Interfunktionen, Used (56 results)

pictorial cloth-covered boards. tall 8vo. pictorial cloth-covered boards. 542, (1) pages. First edition. A fine copy. Numurous color and b&w illustrations throughout. Described as a 'monument to Interfunktionen', this book depicts the experience of the magazine's early years by means of original documents (some of them hitherto unpublished), artworks and artists' writings The art magazine Interfunktionen, published in Cologne from 1968 to 1975, drew together much of the Central European artistic activity of the sixties and seventies. It was a prestigious review directly linked to the most prominent figures in the Düsseldorf Kunstacademie (Beuys, Immendorf, Polke.) it also boasted the direct involvement of the most spirited and reflexive artists of the times (Acconci, Broodthaers, Nauman, Roth.). This book has been produced in collaboration with Fritz Heubach, the first editor of the art-magazine. It depicts the experience of those years by means of original documents (some of them hitherto unpublished), artworks and artists' writings.

Erste Auflage. 23 x 17 cm. 541 S. Illustriertes OLeinen. Sehr gutes Exemplar. Katalog zur gleichnamigen Ausstellung 2004 entstanden in Zusammenarbeit mit dem ersten Herausgeber Fritz Heubach über die Kunstzeitschrift "Interfunktionen" in 12 Nummern zwischen 1968 und 1975 erschienen. Durchgehend mit Abbildungen erschienen. Text in englischer Sprache. Beiliegend das - gefaltete - Plakat zur Ausstellung im Fridericianum Kassel.

Soft cover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Quarto, 140 + 28 un- paginated pages, illustrated throughout. Original wrappers by Daniel Buren + original printed crystal paper wrappers. Crystal paper wrappers attached to spine with some minor foxing, otherwise a very fine copy with the crystal wrappers intact. - First edition. Inhalt/Contents/Sommaire: Cover: Avis/Ansicht/View Marcel Broodthaers; Jörg Immendorff. Kritik entfalten!; A.R. Penck. Der Adler; Roman Jakobson. über die verbale Kunst des William Blake undanderer Dichter-Maler; Lawrence Weiner. With an advance declined; Marcel Broodthaers. La Seance. Film de M.B.; Michel Claura. Vorwort zu 'Book as Artwork'; Germano Celant. Das Buch als Kunstform 1960 - 1970. Book as Artwork - Bibliographie 1960 - 1974; Dan Graham. The Book as Object; Daniel Buren. Encre sur Papiers (a work printed on different stock. Buren's stripes introduce each individual contribution and then reappear as a group in the back of this issue) ; Bruce Nauman. Instructions for a mental exercise; Italo Scanga. San Francesco di Paola; Bill Beckley. Sea Sick. Here with the first edition of "Ink on Papers" that was refused by both Buchloh and Buren because of the bad printing job. Both the editor and Buren printed on the rear crystal paper wrapper the following text: 'The editor of this magazine and myself think it necessary to notify the reader that technical faults which had occurred during the realization of "Ink on Papers" have changed the intended sense of the work (see p. 120). As the work by itself is materially bound to the other contributions, which would be affected by simply taking out the work "Ink on Papers" as well as by withholding the whole issue (these are two solutions which have been considered by the editor himself) I have preferred to leave this issue as it is, however not without adding the present supplement and with the intention to realize the project again in the next issue, profiting from the mistakes of this one.' Buren's "Ink on Papers" was indeed republished in the next and last issue of Interfunktionen.

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Gut. 542 Seiten. Original-Leinenband. - Maßgebliche Monographie zur Geschichte der Zeitschrift Interfunktionen. - Text: Englisch. - Etwas bestoßen, sonst wie neu. - 542 pages. Original cloth binding. - Authoritative monograph on the history of the journal Interfunktionen. - Text: English. - Slightly bumped, otherwise as new.

Hardcover Oct 30, 2004. Condition: gebraucht; wie neu. Illustrierter Hardcover Leinen, ungebraucht.

Broschiert. Condition: Gut. de, en (illustrator). Auflage 1000 Exempl. Mitarbeit: Lothar Baumgarten, Werner Wagner, Hans Peter Weying. Inhalt: Joseph Beuys. Land Art: Peter Hutchinson: Sea Projects. Dennis Oppenheim. Richard Long. Robert Smithson. Buckminster Fuller: Prated Script. Nam June Paik: Expanded Education for the paperless society. Dan Graham: Homes für America. Ausserdem: Will Insley, Jürgen Kramer, Panamarenko. 95 S. Mit zahlreichen s/w-Abbildungen. Einband und Rücken etwas angebräunt, gering angeschmutzt, Seiten wenig angebräunt, sauber, Gesamtzustand gut. Sprache: de, en Size: 4°.

Geheftet 4° (Vorderblatt halb lose, letztes Bl. 1 Blatt mit leuchten Randläsuren, untere Ecken mit schwacher Knickspur)).

