biography of Erno Goldfinger. Near fine square format paperback original. Signed by James Dunnett and Gavin Stamp and additionally signed and inscribed by Erno Goldfinger.

Frühe United Artists-Porträtpostkarte (leicht knickspurig, mit ausgebreiteten Händen, rückseitig Klebstoffspuren - aus Album entfernt) mit eigenhändiger Widmung To Erika, Empfehlung, Unterschrift signiert (dito : Schönes Farbgroßfoto (im roten Kleid in ganzer Figur, 4 to) mit eigenhändiger Widmung to Viktor, Empfehlung, Unterschrift signiert Euro 85,-).

s/w-Porträtfoto mit eigenhändiger Widmung, Jahr, Unterschrift signiert (dito : Schönes Farb-GF,4° mit Unterschrift für Euro 65,-).

Foto mit eigenhändiger Widmung, Unterschrift mit eigenhändiger Empfehlung signiert (dito ohne persönliche Widmung, Euro 60,-) (dito : E.Briefkarte (2 S. 16°, mit gedrucktem Namen und Adresse, eine vertikale Knickspur) in grünem Kuli, an einen Herrn ausführlich über Football, Johnny Haynes was the greatest I ever saw in person.I was also potty about Geo Cohen.At present, when I see football, Barnes is top of my list, but who can forget Keegan, Charlton (Bobby). Euro 85,-).

Albumblatt mit eigenhändiger Widmung To Linda, Empfehlung, Unterschrift signiert - mit Repro-Porträtfoto unter dunkelblaues Passepartout (4 to) gerahmt.

First edition. Square quarto. 128 pages. Numerous illustrations. Glossy pictorial card wrappers. Works 1.Presentation copy from the architect, inscribed on the Contents Page: ''1984 - For Wolf Suschitzky in old friendship - Ernö Goldfinger''. Laid in is a Postcard Signed by Goldfinger's widow Ursula, dated 21 July 88: about 80 words to Suschitzky thanking him for some photographs he had taken of her husband. Ernö Goldfinger and Wolf Suschitzky were both born in the Austro-Hungarian Empire and both arrived in London in the early thirties. Suschitzky was a documentary photographer who also worked as a cinematographer, mostly notably on the film Get Carter.Covers slightly creased. Very good indeed.

In publisher's wrappers. Condition: In fine condition. First edition. Presentation copy, inscribed by Goldfinger. First of the series of the Architectural Association "Works". Richly illustrated. In publisher's wrappers. 128 p. The book was published to coincide with the comprehensive exhibition, selected and designed also by James Dunnett and Dr Gavin Stamp at the Architectural Association. Contains numerous photographic illustrations, plans and sketches by Goldfinger. Some of the photos were taken by André Kertész. Ern? Goldfinger (19021987) was a Hungarian born British architect, lived in London since 1934 and became one of the most influential figures in the British modern movement. His monumental 19591963 scheme for Elephant and Castle in south London was so unpopular among the locals, that it is said to be the reason why the author Ian Fleming chose the name Goldfinger for one of the villains in his James Bond novels. . First edition. Presentation copy, inscribed by Goldfinger. First of the series of the Architectural Association "Works". Richly illustrated.

First Edition. [James Bond] All FIRST EDITIONS thus, first printings, SIGNED by the illustrator to the first volume. Octavos (24 x 17cm). Each with elegant colour plates by Dalton, including a frontispiece. Publisher's metallic grey cloth, with silver and bronze titles to spine and upper. Grey endpapers. With the illustrated paper-covered slipcase. Superb throughout. All are either shrinkwrapped (carefully opened to confirm printing status) or in the publisher's tracing paper sleeve, with some additional printed Folio Society ephemera advertising their James Bond series. A striking new illustrated uniform series in hardcover. Autograph obtained directly for this firm by Fleming bibliographer Jon Gilbert. Signed.

[James Bond thrillers, etc] 16 volumes, octavo (22 x 14 x 15cm). SIGNED BY THE PUBLISHER. Publisher's harlequin hardcovers stamped in gilt, decorated with author's initials in gilt to to cover, plain black endpapers. As new. This series comprises sixteen selected titles, uniformly cased in harlequin colours, being the remaining sheets from the Ian Fleming Centenary Edition in an elegant new hardback binding for 2022. 'Talk of the Devil' followed in 2023 and accompanies this collection Each book marked 'out-of-series' to the limitation leaf and signed by the publisher. Signed.

