Jackson Pollock, Signed (25 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. PHOTOS (illustrator). 1st Edition. NICELY INSCRIBED BY THE AUTHOR ON THE TITLE PAGE THE STORY OF THE REALTIONSHIP BETWEEN POLLOCK AND THOMAS HART BENTON TOLD FOR THE FIRST TIME BENTON BECAME POLLOCKS MENTOR AS POLLOCK DEVELOPED HIS CAREER WHICH BECAME STORMY AS POLLOCK BECAME A FOUNDER OF ABSTRACT IMPRESSIONISM STATED FIRST FULL NUMBER LINE BOOK HAS LIGHT AGE TONING THROUGHOUT OTHERWISE SOLID CLEAN BRIGHT AND UNMARKED JACKET IS BRIGHT COMPLETE AND UNCLIPPED ORIGINAL PRICE 35.00. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. SIGNED by author on half-title page; signature only. 1st Printing of stated 1st Edition. Near Fine book in VG DJ. Pages clean and unmarked with no rips or creases. Binding tight. Black boards with silver-stamped titles are clean and sturdy. Unclipped dust jacket, protected by mylar cover, is clean & bright with one tiny edge nick and minor wrinkling. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. Signed by Author(s).

FIRST. nFINE. Paperback in wraps. SIGNED by the POET. Scarce copy signed. [B98]. Signed by Author.

Softcover. Condition: Very Good. Signed and inscribed by the author in black pen on the half-title, 'To Asher and Marc Enjoy Roger McKinley.' An 'offbeat libretto' with 18 original songs in this 'tragi-comic, imaginary musical journey to discover the nature of the greatest American painter of the 20th century.' 153 pages, light wear to covers. McKinley, born in Ireland in 1969, is a multi-disciplinary artist involved with FACT, the Foundation for Arts & Creative Technology. SIGNED and INSCRIBED by author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine hardcover in Fine dust jacket. Inscribed by Adams on the title page. Appears unread. First Edition. Clean, tight and bright. No other writing or other marks. We wrap and box our books for shipping. Inscribed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardbound in dust jacket. Signed & inscribed by Jeffrey Potter to the previous owner on the front free end page. 1st edition. Minor closed tears to dust jacket edges, otherwise very good. Signed by Author(s).

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Assouline, 2015. Quarto. Hardcover. Signed and inscribed on half title page by Lea. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardbound in dust jacket. Inscribed by Jeffrey Potter to a previous owner on the front free end page. 1st edition. Minor wear to dust jacket, otherwise very good. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Signed by the author in the year of publication. Fine in a fine dust jacket. Unless otherwise noted, our first editions are first printings.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First American Edition. First Printing with full number line. Signed By Author on The Full Title Page. Signed by Author(s).

Condition: Near Fine. Dust Jacket Condition: Near Fine. London: Tate Publishing, 2015. First Edition. Square octavo (length" x width" if useful); 160pp. Publisher's dust jacket with $55.00 price intact; boards bound in butter yellow cloth with black stamping to spine. Photographs throughout. Dust jacket clean with sharp corners. Boards bumped lightly at spine tail; otherwise clean with sharp corners. Binding sound. Textblock, endsheets, and interior pages clean. An overall Near Fine copy of this exhibition catalog. Signed and inscribed by the editor on title page.

4°,80 p. with black & white and coloured photographs, paperback. An exhibition of temporary site-specific installations Eastern State Penitentiary, Philadelphia May 17 to October 29, 1995.- Auf transparente Vorsatz von Christina Kubisch signiert.- Gutes Exemplar.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. A collectible book, SIGNED by the author front free end paper. Book's flaw is that the spine is slightly cocked with minor toning. The DJ is whole but with a one inch tear near bottom spine. Minor curl to top of DJ with minor wear and tear along edges. . Jackson Pollock, the spectacularly self-destructive and gifted American painter, comes to life in this fascinating oral biography assembled and written by his friend and East Hampton neighbor, Jeffrey Potter. The dramatic narrative of Pollock's violent death, told by those who were on the scene, from farmers and policemen to coroners and lovers, is gripping in its immediacy. "Jackson Pollock is very much alive again.arresting.fascinating." -- The New York Times, Christopher Lehmann-Haupt. SIGNED.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Signed Painting on canvas drip painting gold Jackson Pollock. Signed by Author(s).