Softcover art journal, 95 pages; in English and German; very good condition; covers toned; no internal marks. with Joseph Beuys on cover and sections on: a Joseph Beuys Action; "Land Art Earth Works" with Dennis Oppenheim, Robert Smithson, Peter Hutchinson, Michael Heizer, Richard Long; and sections on Lothar Baumgarten, Nam June Paik, Buckminster Fuller, Dan Graham and others. Foreign shipping may be extra.

Auflage 1000 Exemplare. 21 x 14 cm. 197 (1) S. OKarton. Es fehlt die Beilage von Polke, sonst aber asehr gutes Exemplar. Im Preis deutlich berücksichtigt. Enthält Text und - Bildbeiträge unter anderem von Dennis Oppenheim, Lothar Baumgarten, Friedrich Heubach, Hans Haacke, John Baldessari, Terry Fox, Will Insley, Ulrich Meister etc. Mit montierter Lasche auf dem hinteren Einband, allerdings ohne die Beilage von Sigmar Polke. Mit den beiden einliegenden Hinweiszetteln.

OBr. 95 S. Zustand: Einband lichtrandig, sonst gutes Exemplar. Mehr Fotos auf Anfrage.

Untertitel: enthält die Photofolge von Ute Klopaus : Joseph Beuys Aktion auf 44 Seiten. Weitere Beiträge von Buckminster Fuller jr.: Pirated Script u.a. Untergebiet: Kunst Abbildungen: Photos Zustand: Guter Zustand Seiten: 95 S. Format: 4°. Einband: kt. Gebiet: Zeitschrift.

Softcover art journal with printed glassine overwrap, 176 pages; very good condition except the spine has a few small tears and is very yellowed; the glassine overwrap "supplement" has multiple tears around spine; no internal marks. Contributions by: Bill Beckley, Daniel Buren, Marcel Broodthaers, Dan Graham, Jorg Immendorff, Bruce Nauman, A.R. Penck, Italo Scanga, Lawrence Weiner. Essays mostly in German on artist books by: Michel Claura, Germano Celant, and Dan Graham. Foreign shipping may be extra.

Auflage 1000 Exemplare. 21 x 15 cm. 174 S. OKarton. Sehr gutes, frisches Exemplar. Enthält Text- und Bildbeiträge u.a. von Sigmar Polke (Registro - S. 15 - 24), Bill Beckley, Reiner Ruthenbeck, Vito Acconci, Friedrich Heubach, Johannes Brus, John Baldessari, Will Insley, Ulrich Meister, Tadeusz, Philip Glass, Marcel Broodthaers etc. Mit einem montiertem Faltblatt auf dem hinteren Einband von Rainer Giese. [Vgl. für Polke: Becker / von der Osten. Editionen, Nr. 26, mit Abbildungen; Kellein / Das Archiv Sohm; S.177].

weicher Einband. . 4°. Broschur, 95 S. Auflage 1000. * Einband gering angeschmutzt, ansonsten guter Zustand (A-K0b).

Softcover art journal, 96 pages; in English and German; very good condition; covers toned; no internal marks. Includes: Vito Acconci, Bruce Nauman, Joseph Beuys, Arnulf Rainer, Robert Morris, Michael Heizer, Hamish Fulton, Dennis Oppenheim. Foreign shipping may be extra.

1. Auflage. 29 x 21 cm. 140 S., 19 Blatt. OKarton mit transparentem OPergaminumschlag. Der Pergaminumschlag am Rücken und leicht auf die Vorderseite übergehend etwas verlaufend braunfleckig. Sonst gutes Exemplar. Enthält Text- und Bildbeiträge oder Gestaltungen von Daniel Buren (Einband und im Heft), Bill Beckley, Marcel Broodthaers, Dan Graham, Jörg Immendorff, Bruce Nauman, A.R.Penck, Italo Scanga und Lawrence Weiner.

Softcover art journal in English and German; 117 pages and fold-out at rear; very good condition; covers lightly toned/spotted; no internal marks. Includes: Gunter Brus, Sigmar Polke, John Baldessari, Will Insley, Peter Hutchinson, Voto Acconci, Terry Fox, Arnulf Rainer, Bruce Nauman, Dan Graham, Roger Welch, Bazon Brock. . Foreign shipping may be extra.

Auflage 1000 Exemplare. 29 x 21 cm. 169 S. OKarton. Kapitale marginal berieben, Umschlagränder etwas nachgedunkelt. Sonst sehr gutes Exemplar. Enthält Text oder Bildbeiträge von und über Penone, Lothar Baumgarten, Vito Acconci, Johannes Stüttgen, Dan Graham, Claus Böhmler (Grant), Joseph Beuys (S.55-97, "Celtic"), Oswald Wiener, Tomas Schmit, Weibel, Export, Dibbets, Gilbert & George, Christo etc. [Vgl. Kellein / Das Archiv Sohm; S.177].

