Liebling, Signed (28 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 1st ed. 508p. Photos. Heavy. SIGNED & inscribed. Jacket priced. In mylar. Fine/Fine Copy. Signed by Author. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Inscribed and signed by the author on the title page. No other markings. Signed by Author(s).

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. Jerome Liebling, photography (illustrator). First Edition. Signed. A Good copy in dark gray cloth of this tall-format photography volume, in a Very Good dust jacket. Damping at the bottom edges of the covers, with a spot of paper adhesion at the bottom edge of the rear cover. The binding is sound, and the contents are clean/unmarked (with no internal damping). Nicely inscribed and signed by photographer Jerome Liebling. (Not ex-library.). Inscribed by Author(s). Book.

Trade Paperback. Condition: Good. Condition: Good; Softcover. First softcover printing. Signed by Liebling on the title page. Signed jerry Liebling. Book is in Good condition with clean pages and a tight binding. Soiling to covers. Photos upon request.

Orig.-Pappeinband mit photographisch illustriertem Orig.-Schutzumschlag. 237 S., 1 (w.) Bl. 8°. Neuwertig. Mit eigenhändiger, korrigierter Signatur von Friederike Mayröcker auf dem Titelblatt. Dritte Auflage (im Jahr der Erstausgabe).

Hardcover. Condition: Fine in Fine dust jacket. First edition. 30 x 25.5 cm. Quarto. 129pp. Black cloth in dust jacket. Black and white photography.Signed and inscribed by Liebling (to Diane Neiman in a shaky hand) on the half-title page. First printing with number line ending in 1.

FOTOPORTRÄTPOSTKARTE, EIGENHÄNDIG SIGNIERT (verschiedene Motive vorhanden; Abbildung zeigt Muster) (dito : Gr. Farbfoto, eigenhändig signiert SCHÖN! Euro 25,-).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Printing (1st Ed.). Illustrated with over 100 B&W photographs. SIGNED & iscribed by the Author on title page. Photography, Signed. Signed by Author(s).

Farbige Original-Fotografie, eigenhändig signiert DAZU : E.Begleitbrief (1 S. 4°) mit Ort, Datum 10.4.98, Unterschrift signiert - dankt einem Fan für seinen reizenden Brief.

Porträtpostkarte der 60 er Jahre mit eigenhändiger Unterschrift signiert (verschiedene Motive vorhanden, Abbildung zeigt Muster; FOTO, EIGENHÄNDIG SIGNIERT - als Taxi-Kitty Euro 28,-) (dito : Schönes Original-Porträtfoto rückseitig in Tinte eigenhändig : GENEHMIGT (für Veröffentlichung) Juli 1947 HANNELORE SCHROTH, Unterschrift signiert Euro 40,-).

Hardcover. Sehr guter Zustand. Pappband mit Schutzumschlag, 301 Seiten. Von Désirée Nick auf Vorsatz signiert. Gewicht: 440.

E.Briefkarte (mit fett gedrucktem Namen am Kopf) mit eigenhändigem Datum 14.6.1971, Unterschrift signiert - kann einem Herrn kein Foto schicken.

ROSS-Porträtfotopostkarte, eigenhändig signiert (verschiedene Motive vorhanden; Abbildung zeigt Muster).

Condition: Very good. - July 29: A letter penned in black ink & filling most of the first side of a sheet of his personalized letterhead folded once to form 4 sides, each approximately 7 inches high by 4-1/2 inches wide. Liebling's initials & Berlin address are printed at the top of the first side. Signed "Sally Liebling". A penciled date at the top of the letter indicates when Pond replied. Folded once for mailing. Near fine. December 10: A letter penned in black ink on the message side of a stamped addressed German postcard, 5-1/2 inches high by 3-1/2 inches wide. Signed "your old friend Sally Liebling". A penciled date at the top of the letter indicates when Pond replied. There is a paper-clip mark to the postcard at bottom left. Very good. Both letters have been sent from Berlin and are addressed to Major J. B. Pond of the Pond Lecture Bureau in New York City. The first letter thanks Pond for an invitation to visit him and his family and asks Pond to set a time for his visit. The second letter asks Pond, "Why are you so silent? I am still expecting your answer and decision regarding Mascagni. In a few weeks the California (13 years old) girl Alma [.] will bring you a letter of introduction from me. She just appeared here with the Philharmonic orchestra and created a sensation. I never heard her equal. If properly managed, there is a fortune to be made with her." Sally [Salomon] Liebling [1859-1909] was a German pianist and teacher. He studied music and the piano under Theodore Kullak, Bendel and Weitzmann in Berlin. He also studied for a brief time with Liszt. He made a number of concert tours in Germany and with Theodore Thomas's orchestra in the United States. In 1888 he founded the New Conservatory of Music in Berlin.