First editions. 14 volumes. 8vo. Original cloth, dust jackets. London, Jonathan Cape. A complete set of first edition James Bond novels by Ian Fleming, in near fine condition, about as nice as is practically obtainable. Over 70 years since the first James Bond novel was published the James Bond franchise continues to be immensely popular and Bond remains the most famous fictional spy in the world.  Live and Let Die signed by the dust jacket artist Kenneth Lewis, who executed the dust jacket design of the first three James Bond books.   All in fine, near fine, or very good condition.  Jon Gilbert, Ian Fleming: The Bibliography, A1a (1.1), A2a (1.1), A3a (1.3), A4 (1.2), A5a (1.2), A6a (1.3), A7a (1.2), A8a (1.1), A9a (1.1), A10a (1.2), A11a. (1.1), A12a (1.3), A13a (1.), A14a. (1.).   For a full description please enquire.

[Spy thrillers] 14 volumes, complete. Collector's Edition, 'bound in genuine leather'. Octavo (each 19 x 13cm). Printed on acid-neutral archival paper, with colour frontispieces of the original jacket artwork by Ken Lewis, Pat Marriott and Richard Chopping. Publisher's full hide in various colours, decoratively blocked in gilt, moire silk endpapers, ribbon marker, all edges gilt. Absolutely fine, in the original shrinkwrap. The bibliographer's copy, with original paperwork and loose publisher bookplate (signed) for each volume. This is a "well-produced library edition" which originally retailed at $54.70 each (Fleming Bibliography, p.578). Books were sold exclusively through the Easton Press website or via their catalogue and are long-since sold out. Gilbert F8. Signed.

First editions of each volume in Ian Fleming's James Bond series. Octavo, 14 volumes, original publisher's cloth-covered boards. Each volume in a first-issue dust jacket. Casino Royale is near fine in a very good price-clipped dust jacket with chipping to the extremities including the crown of the spine and upper right corner of the front panel, light toning to the rear panel. Jacket design by Ian Fleming. Live and Let Die is near fine in a very good dust jacket (first state without printed acknowledgement to the author or the artist Kenneth Lewis) with light wear to the crown of the spine Signed on the front free endpaper, "Cubby Broccoli, Regards." Albert R. Broccoli ('Cubby') (1909-96) produced many of the James Bond films including Live and Let Die. Bookplate of Christian Heuer to the pastedown. Diamonds are Forever is near fine in a near fine dust jacket with light wear to the extremities, bookplate of Christian Heuer to the front pastedown. Moonraker is near fine in a very good dust jacket. Jacket devised by the author and executed by Kenneth Lewis. From Russia With Love is fine in a very good price-clipped dust jacket with light wear to the crown of the spine. Dr. No is fine in a first state publisher's cloth binding without the âHoneychileâ silhouette and fine first state dust jacket. Jacket design by Pat Marriot. Goldfinger is fine in a fine dust jacket. Jacket design by Richard Chopping. For Your Eyes Only is near fine in a fine price-clipped dust jacket. Jacket design by Richard Chopping. Thunderball is near fine in a near fine dust jacket. Jacket design by Richard Chopping. The Spy Who Love Me is fine in a near fine dust jacket. Jacket design by Richard Chopping. On Her Majesty's Secret Service is near fine in a very good dust jacket. Jacket design by Richard Chopping. You Only Live Twice is fine in a fine dust jacket. Jacket design by Richard Chopping. The Man with the Golden Gun is fine in a fine dust jacket. Jacket design by Richard Chopping. Octopussy and the Living Daylights is fine in a fine dust jacket. Each volume is housed in a custom half morocco clamshell box by the Harcourt Bindery. An exceptional collection of first editions, most rare in this condition and signed by Cubby Broccoli. British Secret Service agent James Bond, often referred to by his code name 007, first appeared in 1953 with the debut of Ian Flemingâs Casino Royale, the first of twelve novels composing the series. Fleming completed a new novel annually at his Goldeneye estate in Jamaica, two of which were published posthumously in 1964. James Bond has been portrayed on film by actors Sean Connery, David Niven, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig, in twenty-six productions.