4°, brossura, pp.96, ill.n.t. Artisti presenti: Vito Acconci, Bruce Nauman, Joseph Beuys, Arnulf Rainer, Robert Morris, Michael Heizer, Hamish Fulton, Dennis Oppenheim.

4°, brossura, pp.172, ill.n.t. Artisti presenti: Giuseppe Penone, Baldessari, Lothar Baumgarten, Vito Acconci, Johannes Stüttgen, Dan Graham, Oswald Wiener, Tomas Schmit, Weibel, Dibbets, Gilbert & George, Christo, Hutchinson e altri. Un capitolo dedicato a "Celtic" di Joseph Beuys.

paperback. Condition: Fine. cm 21x29; pp. 96; BW ills.; paperback.

Softcover art journal in English and German; 198 pages; very good condition; spine slightly slanted; 1-inch crease to upper right corner of cover and first couple pages; no internal marks. Sigmar Polke folded poster in sleeve on inside back cover. Includes Lothar Baumgarten cover, projects by Dan Graham, Dennis Oppenheim, Hans Haacke, Terry Fox, William Wegman, John Baldessari, Steve Reich, Joseph Beuys and others. Foreign shipping may be extra.

Soft cover. Condition: Fine. Artists: Acconci Vito, Naumann Bruce, Beuys Joseph, Rainer Arnulf, Morris Bob, Heizer Mike, Fulton Hamish, Oppenheim Dennis cm 21x29; pp. 94; BW ills.; paperback, fine condition.

Paperback. Condition: Very Good. 1st. First printing. 198 pp., many photos. Original graphic laid into band in rear cover. Also "Hint" errata slip in rear. Light wear, minor creasing to covers. Internally Nearly Fine. No owner's marks. Rare item.

Soft cover. Condition: Very Good. 1st Edition. 4° - 117pp - B/w reproductions. Interfunktionen Issue N° 8 : Günter Brus - Sigmar Polke - John Baldessari - Will Insley - Peter Hutchinson - Bazon Brock - Vito Acconci - Terry Fox - Arnulf Rainer - Bruce naumann - Dan Graham & Rager Welch. First edition, text in German. Original boards. In Very good condition.

30 : 21 cm. 117 pages with hundreds of partly full-page illustrations. Original boards. In 1968, the Cologne psychologist and publicist F. W. Heubach founded the magazine interfunktion as a platform for those artists who did not belong to Pop Art, Kinetic Art, Land Art and Minimal Art - the art movements that dominated documenta 4 that year. Until 1975, a total of twelve issues of the magazine appeared irregularly, which on the one hand provided information about art and art theory, but on the other hand were also works of art themselves. With a changing staff of authors and editors, interfunktionen became an important organ in the West German art world. - Beuys contributed very different ideas and works and used the magazine to publish photos of his actions, texts such as "Towards the Ideal Academy" or for reproductions of his drawings or other works. He transformed the booklets into multiples by adding additional stamps, notes or collaged elements. - One of the most important avantgarde journals. - This issue with contributions by Günter Brus - Sigmar Polke - John Baldessari - Will Insley - Peter Hutchinson - Bazon Brock - Vito Acconce - Terry Fox - Arnulf Rainer - Bruce Naumann - Dan Graham and Roger Welch.

2 Bände. 30 x 21 cm. 95 S.; 95 S. OKarton. Sehr gutes Exemplar. Zwei Ausgabe der Interfunktionen Nummer 7, handschriftlich von Joseph Beuys auf dem Umschlag als Proben für die Vorzugsausgabe bezeichnet: "Sonderexemplar Versuch 1" und "Sonderexemplar Probe 2". Jeweils mit dem handschriftlich eingefügten Text von Joseph Beuys auf Seite 28. Im Versuch 1 lautet der Text: "Ich denke, daß auch Sie sich bald diesen dritten Arm zum abfühlen der Wässerungen zulegen werden", wobei "en" von "diesen" und das "e" von "Arme" gestrichen sind zu "diese drei Arme". Hier sind die im Eimer fühlenden Arme durchnummeriert 1 - 3 - 2, mit blauem Kreuzstempel versehen und unterhalb des Textes signiert. Entgegen der dann verwendeten Fassung ist hier ein Begriff, der stark durchgestrichen ist, durch "denke" ersetzt, so wie es später auch beibehalten wurde. Sonst ist der Text und die Streichungen identisch. Das zweite Heft, Sondernummer Probe 2, enthält auf Seite 28 den gleichen handschriftlchen Text, hier ist ebenfalls der durchgestrichene Begriff duch "denke" ersetzt, die Streichungen aus Versuch 1 "diese drei Arme" sind hier als "diesen dritten Arm" korrekt ausgeführt wie auch später in der Vorzugsausgabe verwendet. (Es existiert mindestens ein weiteres Heft als Sondernummer, bezeichnet als "Probe III". Dieses aus dem Nachlass einer mit Beuys enger befreundeten Klever Familie stammende Heft wurde durch uns 2019 angeboten und verkauft. Die beiden hier nun angebotenenen Bände stammen aus einer langjährigen rheinischen Sammlung).

