Jonathan Monk, First Edition (22 results)

very good dust-jacket, cover price $27.50, attractive copy, black half-cloth with purple boards, appears little used if at all. MERTON, THOMAS. Entering the silence: becoming a monk & writer. Edited by Jonathan Montaldo. San Francisco: HarperSanFrancisco, 1996, stated First Edition, and 1st printing number line ending with 1, xvii, 501pp., . The journals of Thomas Merton ; volume 2. - Covers Merton's early literary career as he struggled to balance the tensions between remaining an observant monk and a talented, prolific writer. 9780060654764 ISBN 0060654767.

Trade Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by Revolverle, 2002. Octavo. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear with a light crease on front top right corner. One of 500 copies. ISBN: 3934823807. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Broschur / Softcover. 1. Aufl. Text: English (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 200.

Broschur / Softcover. 1. Aufl. Editors:Reid Sheir & Roger Bywater / Sprache: Englisch / The reason why I am here is the reason why I am here (Lynn Valley no.3) is an artist`s book featuring amateur photographs taken by an audience member at a recent Morrissey concert in Berlin. The photographs are mirrored on each verso page of the publication. Lynn Valley is a new artistic publication series appearing three times per year with each individual issue designed by an artist. (Sehr gut erhalten - neuwertig / in very good condition - as new) Sprache: Englisch Gewicht in Gramm: 500.

Condition: Near fine. First Edition. 10 x 13cm near fine concertina statement which reads: 'A la Tour Eiffel, le 13 Octobre 2008 a midi', contained in an envelope. Concertina paper inside envelope.

LP-VinylPackung. 1. Aufl. auch Ausstellung: Halle für Kunst Lüneburg - // Texte: Raimar Stange (Kurator) / John Miller (Sehr gut erhalten - NEU, unbenutzt / new - in very good condition) Sprache: Englisch Gewicht in Gramm: 1100.

Hardcover. Condition: Very Good. 1st Edition. Yesterday Today Tomorrow Etc. is the first substantial monograph on British conceptual artist Jonathan Monk. Published on the occasion of exhibitions at Kunstverein Hannover and the Institute of Contemporary Art, London, this volume surveys Monk s work from the late 1990s to the early 2000s characterized by his witty, referential approach to conceptual art history, authorship, and appropriation. The book includes critical texts, documentation of installations, photographs, and artist interventions that reveal Monk s ongoing dialogue with artists such as Sol LeWitt, Ed Ruscha, and Bruce Nauman. Condition: Very good. Some shelf wear to covers, including edgewear. Interior is clean and crisp, with no internal marks. An essential and now hard-to-find publication for collectors of conceptual and post-conceptual art.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 10 x 15 cm, 154 pages, 37 color & 69 b/w illustrations - Monk's new book "Studio Visit" takes as its starting point a number of Richard Prince's publications. Visually similar to those iconic artist's book of the 1990s, this publication is also very different from them in many other ways. Jonathan Monk opens the door to his secret studio.

Soft cover. Condition: Very Good. 1st Edition. Scarce exhibition catalog published on the occasion of Jonathan Monk's 2003 exhibitions at Lisson Gallery, London, and Yvon Lambert, Paris. This volume offers a compelling overview of Monk's conceptual and often self-referential practice, engaging with strategies of appropriation, homage, and institutional critique. Includes contributions from key figures in contemporary art and curatorial practice, including Hans Ulrich Obrist, Sol LeWitt, and Matthew Higgs, among others. The interplay between Monk's own commentary and reflections from these voices situates his work within the broader lineage of conceptual art, while highlighting its wit and critical edge. Richly illustrated with full-color plates and installation views, this catalog is an essential resource for collectors and scholars of contemporary conceptual art. Condition: Very good. Interior clean and crisp, no internal marks.

ill. OPappband. / Hardcover. 1st ed. Exhibition: Family of Man, 2005 - // Text: English, French (schönes Exemplar / nice clean book) Sprache: Englisch Gewicht in Gramm: 1200.

Broschur / Softcover. 1. Aufl. Der anlässlich der gleichnamigen Ausstellung in der Galerie Museum in Bozen entstandene Katalog »Entropie: über das Verschwinden des Werkes« dokumentiert Projekte von elf internationalen Künstlern, in denen die geläufige Vorstellung des Kunstwerks als ein für die Ewigkeit geschaffenes, nicht mutierbares, messbares und physisches Objekt untergraben wird. Die gezeigten Arbeiten von Bas Jan Ader, Fiona Banner, Marcel Broodthaers, Chris Burden, Sam Easterson, Dora Garcia, Felix Gonzalez-Torres, Job Koelewijn, Jonathan Monk, Ilona Ruegg und Joëlle Tuerlinckx verweisen in ihrer Konzeption auf die Idee des Veränderlichen und Vergänglichen und sind in ihrem prozesshaften, ephemeren Wesen auf das eigene Verschwinden hin ausgerichtet. Der Katalog enthält Texte vom Kurator der Ausstellung, Moritz Küng, und von Franz Xaver Baier, Professor für Architektur an der Fachhochschule München. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Deutsch Gewicht in Gramm: 900.

