Leonora, Signed (28 results)

Condition: Used: Like New. SIGNED BY AUTHOR. Fine book & jacket. Inscribed.

Condition: Good. 2023. First Edition. 211 pages. Signed by the author. Paperback book with pictorial cover. Black and white illustrations throughout by Artful Doodlers. Signed with dedication from the author on first page. Pages remain bright and clean. Binding remains firm. First page corner folded. Paper cover has mild edge-wear with light rubbing and creasing.

Condition: Very Good. 2022. First Edition. 193 pages. Signed by the author. Blue pictorial paperback. Flat signed by Author. Pages are clean and bright, and appear almost good as new. With minimal tanning throughout. Binding has remained firm. Paper covers are clean and bright, and appear almost good as new. With minimal rub wear and creasing.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Book has slight lean. Inscribed by Author(s).

Cloth. Condition: Fair. No Jacket. First American. Apparently INSCRIBED to poet Leonora Speyer: "To/ the poet of/ Fiddler's Farewell/ from/ Padraic Colum/ in Friendship". Speyer won the Pulitzer Prize for her 1927 book "Fiddler's Farewell". This is a worn First American Printing without a dust jacket. The covers are faded and worn on the edges. The spine is unreadable from wear and fading and missing the top 1/8 inch and missing some small sections of cloth; some splitting along spine. Signed by Author(s).

broché. Condition: Bon. AVEC ENVOI DE L'AUTEUR.

Condition: Good. 11.75" x 9.12". Very good. Single sheet checklist and order form. Advertising works by Henry Miller, Leonora Carrington, Will Baker, Mustapha, Beverly Dubin, James D. Houston, George Nathan and more. Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press, considered by many to be one of the most important small presses of the 20th century. His close personal relationships with many significant writers resulted in an impressive number of unique, collectible,signed limited edition books. Working with some of modern literature's biggest names-Stephen King, Ray Bradbury, John Updike, Eudora Welty, and Joyce Carol Oates among them-and entertaining his personal fascination with Hollywood, Yellin was able to create a new realm for Lord John Press combining the two fields; several books, including The Lord John Film Festival, were the result.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. 208 p. ; 23x15 cms. 330 grs. Novelas chilenas (A-305). Dedicatoria autógrafa del autor.

Cloth and boards. Condition: Very Fine. Dust Jacket Condition: Very Fine. B&W & color Kabbalistic drawings (illustrator). First Edition, First Printing. Small quarto [4to] (8 3/4" x11 1/4"), black one eighth cloth with gold lettering on spine over red boards, illustrated with several B&W & colour Kabbalistic "Sabbath Star" & related diagrams: 25 color plates on 16 glossy pages; > 15 B&W in-text Tables & 15 Figures, 4 Appendices, Notes, Index, red endpapers, xvii, [xviii] + 494 pages. Weight: 3 lbs. 12 oz. Leonora Leet (1929-2004) received her Ph.D. from Yale University and was Professor of English at St. John's University. She was the author of The Universal Kabbalah, The Kabbalah of the Soul, Renewing the Covenant, and The Secret Doctrine of the Kabbalah. SUPERIOR CONDITION: tight, bright, as New. No remainder marks or annotations.

Soft cover. Condition: Very Good. 1st Edition. Signed. Signed by Author(s).

Orig.-Porträtfotopostkarte (in ganzer Figur stehend), eigenhändig signiert m.D. um 1955.

First edition. By George Marshall - Late a Chief Office in the Honourable East India Company's Sea Service. 216 pp + 9 pp List of Subscribers. Frontispiece - engraving of Hottentot family & engraved illustration on dedication page. 9 other woodcut illustrations missing. Inscription on rear of frontispiece in ink coming through frontispiece page in places. Browning on title page and occasionally in text. All edges untrimmed. Rebound in grey hard paper boards with olive cloth spine. Overall condition VG.

First edition. 4to. Original half leather, marbled boards. Signed presentation copy, inscribed by the editor to to the Irish writer, Padraic Colum. Spine browned and rubbed, boards dustsoiled, endpapers foxed, else a good copy. An intelligently edited anthology, printing work by H.D., Eliot, Robert Frost, Marianne Moore, Pound, Wallace Stevens, William Carlos Williams, to name only the most salient. Signed by Author(s).