Condition: Good. 8vo. 293 pp. Soft Cover. Good, minor shelf wear, spine sunned, some creases to front cover, pages are clean and intact. Signed in red ink 'Peter Selz' on title page.From the Collection of the Art Historian Peter Selz.

MAX WIMMER Kunstkatalog der Dresdner Bank AG Frankfurt/M. und Mittelrheinisches Landesmuseum Mainz 1981, 24 SS. illustriertes Pb. quadratisch gr. 8°, mit ganzseitigen Farbreproduktionen der Gemälde, Stempel : Nassauischer Kunstverein Wiesbaden, gut erhalten - mit eigenhändiger Empfehlung ZUR ANSICHT, Ort, Datum, Unterschrift signiert MAX WIMMER, München oct. 81 / Vernissage, le 28.XI.81.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. (1985). 8vo. 1st edition. SIGNED by Potter on f.f.e.p. Some bumping to forecorners, joint ends, and spine ends of covers. Two tiny tears to spine tail of lightly edgeworn covers. Toning to leaves, textblock, and edges of d.j. verso. A few faint spots to top edge of textblock and f.f.e.p. Dog-ear creasing to upper fore corner of leaves 98, 115, 124, & 175. Chipping, creasing, and tearing to spine head and joint ends of d.j. Wear and mild chipping to fore corners, spine tail, and top edge of front d.j. Some curling to top and bottom d.j. edges. Creasing to front d.j. flap. VG/VG. Author.

iv+204pp. 8vo. Original wrappers. Light foxing on edges. B/w illustration. A very good copy . First edition. Signed by author.

First edn. 12mo, self wraps, a very good copy. Inscribed by the author to his friend from Black Mountain, Paul Metcalf: Best regards, PAUL!."FD 10/26/73.

Softcover, 104 pages; in French; very good condition; light edgewear to covers; signed by Hans Namuth in pen on title page; no other internal marks. Foreign shipping may be extra.

First Edition. Signed by the author / artist Ruth Kligman. Some fading to boards else very good in a very good price-clipped dust jacket with some fading. Ruth Kligman (1930 Ğ 2010) was an abstract artist who lived and worked primarily in New York City. She was an important muse to several modern American artists, including most notably Jackson Pollock and Willem de Kooning. This memoir is about her relationship with Pollock and describes their passionate and tumultuous relationship with candor and sensitivity, which ended abruptly and tragically when she and Pollock were driving to a party and had an accident, fatally taking his life, the life of their fellow passenger Edith Metzger, and seriously injuring Kligman.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Signed & inscribed presentation copy of this memoir of Kligman's relationship with American painter Jackson Pollock, Kligman having been the only survivor of the 1956 car crash that killed Pollock and fellow passenger Edith Metzger. From the library of New York School poet, librettist, and publisher Kenward Elmslie (1929-2022). NY: William Morrow & Company, 1974. First edition. 220pp. 8vo; black boards backed with off-white cloth; gilt spine titles; dust jacket. Light foxing & soiling to textblock edges; sunning to board perimeters; slight forward cocking to spine. Unclipped ("$6.95") jacket with sunning to spine, toning to perimeters, and light interior damp-staining to spine ends and top of front panel. Very good (-) in a very good jacket. Inscribed by Kligman on the dedication page: "To my dear Kenward, who always makes the impossible happen. I love you. Ruth 1/2/74." As to the extent of Elmslie's relationship with Kligman, though evidently warm, we can find only one reference, in a 2002 letter from Elmslie to Lucia Berlin: "I used to go to Weight Watchers with Ruth Kligman, Pollock's girlfriend in the Death Car. She also dated de Kooning, whom I once glimpsed at her loft." (Chip Livingston, ed., Love, Loosha, p. 213). Inscribed by Author(s).