Couverture souple. Condition: Neuf. Edition originale. Paris 2003. 1 Volume/1. -- ENGLISH TEXT -- Softbound // Broché -- 26,5 x 21 cm . -------- 158 pages ********************** Monography on the english artist with critical texts and interviews and a large selection of works reproductions. *********************** Monographie : alternance d'entretiens et d'uvres présentées dans le cadre de divers projets d'expositions. Entre hommage et outrage, Jonathan Monk (né en 1969 à Leicester, Grande-Bretagne, vit et travaille à Berlin) utilise des références de l'histoire de l'art, clichés, mythes ou gestes d'artistes célèbres, aussi bien que des objets, des images et des petites histoires de la vie quotidienne, dans des installations qui proposent une vision désacralisée de l'uvre d'art, de la création et de la vie.

Softcover. Condition: Gut bis sehr gut. 1. Auflage. B : 68 pages, Spiralbound - Jonathan Monk generates a humorous brand of conceptualism. His work, such as his film versions of well-known art books, or his re-enactments of seminal images by post-war artists, are a gentle poke at the Modernist canon and an attempt to demystify the creative process.

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped ($19.95 price intact). Published by Kunstverein Hannover, 2006. Quarto. White pictorial boards. Book is like new with no writing. Sharp corners and spine straight. Light smudging on front and back cover. 156 pages. ISBN: 3865882331. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Soft cover. Condition: Near Fine. 1st Edition. Oblong 12mo bound in white wrappers. Near Fine. In German and black and white. Limited edition of 800 copies. "In a play on the classic artist's book by Edward Ruscha, Various Small Fires and Milk, a glass of milk is the demonstrative subject of this little book. An initial slide of the glass was duplicated, a duplicate was made of that duplicate, and so on, until there were 51 generations of the original. Matters become complicated when one slide is made from another; new conditions and patterns emerge that can hardly be anticipated. With each generation, the reproduction loses some information, the colors change, definition and resolution suffer, and even the image area itself begins to change. & Milk is a fascinating piece, as well as a fun flip book that appeals to anyone interested in matters of regeneration, duplication, temporality or enjoys plays on Ruscha's work." Essay by Fotolabor Kadmon in German and English. [OJ].

Soft Cover. Condition: Very Good. First Thus. White illustrated wrappers display minimal wear, corners neat, black titles on white spine. Book body clean and illustrated throughout. Signed by the artist on the title page. Signed by Artist.

SOFTCOVER. Condition: As New. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 120pp on stiff paper, mainly b/w photos of exhibits and installations. Dual text in English and German PLUS gallery plan and private view / opening invitation card both loosely inserted . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Staple-bound. Condition: Condition: very good. First edition. Zürich, Insert for "Parkett", n.68, 2003 + Monk's Translation Piece, 2002, in the same exhibition, involved Chinese whispers-style translations of the catalogue text statement of which Barry's Telepathic Piece is comprised: 'During the exhibition I will try to communicate telepathically a work of art, the nature of which is a series of thoughts that are not applicable to language or image' so that the final confused statement is 'in this image the way of expression of reactions of the soul attempts to come close to a work of art'. In an interview with Monk's curator for this exhibition, Raimundas Malasauskas, Barry discusses art as a form of mysterious vibration and transmission that may start with the artist, but does not end with the artist: "You never know where it goes. You never know about art, you put art into the world, but you never know who sees it or what they are thinking about it."Due to its immaterial and open character it could be also linked with the ideology of an open source software, especially after you've said 'the work is always completed by other people. In one aspect of Jonathon Monk's appropriative adaption of Robert Barry's Telepathic Piece of 1969, viewers talked about the work on air via a short-wave radio transistor provided within the Jan Mot Gallery. [12] pp; 25,5x21 cm.

folded poster. Condition: very good. first edition. Announcement poster folded, 30x42 cm. Small colour poster for Monk's Danish exhibition where the works are highly influenced by Ellesworth Kelly with an overprinted text on the minimalist corner paintings.

Sin Encuadernar. Condition: Muy bien. 1ª Edición. Galería Estrany-de la Mota, Barcelona, 2007. 1ª Edición. arjeta-invitación a la exposición. Perfecto estado. 11,5x16,5.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2008. Sous étui : 1 journal (40 p.) : ill. en coul. ; 38 cm ---- Reprend le format et la mise en page du quotidien Libération avec des unes et gros titres rédigés par Raimundas Malasauskas. - ************************* Edition limitée à 108 ex. numérotés et signés par l'auteur ****************** Livre XVI de la Collection Une rêverie émanée de mes loisirs ******************* Original edition of 150 copies, among which 42 are not for sale, numbered and signed by the artist . ************ Yvon Lambert asks artists to create a book that may or may not deal with Lebensztejn text. The frist four books of the collection were printed at the french "Imprimerie Nationale", according to the tradition of bibliophilia. "" ******************** od30008w.

Card covers, stapled spine. Condition: Near fine in wraps. First Edition. 20 x 22cm near fine card-covered exhibition catalogue signed by Jonathan Monk on the rear, yellow end paper. From a print run of 400 copies.