8°, , 1986, Gesamtdauer ca. 50 Min. Einführungen: Montserrat Albet, Harrison Ryker, Tom Pniewski, (VNr. CRD 002), 400 Gramm. - Mit eigenhändiger Signatur von Milà auf einem aufgeklebten Zettel mit Datum "12 - X 86". - Neuwertig.

LP 30 cm Stereo, , 1986,Rotes OCover Gesamtdauer ca. 50 Min. Einführungen: Montserrat Albet, Harrison Ryker, Tom Pniewski, (VNr. CRD 002), 500 Gramm. - Mit schöner, eigenhändiger Signatur der spanischen Pianistin auf einem montierten Zettel mit Datum "12 - X 86". - Neuwertig.

Condition: Good. Signed in pencil by A. Gordon-Brown on the front free end paper. Bookplate of william Jardin to front pastedown endpaper. Leather boards with some wear to the edges. Corners bumped. Various marginalia in pencil. Marbled endpapers. Large print in places. Foxing throughout with age-toning to end papers. Untrimmed pages. Binding to the end papers has been repaired with Japanese tissue paper at the gutters. George Marshall was chief officer in the Honourable East India Company's Service. Frontispiece and ten woodcut illustrations. Subscribers' list. 215 pages. Binding sound. First Edition. Condition: Good. Binding: Hardcover.

Hardcover. First Edition, First Printing. Octavo, 398 pages. In Very Good minus condition with a Very Good minus condition dust jacket. Brown spine with light brown lettering. Dust jacket is wrapped in a mylar covering, price clipped, has light plus stains, and general shelving wear. Boards have mild bending wear along the spine head and tail edges, and mild wear along he extremities. Textblock has mild age toning along the edges, and mild to moderate foxing along the edges. Signed flat by Peter Taylor on the title page. DL consignment. Shelved in Room C. 1393617. Special Collections.

Paris, Librairie «Les Pas Perdus», collection «L'Age D'Or», 1951, Edizione originale con copertina di Max Ernst. Esemplare numero 63 della serie numerata da 51 a 550 in ottimo stato con dedica autografa del traduttore Yves Bonnefoy a Piero Bigongiari. Tirato in 550 esemplari da Mauride Dauer per la libreria parigina «Les Pas Perdus» nel febbraio 1951. Alla copertina, l'illustrazione originale di Max Ernst, mentre la traduzione dall'inglese è affidata al poeta Yves Bonnefoy. Introduzione firmata da Henri Parisot. in 16°, brossura beige con illustrazione originale di Max Ernst, pp. 28 [4]. Edizione originale con copertina di Max Ernst. Esemplare numero 63 della serie numerata da 51 a 550 in ottimo stato con dedica autografa del traduttore Yves Bonnefoy a Piero Bigongiari. brossura beige con illustrazione originale di Max Ernst,

Condition: Fine. Dust Jacket Condition: in fine dust jacket. Stated First Printing. 8vo. Mustard colored buckram covered boards. Spine stamped in brown.

saying she is surprised not to have heard from John Mason, "If he still finds difficulty and obstacles he must let me know. we must get the first plunge over this coming season." and that the weather is awful, "If your little tyrant will not let you write ask your big one to let me have a long gossip from him.", 3 sides 8vo, with an Autograph Letter Signed from Alfred Wigan at the end to Marshall saying how anxious he is to hear news, 1 side 8vo, Cannes, France, no date. with another Autograph Letter Signed from Wigan to Marshall saying if he "had not the greatest confidence in your laziness we should be uneasy at receiving no answer to our joint letter.", and that they were still having awful weather, 2½ sides, 8vo, Cannes, 7th March 1872, together with a printed programme for a "Miscellaneous Reading from the Works of Shakespeare" that they had given for the Cercle Nautique, 2 sides 4to, 4th March, c.