Dust Jacket Condition: dj. First Edition. [Spy thriller] FIRST EDITION, variant binding with silver lettering, INSCRIBED BY THE DEDICATEE. Octavo (20 x 13cm), pp.318. An unusual pre-publication association/presentation copy with signed inscription by Ian Fleming's literary editor William Plomer. Publisher's black cloth-effect material over boards, with titles to spine in SILVER and 'skull' design to upper in gilt, pictorial dust-wrapper priced 15s. With ink note to flyleaf; A. Franklyn. / from W. Plomer. / March 1959. //. Housed in a custom-made clamshell box. Inscribed on 20th March (pencilled by the owner), three days before the date of release. Top edge slightly spotted else fine, similarly near fine jacket supplied, with minor wear to spine ends. An uncommon variant with silver rather than gold lettering to the backstrip, described in the bibliography as 'very occasionally [blocked] in silver'. William Plomer (1903-73), was a senior reader at Jonathan Cape Ltd., and one of Fleming's most trusted friends. He was instrumental in getting Casino Royale published and read and advised on each successive Fleming manuscript. He was unofficially Fleming's Editor-in Chief, and the novel Goldfinger is dedicated to him [Gilbert, p.650]. This important copy was later part of the comprehensive James Bond collection of bibliographer Jon Gilbert, with accompanying provenance. Gilbert, Jon: Ian Fleming The Bibliography, A7a (1.2), p.235, final line. Signed.

First edition of the seventh novel in Ian Fleming's James Bond series. Octavo, original black cloth. Association copy, inscribed by the author on the front free endpaper, "To Lionel, Something more to read! From Ian." The recipient, Lionel Berry, 2nd Viscount Kemsley was a politician and newspaper editor. His father, the 1st Viscount Kemsley, had given Ian Fleming his first job as a journalist when he employed him as the Foreign Manager for the Kemsley newspaper group. It was this role, with its contracted three month break every winter to allow Fleming to holiday in Jamaica, that gave Fleming the opportunity to write the planned spy novel that would become Casino Royale. Near fine in a near fine dust jacket. Jacket design by Richard Chopping. Housed in a custom clamshell box. A nice association. Goldfinger originally bore the title The Richest Man in the World. Based upon American gold tycoon Charles W. Englehard, Fleming named his villain after British architect Erno Goldfinger. When the actual Goldfinger found out his name was being used, he threatened to sue Fleming, and the matter was ultimately settled out of court. A best-seller upon its release, it became the third James Bond film in 1964 starring Sean Connery.

Artwork measuring 406 x 508 mm. Matted within mountboard measuring 571 x 660 mm. In fine condition. Richard Chopping's personal, signed copy of the final proof sheet artwork, being the glorious full-sized image taken from the original painting, before the spine lettering and publisher's imprint were added (although the spine panel is still illustrated here). The image was then scaled down to produce the dust jackets. This item was originally sold in the 1980s by Richard Chopping himself. Richard Wasey Chopping (1917-2008) was a British illustrator and author, painting in the trompe l'oeil style to create a realistic and almost three-dimensional appearance. Among his illustrations are nine iconic covers for the James Bond books by Ian Fleming, published between 1957 and 1966, and the cover of John Gardner's first Bond continuation novel, Licence Renewed (1981). Chopping was born in Colchester, Essex and educated at Gresham's School, Holt, Norfolk. He lived in the historic village of Wivenhoe for over sixty years, founding an artist community which counted Francis Bacon as a member. The artwork for Goldfinger is one of the most famous of the series, and comprised a skull, with gold coins set in the eye sockets, with a rose between the teeth (flowers being a running theme that were used in four of Chopping's James Bond covers, with roses being chosen twice). From the significant Ian Fleming collection of Martin Schøyen (b.1940), whose private collection of manuscripts, which span all cultures and all time periods, is one of the largest and most comprehensive of its kind. The Schøyen Collection No. 64. Gilbert p.637. Signed.