Complete set of the seminal magazine Interfunktionen. Twelve issues over seven years may not appear to be a particularly impressive output, but it is difficult to overemphasise the influence and significance of Interfunktionen during and after its brief existence. Dissenting from the new 'art-as-commodity' attitude expressed at Arnold Bode?s documenta 4, Interfunktionen magazine, edited by Fritz Heubach in Cologne, was an interdisciplinary effort among activist artists to promote European art and ideas without bowing to the era?s increasingly commercial trends. In the summer of 1968 the opening of Documenta 4 had come under public attack for a conventional, market-driven agenda that was felt to represent inadequately the art of the '60s. With the exception of some environments neither space nor money was available for new media: an event involving performance and sound art, long planned by Wolf Vostell, was cancelled. American Pop and Minimalist artists, hot tickets on the German art market, far outnumbered artists from any single European country, provoking critics to nickname the show Americana and to refer to New York City as a suburb of Kassel. Inextricably linked with the Joseph Beuys-era Kunstakademie Düsseldorf and the LIDL Akademie, Interfunktionen boasted contributions and support from Jörg Immendorff, Sigmar Polke and Wolf Vostell. It published theory, criticism and artists? projects, and facilitated a brand of European-American relations in art that had not quite existed or been explored before. Interfunktionen?s first issue was originally published in ? by today?s standards ? an impossibly small edition of 120 (later issues averaged a circulation of about a thousand, although issue 2 was produced in an edition of only 250, with issue 3 in an edition of 300). Sets of the magazine with the original edition of issue no.1 are exceedingly rare. This first number's main function was to articulate a reaction to documenta 4: the record of a performance action staged by a loose group of Interfunktionen members and supporters at the press conference and the reproduction of pieces banned at the exhibition. The first issue is a collection of some seventy-five pages, made of assorted papers printed, typed, or handwritten, including loose enclosures, foldouts, and collages of news clippings with scrawled citations. In his introduction, Heubach warns that the restrictive policies of art institutions like Documenta impede the free, experimental production of art. Detailed records describing the canceled multimedia event and a general collection of news coverage follow. Midway through the issue things heat up. Honey-Blind Action documents performances staged by artists during the opening press conference of Documenta: Jorg Immendorff jumped across tables, waved a stick topped with the silhouette of a cute polar bear painted light blue, and smeared honey over the microphones, while his wife, Chris Reinecke, hugged and kissed everyone, including the alarmed curator Bode. Vostell poured a bag of change in front of the curators as a symbolic donation, and Heubach, among others, raised a banner reading, Prof. Bode, we, the blind, thank you for this pretty show. Newspaper articles are interspersed with an absurd correspondence between Reinecke and the city of Kassel, which officially fined her 27.35DM for the removal of honey stains from tables and carpets. Matching the city's bureaucratese, her formal reply declined responsibility and requested that the bill be sent to her husband instead at the same address. The Manifestoes section gathers fliers that greeted visitors at the exhibition opening. Interfunktionen became mired in scandal under its second editor, Benjamin Buchloh, in 1975. In what would be its final issue (and only his second) Buchloh published Anselm Kiefer?s controversial Occupations, wherein the artist is photographed giving the Nazi salute in front of monuments throughout Europe. Marcel Broodthaers, once a keen supporte.

29,5:21 cm. 169 S. mit unzähl. Abb. u. Illustrationen. Ill. OBr. Original-Ausgabe. Vgl. Archiv Sohm 318. Eins von 60 Exemplaren der Sonderausgabe. Neben den Beiträgen von D. Opppenheim, R. Smithson, P. Weibel, J. Dibbets, Oswald Wiener (Ein Verbrechen, das auf dem Papier begangen wurde), Vito Acconci, George Brecht, Valie Expoert u.a. sind folgende Beiträge nummeriert und signiert: Joseph Beuys (nicht nummeriert),Lothar Baumgarten mit Applikation einer Feder (nummeriert und signiert), Claus Böhmler mit Handcolorierung (nummeriert und signiert), Peter Hutchinson mit beigelegtem Farbdia, ebda. signiert und nummeriert. Die Zeitschrift erschien in 12 Nummern von 1968 - 1975. One of 60 copies with signed contributions by Joseph Beuys (not numbered),Lothar Baumgarten application (feather signed and numb.), Claus Böhmler, Peter Hutchinson (colour transparency, signed and numb.). VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!