Rüdel-Fotoporträtpostkarte, eigenhändig signiert.

Gebundene Ausgabe. Condition: Sehr gut. 1.,. 304 S. Signiert! Von der Autorin handsigniertes (Mit 1000 Dank Désirée Nick) gebundenes Exemplar, leichte Lagerspuren, , Originalschutzumschlag, dieser minimal angerändert, im Schnitt etwas lagerspurig, Einbandecken leicht angeschlagen, innen absolut sauberes und eher unbenutztes Exemplar. 13.7 x 2.9 x 21.3 cm 1/0 Sprache: Deutsch Gewicht in Gramm: 600.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. SMALL PAPERBACK ,PBO with $1.75 on front cvr., 1975 , 1ST movie EDITION, VG- Lite Rub Wear, , Signed by Barbara Carrera once on the verso of the front wrapper and again on her photo inside the book, Paperback movie tie-in with the 1975 western film written and produced by Tom Laughlin, who also played the lead as Finley, which is mainly a remake of the 1969 Japanese film Goyokin, although the story revolves around a true incident in the early 1800s involving massacred Indians that occurred in the vicinity of Goleta, California. From the library of famed Hollywood studio publicist (and former Herald Examiner journalist) Art Ronnie, with his bookplate to the front flyleaf. Bound in the paper pictorial wrappers. Contents are somewhat toned. The wrappers are slightly rubbed and edgeworn. Signed by Author(s).

E.Albumblätter (4 to), mit in Kuli schönem, eigenhändigem Eintrag, Widmung, Ort, Datum, Unterschrift signiert "Gut gegessen - gut getrunken - und der Schwabinger Duft gesunken / Mutti Bräusche hat gesorgt und wohl manches noch geborgt / Leber durch - ein guter Wein, und ein jeder schwingt das Bein / Lust ge Leute - und viel Rauch, / und ooh - Stimmung ist hier auch ! Mutti Bräu - danke Dir ! Wohnst ja um das Eck von mir. HANNELORE SCHROTH, München 26.4.49" (Rückseitig mehrzeilige E.Einträge mit Unterschrift von BEATE VON MOLO ( Beatrice (später: Beate ) Moissi (* 1906 in München; ? 1998), die Tochter des Schauspielerehepaars Alexander Moissi und Marie Urfus ), AXEL VON AMBESSER "Die Ehre ist das Maß der Treue." und BRIGITTE HORNEY.) (ex Gästebuch der berühmten Münchener Künstlerkneipe MUTTI BRÄU (im Pfälzer Hof, Ursulastrasse 9/10, zuerst in der Haimhauser Straße) in MÜNCHEN-SCHWABING. Bei der rundlichen Wirtin Traudl Bräu trafen sich an jedem Donnerstag Literaten und Vortragskünstler am Stammtisch von Peter Paul Althaus. In der Nachkriegszeit war dort der Treffpunkt von Sängern, Kabarettisten, Theater- und Filmschauspielern, Musikern, Künstlern und Schriftstellern. In buntem Wechsel huldigen Schauspieler wie : Axel von Ambesser, Gert Fröbe, Ursula Herking, Karl Schönböck und der damals kaum bekannte Klaus Kinski der Brettl-Tradition. Als Honorar gab es ein Glas Wein, oft auch ein warmes Abendessen. Von Malern, die knapp bei Kasse waren, nahm Mutti Bräu auch mal ein Bild in Zahlung. Wohl keine andere Schwabinger Wirtin wurde von ihren Gästen so geliebt wie sie. Zum Dank dafür trugen sie sich, oft mit Reimen, Noten und Zeichnungen, in ihr Gästebuch ein.).

30 x 42 cm. 6. Publ. d. Landessammlungen Rupertinum. 1 S. Einzelblatt. Signierter Abzug. tadellos. Erste Auflage dieser Ausgabe; Ex. 41/99. Signatur des Verfassers.