First edition of the seventh novel in Ian Fleming's James Bond series. Octavo, original black cloth. Association copy, inscribed by the author on the front free endpaper, "To Una, who again wrote the whole thing! from Ian Fleming." The recipient, Una Trueblood, whose surname was later appropriated by Fleming for the character of Mary Trueblood in Dr. No. Una started working in 1948 at Kemsley Newspapers and The Sunday Times where she was soon appointed secretary to Ian Fleming, where he worked throughout the 1950s. She recalled that Fleming "always said he only wrote Casino Royale, the first Bond book, because he was on the plane to Jamaica and he read such a bad, boring thriller that he thought he could do better himself." He would write the Bond novels during his annual stays at Goldeneye, his home in Jamaica, thereafter sending the manuscript to Una for typing up. The character in Dr. No named after Una is Mary Trueblood, secretary to John Strangways, the head of the British Secret Service's Caribbean station, a position echoing that of Una to Fleming. Mary however met a gruesome end, stabbed to death. Recalling a visit to Una made in 2008 the writer Adam Thorpe noted that "The fictional Mary Trueblood has many features in common with her real-life namesake; she's described in Dr No (1958) as "elegant" (three times), "pretty" and a "good-looker." Near fine in a near fine dust jacket. Jacket design by Richard Chopping. Housed in a custom clamshell box. One of the finest association copies imaginable. Goldfinger originally bore the title The Richest Man in the World. Based upon American gold tycoon Charles W. Englehard, Fleming named his villain after British architect Erno Goldfinger. When the actual Goldfinger found out his name was being used, he threatened to sue Fleming, and the matter was ultimately settled out of court. A best-seller upon its release, it became the third James Bond film in 1964 starring Sean Connery.

Condition: As New. CHAU3372? This is an original 10" x 8" hand signed photo for Burt Kwouk as Mr Ling in Goldfinger which has been personally signed by the actor where his signature rests perfectly accompanying his portrait?undedicated and mint condition. You wont source better.

GROSSFOTO, EIGENHÄNDIG SIGNIERT (Orig.GF, 4 to).

An original colour photo of Shirley Eaton signed 10 x 8 inch colour photo. Very good condition. Inscribed 'Best wishes/Shirley Eaton/Jill Masterson/in/Goldinger. All autographs come with a Certificate of Authenticity.

An original colour photo of Tania Mallett on the set of 'Goldfinger' - signed 10 x 8 inch black and white photo. Very good condition. Inscribed 'Tania Mallett/Tilly Masterson/'Goldinger'. Certificate of Authenticity to the rear.

Kleines Albumblatt, mit eigenhändiger Unterschrift signiert - mit Farbportraitfoto unter dunkelblaues Passepartout (4 to) gerahmt.

An original colour photo of Shirley Eaton and Sean Connery on the set of 'Goldfinger' - signed 10 x 8 inch black and white photo. Very good condition. Inscribed 'Best wishes/Shirley Eaton/'Goldinger'. Certificate of Authenticity to the rear.

An original colour photo of Bert Kwouk as Mr Ling on the set of 'Goldfinger' opposite Gert Frobe - signed 10 x 8 inch colour photo. Very good condition. Inscribed 'Best Wishes, Bert Kwouk'. Certificate of Authenticity to the rear.

Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Signed on the title page by Tania Mallett (Tilly Masterson), Honour Blackman (Pussy Galore), Shirley Eaton (Jill Masterson), and Margaret Nolan (Dink) with the clipped signatures of Sean Connery (James Bond) and Desmond Llewelyn ('Q') tipped to the facing page and a clipped signature of Ken Adam (production designer) on the fly leaf. First edition, first issue, second state as per Gilbert. Bound in boards featuring a gilt- and blind-embossed skull, with the Richard Chopping dustwrapper (15s net), housed in a custom gold traycase. Light edge-wear with some minor scattered foxing, and with subtle stains to the jacket. Signed by Author(s).

First edition, presentation copy, inscribed by the architect in May 1984 to one "Kiss Pisha", "my friend of 20 years", on the contents leaf. This lavishly illustrated retrospective was issued to coincide with the Architectural Association's 1983 exhibition on Goldfinger's buildings: a corpus which encompassed modernist homes and brutalist tower blocks. Quarto. Extensive half-tone photographic illustrations in the text. Original printed wrappers. Light bumping and rubbing, contents crisp: a very good copy.

100 : 150 mm. Signed portrait postcard from James Bond's Goldfinger. He added You have won! Goldfinger congratulates you".