Kora, Signed (17 results)

Paperback. Condition: Very Good +. First Edition. Inscribed by the photographer on title page. 44pp. Limited to 1000 copies. Illustrated. Full refund if not satisfied. Signed by the photographer.

Condition: Very Good. Signed and Inscribed by Author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. KORA OCH VANDA: STRINDBERGS EFTERLAMNADE PAPPER I URVAL, by Magnus Florin & Ulf Olsson. 1st Edition. SIGNED BY OLSSON. Cloth. 149 pages. A nice copy. Interior perfect. NEAR FINE IN NEAR FINE JACKET. IN SWEDISH. Inscribed by Author.

Kleine Visitenkarte (blanko, carte de visite) mit eigenhändigem Datum, Unterschrift in Tinte signiert (Berlin-Schöneberg, März 1938) (dito : Orig.-Fotoporträtpostkarte, in Tinte eigenhändig signiert Euro 48,-).

Couverture souple. Condition: Bon. in-8 br. (14,5 x 20,5), 78 p., 4 planches photos h.-t., envoi de l'auteur, bon état. La psychanalyste, poète et écrivaine Josée Lapeyrère, raconte la vie de cette figure emblématique de la kora. Voir le sommaire sur photos jointes. Dédicacé par l'auteur.

Hardcover. Condition: Fine. Illustrated by Mel Kendricks (illustrator). Limited/Numbered Signed Edition. Written in 1917, this book compiles a year of fragments: daily observations, thoughts, musings, decisions, gains, losses, and moments that comprise William Carlos Williams' immediate view of his life and his other detached view as an observer of life. "I had no book in mind. For a year I used to come home and no matter how late it was before I went to bed I would write something. And I kept writing, writing even if it were only a few words, and at the end of the year there were 365 entries." That quoted from the Introduction by Lawrence Kart. After the author's quite lengthy Prologue, written September 1, 1918, Improvisations begins with its 27 chapters of jagged, poignant, intrusive observations: prose from a poet. William Carlos Williams (1883-1963) was, at his core, a physician, but also an Imagist poet, playwright, essayist, novelist, and inspiration to the Beat poets after his life was done. This is copy 65 of a limited edition of 300 numbered copies. Numbered and signed in pencil on the colophon by the illustrator Mel Kendricks. His woodcut illustrations are in his unique, bold style, showing the dark expanse of the block more than the cut image. This dark background is variegated by the rough, figured wood he chooses to use instead of the typical smooth-surfaced wood. Proof copies of the woodcut prints were photo-reduced to make polymer printing plates. Composed by Peter Stoelzl, the text type is Stymie Bold, and display type is Franklin Gothic. Type and polymer plates were letterpress printed on German mould made Zerkall paper. This square 4to book is 10 1/4" x 10 1/8" and bound in quarter, black, Morocco leather and thin, black cloth over boards. The cloth, front and back, is capped with wood veneer, laser-cut with a replica of a Kendrick illustration, and stained black. Red, block lettering to spine. Black, mould made pastedowns and endpapers. 106 pages, numbered and unnumbered. Clean and in quite Fine condition.; Woodcuts; Square 4to 9" - 11" tall; 106 pages; Signed by Illustrator.

First Edition. First edition thus. Hardcover. Number 230 from an edition of 300 copies that were designed and produced under the direction of Andrew Hoyem and printed on German mouldmade paper. Originally published in 1920 this is a new edition of Williams' writings from an entire year. Features a new introduction by Lawrence Kart. Includes 21 printed by Mel Kendrick. A near fine copy with wood veneer covered boards with a leather spine with a couple of small spots to the bottom edge of the pages. No dust jacket as issued. Signed by Kendrick on the colophon page. A very attractive edition. Signed.

Hardcover. Condition: Fine. 1st Edition. A Fine copy of this beautiful book. No.87/300 copies printed. Included is the prospectus/ announcement of the publication. Signed by Mel Kendrick. Signed by Illustrator(s).

hardcover. Condition: fine. Mel Kendrick (illustrator). Limited. Introduction by Lawrence Kart. Illustrated with 21 monochrome prints by Mel Kendrick. Slim 4to, publisher's black leather-backed cloth boards with wood veneer overlay, cut in the manner of Kendrick's prints; title in red on the spine. San Francisco: Arion Press, 1998. Fine. Limited edition -- number 1654 of 300 copies signed by the artist.

Hardcover. Condition: Very Good. 21 Prints by Mel Kendrick, 10.25 x 10.25", leather backed wood veneer boards, 62pp, a very nice, clean, fresh copy. LIMITED TO 300 NUMBERED COPIES (this is copy #114), SIGNED BY THE ARTIST, MEL KENDRICK.

4to. Illustrated with 21 monochrome prints by Mel Kendrick. Original publisher's leather backed black cloth boards with wood veneer overlay cut in the manner of Kendrick's prints; title in red to spine. The Arion Press edition of William Carlos Williams's 'Kora in Hell.' From the edition limited to 300 copies, each signed by the artist in pencil.

Hardcover. Condition: New. Kendrick, Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Signed.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Coupling", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 99 1/2 by 27 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Helmet", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 92 1/4 by 19 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condition: New. Kendrick,Mel (illustrator). 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Sperm", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 91 1/2 by 20 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Original-Broschüre. Condition: Sehr gut. 8 Original-Broschüre de 3. Reich, KZ Dachau, Österreich (Sonderheft "Wiener Revue"); 35 pp. - Information zur Signatur: Mit eh. Widmung d. Autors an Adelbert Muhr. 1.

Condition: Very Good. First Edition. First Edition, and one of only 100 copies privately printed for the author's friends, none of which were for sale. An association copy signed on the title-page and inscribed "H.D. / to / O.B." O.B. was Oswell Blakeston (pseudonym of Henry Joseph Hasslacher) who bacame a member of the staff of the Pool Group's magazine, "Close Up" to which Doolittle was a regular contributor. Bound in publisher's original off-white wraps lettered in black. Very Good, covers soiled and lightly worn, spine browned, contents toned.