Darmstadt: Olympia Press, (1969). 157pp. Sm. 8vo. Hardcover in cloth. Slight spine lean. Near fine in like dust jacket that has a few closed tears along top edge. Inscribed: "For my German readersmy first effort, Iris Owens aka Harriet Daimler." First German printing of Darling, originally published by Olympia Press in 1956. Owens's first book using a pseudonym. Iris Owens (19292008), Olympia Press writer, pornographer, satirist, Paris and Greenwich Village resident. Samuel Beckett praised her and Terry Southern wrote that "aside from her Junoesque beauty, [Owens] had rapier wit and devastating logic. She was a pre-Sontag Sontag." In the 1950s and '60s, Owens resided in Paris and was connected with the expatriate writers' circle known who created the literary journal Merlin. This group included prominent figures like Alexander Trocchi, Christopher Logue, John Stevenson, George Plimpton, and Richard Seaver. "Owens was very private about her 1960s. She left no memoir, and her friends offer no account." (Scott) Beginning in the early 1980s, she began to suffer from agoraphobia and "by the 1990s she barely left her flat at all. Owens died in 2008 in relative obscurity, without a New York Times obituary." (ibid) Owens's withdrawal from society may explain the rarity of finding her books signed, let alone inscribed. We locate no inscribed copies in the trade and just one auction record for a signed (only) copy of After Claude that brought £450 ($550) in 2022.

ROSS-FOTOPORTRÄTPOSTKARTE, EIGENHÄNDIG SIGNIERT (verschiedene Motive vorhanden; Abbildung zeigt Muster).

4 typed letters on New Yorker letterhead, signed in type (one signed in pencil); three carbons. About 600 words in all. 4to and smaller. On New Yorker letterhead, A.J. Liebling writes a squib from the editorial offices, dated Tuesday January 4, 1938: Dear Feldkamp, Hastings is very sore about the delay on the check. I have tried my best to mollify him but you know what an irascible old sonofabitch he is. He says that when he wrote the piece you told him he would have the money before Christmas. Also he has a stubborn delusion that somebody connected with Form Men Only is betraying him to the columnists. he said "if this continues I will have to adopt a nom de plume, maybe William Faulkner. Then Winchell will have another item, 'William Faulkner is really Russell Hastings and has received thousands of bombs from secretaries'" William Faulkner This choice clutch of Liebling correspondence includes another note on New Yorker letterhead: Dear Feldkamp, Russell Hastings writes the truth. Since you obtained a secretary I have called you six times without getting you once. Goodbye. Russell Hastings Fred Feldkamp (1914-81) was founding editor of For Men Only (later titled simply For Men), published by Fawcett. New Yorker writer par excellence A.J. Liebling honed his skills anonymously in newsrooms in Providence and New York City and under countless pseudonyms. This group of correspondence permits the confirmation of one pseudonym, Russell Hastings, for two pieces appeared in For Men Only with that byline: "Every Man a Kingpin" (September 1937), about the legend and lore of aphrodisiacs (mentioning baseball, boxing, and oysters withing the first few paragraphs); and "Gone with the Windbags" (December 1937), a comis satire on the South and ideas of Southernness. There are three carbons of lively, succinct notes about Hastings related topics, including payment; one is signed L and the other Russell Winchell. A more personal note, on New Yorker letterhead, dated Sunday night [January 9 1938], reads (in part): "I've been a complete washout on funny stuff." He refers to their conversation on the preceding Tuesday, discusses a serious illness of his father, and continues "I had completely forgotten what the hell I thought was funny about secretaries. This is too bad, as I need the money, so I'll try to write you a story or two this coming week." The most substantial letter is undated, signed "Liebling" in pencil, and discusses at length the issues complicating his quick pieces for Feldkamp: "Dear Feldkamp, "As both these pieces are written in the first person, a fictitious first person, they have two sets of drawbacks. 1. Some of the incidents are inexact. 2. Some of them are too damned exact. I wouldn't want people to think that I was seriously advancing some of the sweeping damnations and yet there is so much underlying reason in the pieces that I don't think they're completely a burlesque. As to the Southern piece, there are incidents of Southern stupidity which are culled so directly from the wives of two of my good (non-Southern) friends, that I'm sure I'd have rows with both families. Also, I am technically supposed to submit to the New Yorker synopses of any manuscripts I intend doing for outside, a technicality which I skipped. And, since you had a good reaction on the other Russell Hastings piece, why not build him up? Frankly, if a piece ain't any good under one name it ain't any good under another. As to using my name on other pieces, it's quite o.k. with me. The John Law one for instance, or the Charlie Atlas one we talked about, both factual. You have my byline, whatever it may be worth, in your forthcoming issue anyway. Liebling." Liebling refers to "the Southern piece", indisputably "Gone with the Windbags," and to a bylined piece on boxing he wrote for Feldkamp, "The Boston Tar Baby" (March 1938). Liebling letters have been and remain notoriously scarce. This group of correspondence identifies a previously unknown pseudonym. VINTAGE LIEBLING WITH A REAL PUNCH. Generally very good to fine. With two New Yorker envelopes, and a third unmarked envelope, all addressed to Feldkamp at Fawcett Publications, postmarked Dec. 1937 to June 1938. With copies of the September and December 1937 issues of For Men Only 4 typed letters on New Yorker letterhead, signed in type (one signed in pencil); three carbons. About 600 words in all. 4to and smaller.

