Graham Sutherland, Signed (15 results)

Paperback. Condition: Fine. First Paperback Edition. 4to. pp [36]. Large format paperback. Copiously illustrated in colour and black and white throughout. Including a signed note from the art dealer, Andras Kalman (1919 - 2007). Fine.

28 S. Text sowie 4 S/W- u. 16 Farbtafeln, Kunsthalle, Basel 1966, 8°, Orig.Broschur, handschr. Eintragungen im Text, gebraucht ** Erstausgabe --- Dabei Durchschlag eines Typoskripts (Einladung) von ARNOLD RÜDLINGER, von diesem handsigniert. Rüdlinger engagierte sich als einer der ersten europäischen Museumsleiter für die zeitgenössische amerik. Künstlergeneration >> Versand ab Deutschland möglich << ??? PREIS ZU HOCH ODER ZU TIEF ??? ANGEBOT ERWÜNSCHT !!! 100 Gramm.

Hardcover. Condition: Very Good. Hand signed by Graham Sutherland. Over 175 Color & B/w Illustrations / Plates . Book is in very good condition with some minor brown marks. A rare and beautiful book. Signed by Author(s).

Sutherland, Graham (illustrator). First UK printing edition de tete published by Marlborough Fine Art, London in 1973. Comprising three items as issued : 1) A facsimile sketchbook reproducing colour images from 1968-72, each page blind stamped by the printers Daniel Jacomet. The pochoir reproductions were so convincing that in order to avoid confusion, Jacomet had to blind-stamp each leaf. 2) An accompanying catalogue detailing the sketchbook contents, containing texts by Sutherland and Bernard Baer. Card covers and printed wrappers. Signed by Graham Sutherland and numbered 'E21/200'. 3) An original Sutherland etching signed and numbered in pencil (numbered 'E21/25'). From a total edition size of 575 copies of this production, 200 copies in English were signed by Sutherland as above. Of these 200 copies, there was an edition de tete of 25 copies for the English market with a signed and numbered etching. There were also 25 edition de tete copies for the French, American and Italian markets but the signed etching was different for each of the countries. This is the etching for the English special edition. Housed in the original publisher's full calf tan solander box which is a little mottled to the lining and to the rear. Contents are all Fine. Scarce as the English edition. More images available on request. Ashton Rare Books welcomes direct contact.

Originalbroschur. 27cm. Condition: Sehr gut. Signiert Bernhard Jäger,62. ohne durchgehende Paginierung. SEHR gutes Exemplar der ERSTAUSGABE. (Wir haben zahlreiche Titel in diesem Sachgebiet auf unserer HP und zahlreiche Titel der Eremiten-Presse, viele in der Vorzugsausgabe ) Sprache: Deutsch Gewicht in Gramm: 320.

Soft cover. Condition: Very Good. Very good book in clam shell box. Limited edition run of 525. 1-200 are the English editions this being numbered 83. Facsimile sketchbook, reproduces beautiful colour images from 1968-72. Signed by Illustrator(s).

Paperback. Condition: Fine. Presumed First Edition. 18mo (5"x7"). Unpaginated. Staple bound, illustrated black and greenish-yellow wraps. Mild bump to lower spine. Three small dampstains to front cover. A single pencil mark and an embossed San Francisco Art Museum on title page. Else text block fine. B&W illustrations. Short interview with artist, followed by a catalog of the artist's work. Inscribed by artist on interior of front cover, "Best wishes, Graham Sutherland. 26 - V - 78.".

Hardcover. Condition: Very Good. 1st Edition. The deluxe issue, limited to 150 numbered copies bound into boards and signed by Tambimuttu and Sutherland (this being #3). 4to. 112pp. A trace of light spotting to the boards and edges, and the boards lifting just a fraction. A very good copy. Contributors include George Barker (his poem 'Asterisks'), Sebastian Barker (his poem 'To My Cherry Dismissive'), Gerald Durrell (his poem 'Pig Business'), Richard Eberhart (his poem 'A Whack at Empson'), Gavin Ewart (his poem 'In the Restaurant'), Ted Hughes (his poems 'The Rose', 'Top Withens', and 'Happy Calf'), Elizabeth Jennings (her poems 'Backgrounds' and 'A Fragment About Water'), Christopher Logue (this three-part poem 'Singles'), Iris Murdoch (her poem 'Too Late'), Brian Patten (his poem 'Friends'), Paul Potts (his poem 'I'm Not White, I'm Irish'), Kathleen Raine (her poems 'My Mother's Birthday', 'Columbines', 'March Poems', and 'Swedenborg's Angels'), Anne Ridler (her poem 'Jynx Torquilla'), David Gascoyne (a two-panel folding plate depicting his colour-illustrated poem 'Inferno'), Bob Dylan (the lyrics to three hitherto unprinted songs from 'Slow Train Coming'), Allen Ginsberg (his poems 'Old Pond', 'What's Dead', 'Fake Saint', 'A Pleasant Afternoon', and 'Manhattan May Day Midnight'), John Cooper-Clarke (his poem 'Valley of the Lost Women') and others. A flexidisc of Allen Ginsburg's 'Plutonium Ode' loosely inserted, as issued. A short-lived follow-up to Tambimuttus 'Poetry London-New York', which was itself a continuation of his celebrated periodical 'Poetry (London)'; 'Poetry London / Apple Magazine' ran for a total of just two issues (in 1979 and 1982). Signed by Author(s).