b/w and color plates, illus., facs., cat., bio/chron., sigs., plus one lithograph, loose as issued, color pict. wrps., inside black cloth covered double-lid shell box with pull-out black ribbon, in cardboard slip cover. A fine press project with 4 books on 4 contemporary artists to be published every three months. 60 contemporary, living artists in Mexico are involved in the project. This set is the first publication of the cultural center located in México City with the intent of providing and well printed, economical series on contemporary, living artists that includes images of 15 of their most representative works, a biography and critical texts. Each book in the special edition includes one signed, numbered lithograph in an edition of 50 (except the Leonora Carrington volume which is limited to 25), plus images of 15 of their most representative works, a biography and critical texts. The publication is a project of the Centro Cultural Estación Indianilla, a remodeled 19th century electric train station, transformed into a multifaceted cultural space adapted for the practice, exhibition and development of contemporary and new technology artistic creations as well an historic place. The cultural promoter of this innovative project was Isaac Masri, who recovered and saved the fabulous objects of the permanent exhibition in the basement of the station, including artwork created by artists Leonora Carrington, Francisco Toledo, Manuel Felguérez, Vicente Rojo, Gustavo Pérez and others. While the lithograph is an edition of 50, the book is an edition of 1000, ENGLISH AND SPANISH TEXTS. Signed.

4°. M. 20 (tlw. farb.) sign. Orig.-Graphiken u. 2 sign. Zeichnungen v. Strawalde, Harald Metzkes, Klaus Bendler, Lothar Böhme, Klaus Zylla, Horst Hussel, Sabine Jahn, Felix Martin Furtwängler, Mikos Meininger, Andreas Geissel, Klaus Hähner- Springmühl). 149 S., 2 Bll. OHLwd. m. Orig.-Siebdruck v. Mikos Meininger.

red ink plates and vignettes, illus. wrps. PRESENTATION COPY SIGNED BY THE AUTHOR of satirical poetry by renown author Leduc and illustrated by great surrealist, Leonora Carrington. LIMITED AND NUMBERED EDITION 137/300. (Some uncut pages; three small circular water stains on frt. wrp.; light soiling to wrps; 3 inch crease on bottom right corner of frt wrp; o/w very good). Signed.

b/w and color plates, illus., facs., cat., bio/chron., sigs., plus one lithograph, loose as issued, color pict. wrps., inside black cloth covered double-lid shell box with pull-out black ribbon, in thin cardboard slip cover. A fine press project in 7 sets of 4 books on 4 contemporary artists. 28 contemporary, living artists in Mexico are involved in the project. This set was the first publication of the cultural center located in México City with the intent of providing and well printed, economical series on contemporary, living artists that includes images of 15 of their most representative works, a biography and critical texts. Each book in the special edition includes one signed, numbered lithograph in an edition of 50 (except the Leonora Carrington volume which is limited to 25), plus images of 15 of their most representative works, a biography and critical texts. The publication is a project of the Centro Cultural Estación Indianilla, a remodeled 19th century electric train station, transformed into a multifaceted cultural space adapted for the practice, exhibition and development of contemporary and new technology artistic creations as well an historic place. The cultural promoter of this innovative project was Isaac Masri, who recovered and saved the fabulous objects of the permanent exhibition in the basement of the station, including artwork created by artists Leonora Carrington, Francisco Toledo, Manuel Felguérez, Vicente Rojo, Gustavo Pérez and others. While the lithograph is an edition of 50, the book is an edition of 1000, ENGLISH AND SPANISH TEXTS. Signed.

Condition: Good. Handcolored lithograph. 65.2 x 50 cm. Unmounted, marginal tears and creasing with small loss. Caricature of Leonora Laure Rothschild (1837-1911) as an old goat with a locket around her neck. Leonora was the wife and cousin of Alphonse de Rothschild--all members of the prominent Rothschild family of Jewish financiers that became easy targets for anti-semitic outrage during the Dreyfus Affair even though they had little or no direct involvement. Léonora de Rothschild, épouse d'Alphonse, en chèvre, avec un médaillon « À Maurice pour la vie » (?) à son collierThe story of Captain Alfred Dreyfus, a Jewish officer in the French army is widely known. Falsely accused of treason for selling military secrets to Germany and convicted of treason by a secret military commission, Dreyfus was stripped of his rank and imprisoned on Devils' Island. It was only after the affair had dragged on for a dozen years that Dreyfus was finally cleared of all charges by the court of appeals. French society was deeply divided by the Dreyfus case and hostile rhetoric led to widespread anti-Semitic expression in the popular press. This scarce series of intensely provocative color lithographs was only one example of the virulent reaction to the Dreyfus Affair. The identity of the artist who signed each of the drawings (in the plates) is unknown beyond the pseudonym of V. Lenepveu. It is probable that the series was promulgated by Léon Hayard, the independent publisher who distributed a wide variety of anti-Dreyfus material including posters, pamphlets and even knick-knacks. In addition to provocative images of Alfred Dreyfus and Emile Zola, the journalist who took up Dreyfus' cause and penned the famous missive J'accuse, the remaining caricatures by Lenepveu excoriate a variety of prominent Dreyfusards, Republican statesmen and Jews, including no fewer than eight separate representations of members of the prominent Jewish Rothschild family. The publication of Musée des Horreurs was halted by the police after 51 numbers had been published.