Illustrated. 1 vols. 8vo. Third printing (first published in 1934). Illustrated. 1 vols. 8vo. Memoir by Edward B. Marks (1865-1945), founder of the Marks Music company, from Tin Pan Alley through the Roaring Twenties, ghostwritten by A.J. Liebling. Inscribed on the front flyleaf, "To my friend Alfred Kreymborg in appreciation of a distinguished poet, and with all good wishes and kind personal regard. Edward B. Marks. April 30th 1942." Kreymborg (1883-1966) was a poet and influential editor and anthologist: "as a periodicals editor, Kreymborg was an important force on the American literary scene during the formative years of modernism from 1910 to 1940" (ANB). Cloth. Very good in slightly worn dust jacket Third printing (first published in 1934).

FOTO, EIGENHÄNDIG SIGNIERT - SEHR SCHÖN & SELTEN!

34. Buch. 72 S. mit 19 signierten Farbholzschnitten (4 davon doppelseitig) von Hanfried Wendland. Eines von sieben Exemplaren der Vorzugsausgabe (GA 22) mit zwei zusätzlichen Farbholzschnitten (jeweils eins von sieben Ex.) sowie einer handkolirierten Original-Druckplatte in einer separaten Mappe. - Titel mit datierter Widmung und kleiner Zeichnung von Hanfried Wendland. Druckvermerkt von Hnafried Wendland sign.- Satz in 14 p magerer Neuzeit-Gtoesk von Peter Rensch, auf 230 g Alt-Lünen-Bütten.- Rudyard Kipling (1865-1936) veröffentlichte die Kurzgeschichte über den jüngsten Spross einer Dynastie von Mahuts erstmals 1893. Die Erzählung führt in den indischen Dschungel. Der junge Toomai wächst zusammen mit dem etwa 70-jährigen Arbeitselefanten Kala Nag auf. Eines Nachts reisst Kala Nag aus in den Dschungel, auf seinem Rücken der junge Toomai. Es ist die Nacht, in der sich die Elefanten zum Tanz treffen. Toomai hat das Glück, den Tanz der Elefanten zu erleben, den vorher noch nie ein Mensch sah. "Die Wege der Elefanten sind mit dem Verstand der Menschen nicht zu begreifen." Der Mensch zähmt zwar die Elefanten und richtet sie zur Arbeit ab. Vollständig beherrschen kann er die Natur jedoch nicht. Der erfahrene Mahut bezeichnet den Elefanten als seinen Gebieter. Es ist ein Lob auf die ungezähmte Natur und die Schönheit ihrer Geschöpfe. Die eigentlichen Helden der Geschichte sind die Elefanten. So sind sie in hellen, kräftigen Farben auch auf allen Graphiken präsent. Demütig fügen sie sich der Gewalt und den Anweisungen der Menschen, verlieren dabei jedoch weder stolz noch Würde. Selbst wenn der kleine Toomai die Trommel schlägt, beherrscht der grosse Elefant das Bild. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6,50 Euro, darüber hinaus 7,50 Euro Porto. - Sprache: Deutsch Gewicht in Gramm: 2550 38 x 30,5 cm, HLeder mit Pergaminumschlag sowie HLedermappe mit Pergaminumschlag mit zwei zustzlichen sign. Linolschnitten sowie einer handkolor. Linolplatte im bedruckten Schuber, Vorsätze bedruckt.

Großes Porträtfoto (8 to, als Transvestit), eigenhändig signiert (dito :GROSSFOTO , EIGENHÄNDIG SIGNIERT (Farbiges Kinoaushangbild aus DEADLY GAME,4°) mit MEL FERRER (1917-2008) - beide Unterschriften signiert ! Euro 145,-).

Eigenhändige Postkarte in Tinte mit E.Fünfzeiler, Datum, Unterschrift signiert4.I.1910 - mit Repro-Porträtfoto (am Klavier) unter dunkelblaues Passepartout (4 to) gerahmt Bin zwar AUTO, aber nicht GRAF ! Ihrem Wunsche gemäss mein autograph : GEORG LIEBLING.

Autogrammkarte (blanko, mit oben aufgezogenem Zeitungsbild, das ihn beim Besuch der Volks-Zeitung zeigt), in Tinte von ihm und seiner weissen Frau, QUEEN WA-THE-NA eigenhändig bezeichnet und signiert Oct. 12, 1928 (fälschlich hier 1828) - Indianer-Autographen sind Sehr Selten / RARE !