Condition: Buone. PAOLO BAROZZI IL RETAGGIO DI JACKSON POLLOCK CAMPANOTTO ED. 2016 In 8° , legatura editoriale, copertina illustrata, ill. in b/n.Copia con dedica autografa dell'autore.In ottime condizioni, lievissimi segni alla copertina.

Pp. Condition: Sehr gut. 95 S. : überwiegend Ill. (z. T. farb.); ; 32 cm mit persönlicher Widmung vom Autor signiert Sprache: Deutsch Gewicht in Gramm: 830.

No Binding. Condition: Very Good. In these two autograph letters, one signed, Toklas makes witty commentaries and criticisms of the writers and artists of her time. The second (partial) letter mentions: e.e. cummings, Gertrude Stein, Balthus and Jackson Pollack. In the first signed chatty one-page letter written on "Armistice day of the other War, 1955," Alice B. Tolkas thanks a Mr. Livingston for the "wondrous tea" he has sent to her. She is "touched" by his thoughtfulness and wonders if he has received the letter she sent across the Atlantic to 12, Park Avenuethe address on the tea packageas he might be back at the Oxford College whose name her memory fails to recall. She playfully adds "if the letter was not forwarded to you let me know so that I can send you another chequefor a sumdeduced from external evidence and internal fancy" She hopes to see him on his next visit to Paris and asks to let her know when as she is going to Berne for "thanksgiving" and "to see the show of Juan Gris pictures at the museum. . ." Signed "Ever cordially/Alice Toklas." In a postscript, she asks "Are they pheasants or chickens that your college has on its emblem?" In the second, partial (unsigned) two-page letter of 1957, Toklas first apologizes for her tardiness, blaming it on her French life. She writes with honest bluntness about poets and artists she has encountered. Of being in France, she says, ". . . there are more impediments in France to a daily quiet living than fifty years have accustomed [her] to  . . . Some of the reasons that interfere with living a calm-commonplace life are the plate of the admirable comedies the French write a great many are just the agitation of middle class existence and the rest are deadly bourgeois resistance to anything their tradition - till this is interesting when it happens to some one [sic] else but is a deadly bore when it unexpectedly becomes your experience." She thanks him "very warmlyfor [his] attentive kindness in lending [her] E. E. Cummings lectures" and having read his poetry, wonders if his "enormous distinction . . . makes him the most important figure of his generation - we "discovered" him his "Enormous Boom" with excitement -he has never failed now-has he?" Of Balthus, the Polish-French painter, she states , ". . . Balthus is a very good painter indeed  . . .  We spent over an hour at his show and met him- we were greatly impressed -  the picture Gertrude Stein liked was frankly not approachable [?] - our second choice was a huge canvas and there was not room for it . . . Then he fell under the influence of [Andre] Derain and that was discouraging and he stayed under it. When finally he emerged - after the the liberation we had less room and less money- but we saw him from time to time and were always very fond of him - He is a Pole and has the notion of dreams and charm (Conrad) and is not happy - always seeking an ideal home  - No Jackson Pollock was not a painter. D'accord - The Marcussi of Gertrude and me must [sic] be tucked away in some dark corner here." She asks Livingston not to send her any more tea, adding that she cannot offer it to those who "do not know its exquisite aroma" and has "some left for the distinguished." The partial letter ends with her aborted trip to Majorca and talk of the weather. Written on sheets of thin onion skin paper which measure 8¼" x 5 ¼" and are imprinted "5 Rue Christine VI Paris." Alice Babette Toklas (1877-1967) was born in San Francisco but moved permanently to Paris in 1907. She became a life long partner of the writer Gertrude Stein and the two became an integral part of the Parisian avant-garde. They hosted a regular salon that attracted artists like Picasso, Matisse, Braque, and Gris, as well as, expat writers like Hemingway and Wilder. Condition: A negligible piece of the left top blank corner is missing from the second page of the second letter, mailing fold lines, generally very good condition. Signed by Author(s).