Condition: Good. Handcolored lithograph. 65.2 x 50 cm. Unmounted, marginal tears and creasing with small loss. Caricature of Leonora Laure Rothschild (1837-1911) as an old goat with a locket around her neck. Leonora was the wife and cousin of Alphonse de Rothschild--all members of the prominent Rothschild family of Jewish financiers that became easy targets for anti-semitic outrage during the Dreyfus Affair even though they had little or no direct involvement. Léonora de Rothschild, épouse d'Alphonse, en chèvre, avec un médaillon « À Maurice pour la vie » (?) à son collier.The story of Captain Alfred Dreyfus, a Jewish officer in the French army is widely known. Falsely accused of treason for selling military secrets to Germany and convicted of treason by a secret military commission, Dreyfus was stripped of his rank and imprisoned on Devils' Island. It was only after the affair had dragged on for a dozen years that Dreyfus was finally cleared of all charges by the court of appeals. French society was deeply divided by the Dreyfus case and hostile rhetoric led to widespread anti-Semitic expression in the popular press. This scarce series of intensely provocative color lithographs was only one example of the virulent reaction to the Dreyfus Affair. The identity of the artist who signed each of the drawings (in the plates) is unknown beyond the pseudonym of V. Lenepveu. It is probable that the series was promulgated by Léon Hayard, the independent publisher who distributed a wide variety of anti-Dreyfus material including posters, pamphlets and even knick-knacks. In addition to provocative images of Alfred Dreyfus and Emile Zola, the journalist who took up Dreyfus' cause and penned the famous missive J'accuse, the remaining caricatures by Lenepveu excoriate a variety of prominent Dreyfusards, Republican statesmen and Jews, including no fewer than eight separate representations of members of the prominent Jewish Rothschild family. The publication of Musée des Horreurs was halted by the police after 51 numbers had been published.

unbound. Autographed manuscript signed, an original 14-line sonnet to poet Leonora (Speyer) on verso of "The Poetry Society of America" letterhead, of which Hillyer was president. 1 page, 4to, 11 x 8.5 inches, no place, November 7, 1949, in part: "But for the calendar we could not tell/The passing of Time's footsteps in the garden." Horizontal folds; slight fading on verso. Very good(-) condition.

From the studios of De Bellis, New York. Ca. 254 x 203 mm. "After appearances at the Deutsches Theater, Prague, in 1937 and at the Salzburg Festival the same year (where she sang an acclaimed Verdi Requiem with Toscanini), [Zinka Milanov] began a long association with the Metropolitan Opera, making her début as Leonora (Il trovatore) and appearing every season (except for 1941-2 and 1947-50) until her farewell performance as Maddalena de Coigny (Andrea Chénier) in 1966; with the company she gave 424 performances in 14 works - notably as the principal Verdi and Puccini heroines, but also as Norma, Donna Anna, Santuzza, Maddalena de Coigny and La Gioconda. Milanov's lirico spinto voice was one of translucent beauty as well as great power, and she was able to spin out the most exquisite pianissimo phrases. While she rarely delved deeply into a character, she dominated her roles by virtue of her majestic deportment. Her voice can be heard in pristine form in relays from the Metropolitan on the 1940s, notably as Amelia (Un ballo in maschera) and La Gioconda. Among her studio recordings, her Leonora (Il trovatore) and Aida reveal her lustrous tone and finely moulded phrasing, as do a 1939 broadcast of the Missa solemnis and a 1940 broadcast of the Verdi Requiem, both under Toscanini." Harold Rosenthal and Alan Blyth in Grove Music Online. Signed.