Hardcover. Condition: Near Fine. Special Edition. Number 158 of 1,000 copies on hand-made paper signed by the author and artist. Title-page and facsimile leaves in red and black. Blue morocco sides, vellum back with black morocco label, titled in gilt, gold top. One leaf slightly creased. A near fine copy in like slipcase. Lithography at the Curwen Press. Signed by Author(s).

William Heinemann. 1953. LIMITED EDITION OF 1,000. SIGNED BY BOTH MAUGHAM AND SUTHERLAND, this being number 47. Bound in quarter vellum, blue cloth boards.Top edge gilt. Portrait frontis and decs by Sutherland. Four pages of facsimile pages from the original manuscript. Endpapers slightly browned. Slight marks to boards otherwise a clean and fresh copy in a slightly worn and spotted slipcase.

Hardback. Condition: Good. First Edition. 23 x 27cm good hardback with dark green boards,title in white on spine and label illustrated by Sutherland affixed to front cover. This book consists of 12 colour plates by Sutherland, four poems written by Raffaele Carrieri for Graham Sutherland, in both Italian and English, and a selection of mostly black and white photographs by Giorgio Soavi taken on a trip to Pembrokeshire, Wales. The brochure was produced by Olivetti to apparently be given to their best clients. Signed with an affectionate inscription by Graham Sutherland on the front free end paper.

Hardcover. Condition: Near Fine. Graham Sutherland (illustrator). Limited Edition. Limited Edition, No. 111 of 125 copies specially printed bound and numbered. Full parchment boards in matching slipcase. The book is signed and numbered by the author. The original colour lithograph, "Three Figures In A Garden", printed Fernand Mourlot, Paris, is signed and numbered by Graham Sutherland. Book and slipcase near fine, lithograph fine. Signed By The Author And The Artist.

Hardcover. Condition: Very Good. A facsimile sketchbook reproducing colour images from 1968-72, each page blind stamped by the printers Daniel Jacomet, accompanying catalogue detailing the sketchbook contents, card covers and printed wrappers, signed by Sutherland and numbered F7 of 50, the French special edtion with an original etching "Standing Form" ( Tassi 138 ), signed in pencil and numbered F7/10. Housed in a leather clamshell box which is a little sunned on the spine, some browning and small previous owners bookplate to the inside, loosely inserted is the original purchase invoice from Marlborough, dated 1976 Size: 8vo - over 7¾" - 9¾" tall. Signed By The Artist.

8vo, pp.[12], v255, [1], with a lithograph frontispiece, three leaves of facsimiles and illustrations by Sutherland throughout; a fine copy in the publisher's quarter white lambskin, blue lambskin sides, no glassine or slipcase; bookplate of D.G.Bridson (see below).No.132 of 1000 copies, signed by both author and artist. Cakes and Ale (1930) was Maugham's favourite work; this limited edition was published in honour of his eightieth birthday.Provenance: The Manchester-born poet, journalist and radio producer Douglas Geoffrey Bridson was responsible for over 800 broadcasts in his career at the BBC, 19331969, which culminated in his appointment as Programme Editor for Arts, Sciences, and Documentaries in the mid-1960s, when he was known as 'the cultural boss of the BBC'. Although he was a poet of no small ability himself (his March of the 45 was the first verse drama written for radio, in 1936), it was his tireless and democratic promotion of modern British and American literature on the airwaves that led to correspondence and then friendship with nearly all the major literary figures of his day, but most notably with Wyndham Lewis, T. S. Eliot, Hugh MacDiarmuid, Ezra Pound, and Langston Hughes, many of whose works he brought to a wider audience through his radio productions. He published three of his own collections of poetry, a memoir of his years at the BBC, Prospero and Ariel (1971), and a study of the politics of Wyndham Lewis, The Filibuster (1972); his archive of papers and correspondence is now at the Lilly Library. Language: English.

Autograph letter signed (ÒGÓ) from arist Graham Sutherland to Felix H. Man (ÒDear HansÓ) about sitting for photographs, his new show, the Festival of Britain, and a ÓsystemÓ for winning at roulette. In the original envelope (stamped and postmarked), Trottiscliffe, 20 March 1950. ÒIÕm at your service whenever you like for extra photographs . . . IÕm only so sad that we shanÕt be in France . . . for you to take the extra ones there. The light & general atmosphere is so much more exciting.Ó His show is to be in October, then he has to work on his show for the US. ÒDuring the summer & spring I shall be working on a large painting for the Festival of Britain 1951 & I hope at last to pin down Beaverbrook for sittings for the portrait the Daily Express has commissioned.Ó The second half of the letter is devoted to detailed explanation of his (quite complicated) ÒsystemÓ for winning at the roulette wheel, deployed with Òa good deal of successÓ at Monte Carlo and San Remo. The photojournalist Felix H. Man (n Hans Felix Sigismund Baumann, 1893Ð 1985) took numerous photographs of Graham Vivian Sutherland (1903Ð1980), photographing him up a ladder at the Tate in 1951 working on The Origins of the Land (for the ÒLand of BritainÓ pavilion at the Festival of Britain; now in the Tate), snapping the two of them in the mirror with Winston Churchill at Chartwell in 1954; later they collaborated on Graham Sutherland: das graphische Werk 1922Ð1970 (1970). SutherlandÕs 1952 portrait of Lord Beaverbrook went to the National Portrait Gallery. From the collection of Jonathan Gili; bought from Henry Bristow, July 1985. Later letters from Sutherland to Man are held at Pennsylvania State University.