Igor Mitoraj (129 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paper wrap. Condition: Very good. First edition. Softcover paper (photographic) wrap with glued shut gatefolds. 4to. 134 pp. Illustrated almost entirely with striking full-page colour plate photographs of Mitoraj's sculptures and drawings, as well as behind the scenes thumbnail photos of moving and installing his larger sculptures. English and French text. An exhibition catalogue of a show of the same name that took place at the Musee Olympique (Lausanne) from March 28 - October 7, 2001. Text block has some slight age yellowing to the edges but otherwise it is clean, unmarked, bright, and square with a strong binding. The paper wrapper is a little rubbed and shelfworn, but generally in very good condition.

Paperback. Condition: Very Good. Color and b/w Illustrations (illustrator). First Edition. In black wraps with pictorial upper cover label, 4to(sq), unpag. Illustrated profusely. A exhibition catalog for Igor Mitoraj. Text in italian. (Shelfwear and light rubbing to extremities). Size: 4to - over 9¾" - 12" tall. Book.

Condition: COME NUOVO. Milano, Mondadori cm.23x27, pp.80 illustrazioni a colori. brossura con copertina figurata a colori. Roma, Museo Nazionale Castel Sant'Angelo, 1985.

PAPERBACK. Condition: Very Good. Paperback edition. 134pp. b/w+color photos, illustrations. quarto paperbound tight binding. Wrap lightly worn, creasing, interiror clean throughout.

Hardcover ohne Schutzumschlag Cover illustriert/ geringe Gebrauchsspuren Zustand gut bis sehr gut.

Hardcover. Condition: As New. Originalverpackt.

Hardcover. Condition: As New. Originalverpackt.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: As New. Originalverpackt.

Encuadernación de tapa blanda. Condition: Bien. Escultura (illustrator). La fotografía que aparece en la pantalla puede ser distinta a la real. Todos nuestros libros son de segunda mano.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 01. LIBRO.

Condition: MOLTO BUONO. Barcelona, Abe Associacio Art cm.21x27, pp.83, brossura con copertina figurata. Novrembre 2002- Ferrer 2003.

Hardcover. Condition: As New. Originalverpackt.

Hardcover. Condition: Very Good. From the Library of John Russell Taylor.

Hardcover with dustjacket, unpaginated; in English, very good condition, except stains to spine of dj; no internal marks. Foreign shipping may be extra.

rilegato hardcover. Condition: Ottimo (Fine). Die Galerie 1998 | cm 28 x 28 - pp. 128 | Rilegato in tutta tela editoriale con immagine applicata al piatto | Testo in tedesco | RIF. LIBR. ARTE 900 . Book.

Encuadernación de tapa dura. Condition: Muy Bien.

Hardcover. Condition: Fine. First Edition. Hardback. Dust Jacket. 4to. Essay by John Russell-Taylor. Art, sculpture. Copiously illustrated in black and white throughout. ISBN: 1-871480-12-4 Pages: 96 Fine in near fine dust wrapper.

Paperback. Condition: Very Good. Limited Edition. AW3 - A limited edition paperback book in very good condition that has some bumped corners, some scattered wrinkling, chipping and crease, somewhat curled, some light discoloration and shelf wear. Igor Mitoraj: Sculptures and Drawings 1990, May 3 - June 23, 1990. A limited edition of this volume was bound in watercolour paper by Cartiera Fedrigoni 1,000 numbered copies. 13"x9.5". Satisfaction Guaranteed. Size: Folio - over 12" - 15" tall.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. B ART This is a large format art book, fine in printed dj.

Hardcover. Condition: Near Fine. NO INTERNATIONAL OR PRIORITY MAIL ORDERS PLEASE. Original dark blue cloth, 9 ½ x 12 7/8 inches, 149 pp, text in French. Hardcover, near fine in near fine dustjacket. Minor shelf wear, starting to lightly age yellow along margins, otherwise tight, clean, paper crisp, unmarked and apparently never read. Art.

Hardcover. Condition: As New. Originalverpackt.

Encuadernación de tapa blanda. Condition: Bien. C59. Obra Social La Caixa - 173pp j.

Scheveningen, museum Beelden aan Zee, 1997. Softcover met flappen.72 pp. 27x21 cm.

Encuadernación de tapa blanda. Condition: Nuevo. fotografias color,180 p.

Encuadernación de tapa blanda. Condition: Bien. 1994. Catálogo de la exposición celebrada en la Galería Joan Gaspar (Barcelona) en Mayo - Julio de 1994. 64 pp. 29 obras. Buenas reproducciones en b/n y color. Idiomas: Català, castellano e inglés. La cubierta está levemente gastada en los bordes, el interior en perfecto estado. LIB 1AR.

Encuadernación de tapa blanda. Condition: Buen estado. 1995. Catálogo de la exposición celebrada en la Casa del Cordón (Burgos, España) en Febrero - Marzo de 1995. 55 pp. Excelentes reproducciones en b/n. Idioma: Español. LIB 1AR.

Condition: MOLTO BUONO. Milano, Skira Ed. cm.25x28, pp.135, alcune illustrazioni e tavole bn.e a colori nel testo, brossura con bandelle, copertina figurata a colori. Il volume presenta una ventina di sculture monumentali di Igor Mitoraj (1944) tra le quali i celebri bronzi monumentali, dallo straordinario fascino, che vertono principalmente sul mistero dell'antico, sul costante rimando alla statuaria classica, sulla fedeltà agli ideali di cui l'arte scultorea antica era permeata. Temi prediletti dell'artista sono il torso maschile, la testa eroica, il Centauro, le figure di Venere, Icaro, Eros, in un'interpretazione complessa che rivela anche l'inevitabile incontro con la modernità. Nel suo concetto di pars pro toto, Mitoraj attua una simulazione dell'idea di reperto: quasi nessuna delle sue opere, infatti, presenta una forma intatta; al contrario, egli restituisce un'immagine classica frammentata e allusiva, ironicamente moderna e attuale attraverso la rimozione di elementi e parti importanti dell'insieme. Opere mutilate, attraversate da vuoti e pause improvvise che stimolano all'immaginazione il completamento delle parti mancanti; figure dell'assenza all'interno di un recupero classico nella modernità, nonché allegorie della fragilità umana». Lugano, Centro Cittadino, 22/03-30/06/2002. A cura di Rudy Chiappini.