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45x38 cm. 25 Bl., als Blockbuch gebunden. Originalleinwandband, in Schuber. Eines von 40 numerierten und auf dem ersten (weissen) Blatt signierten und handschriftlich bezeichneten Exemplaren. Die 25 Linoleumschnitte in Orange/Schwarz. Sprache: n.
Published by Au Vent d'Arles, 1964
In-folio (33,5 x 47,5 cm), feuilles sous couverture avec l'emboîtage cartonné toilé brun portant le nom de l'artiste en bleu ciel au premier plat, 1 de 140 exemplaires sur vergé, poème de Jacques Prévert avec fac similé de la version manuscrite, suivi de 10 reproductions de planches gravées sur linoleum par Pougny à Léningrad, Vitebsk et Berlin entre 1914 et 1920. Chaque planche a été rehaussée au pochoir d'après les maquettes originales de l'artiste par Cardin et Bogratchew ; quelques petites rousseurs, note personnelle manuscrite au verso du premier plat, petite déchirure et mouillure sur l'emboîtage, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Pougny Jean Feuilles sous couverture et emboîtage.
Sans lieu, sans nom d'éditeur, 1983. 28,5 x 28,5 cm. 12 linogravures justifiées b.g. (44/ 100), en feuilles sous chemise à rabats pleine toile d éditeur. Bel état. 6 linogravures signées Jo Delahaut b.d.,17 x 16. 6 linogravures signées Léon Wuidar b.d., 16,5 x 16,5. Sur papier BFK Rives. Réf : Roger Palm, Jo Delahaut, les estampes, 1952-1992, N°136 page 88. Livres.
Published by Fata Morgana, Fontfroide le Haut, 1991
Seller: Ducasse & Destouches, Saint-Clément-de-Rivière, France
Book First Edition Signed
Couverture souple. Condition: Neuf. Alecos Fassianos (illustrator). Edition originale. Éditions Fata Morgana, 1991, in-4° (24x32cm), non broché, 40 pages, édition originale. Un des 120 exemplaires sur vélin pur fil d'Arches blanc comportant chacun cinq linogravures originales en couleurs d'Alecos Fassianos, et une suite des cinq mêmes linogravures, tirées en d'autres couleurs et signées. Celui-ci porte le n°58. Ce sont douze chants rébétiques choisis et adaptés du grec par Jacques Lacarrière. Signé par l'illustrateur.
Published by Moutier, Editions de La Prévoté, 1965., 1965
Seller: Le Cabinet d'Amateur, Neuchâtel, Switzerland
First Edition Signed
Broché, couverture illustrée. In-4°, non paginé. Edition originale limitée à 50 exemplaires numérotés sur papier à la cuve des Moulins Richard de Bas (seul tirage après 6 exemplaires de tête sous reliure cuir avec dessin original et page manuscrite, ainsi que 20 exemplaires d'auteur). Contient 22 linogravures de Gérard Bregnard. Signé par l'auteur et par l'artiste à la justification. En parfaite condition.
Published by Paris Editions Odradek 1993, 1993
Seller: Harrison-Hiett Rare Books, Richelieu, France
First Edition Signed
First edition thus. Complete. A beautiful copy of this limited edition short story, with an additional full colour pastel drawing by Santos. grey cloth slipcase, in near perfect condition. Within this is a matching cloth covered folder with titles in black ink to the spine. Also in excellent condition. Stiff card covers in immaculate condition. Inside are eight gathers, each comprising 4 pages. Loose in French folds These include the four beautiful linogravures by Santos commissioned for this work. One is the frontis portrait of Kafka, the other 3 are full page illustrations under tissue guards. To the first gather (which is otherwise blank) is a coloured pastel drawing by Santos, with the inscription "Pour m. et mme. Bouchet, avec amite Ant. Santos". To the rear is the colophon, which clearly states that the work includes four linogravures by Santos. Total limitation of 55 copies. Ours is one of the 40 on Rives, but with the additional original work. Also signed by Santos to the colophon. includes the original publisher s leaflet / price list. 32 pages . Première édition. Complète. Un très bel exemplaire de cette nouvelle en édition limitée, avec un dessin au pastel en couleur supplémentaire de Santos. A l'intérieur se trouve une chemise en tissu assortie avec des titres à l'encre noire au dos. Également en excellent état. Les couvertures en carton rigide sont en parfait état. A l'intérieur se trouvent huit recueils, chacun comprenant 4 pages. Elles comprennent les quatre magnifiques linogravures de Santos commandées pour cet ouvrage. L'une d'entre elles est le portrait frontis de Kafka, les trois autres sont des illustrations pleine page sous protection de tissu. Sur le premier frontispice (qui est par ailleurs vierge) se trouve un dessin au pastel coloré de Santos, avec l'inscription "Pour m. et mme. Bouchet, avec amite Ant. Santos". Au verso se trouve le colophon, qui indique clairement que l'ouvrage comprend quatre linogravures de Santos. Limitation totale à 55 exemplaires. Le nôtre est l'un des 40 sur Rives, mais avec l' uvre originale supplémentaire. Également signé par Santos au colophon. Comprend le feuillet / tarif original de l'éditeur. 32 pages.
Published by Liliane Mantoux-Gignac 1998. 1998, 1998
Signed
62 pp. + 8 plates. Unbound as issued in publisher's black cloth covers, in a black cloth slip-case. A near fine copy in a slightly soiled slip-case. The poems are translated by Jacques Outin. 8 signed linoengravings by Birgit Alm-Pons. The published edition is limited to 60 numbered copies of which this is number 36. Signed by Tomas Tranströmer [T. T.] and Alm-Pons.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures'', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962, on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
[STASSART-SPRINGER Claude]. (illustrator). Vézelay, (Jean-Marie Queneau), 1995. In-4, oblong, broché, 14 feuillets, couverture illustrée rempliée (râres et discrètes piqûres). Edition originale posthume (Texte inédit de 1932 édité par le fils de l'auteur en 1995)., tirée à 90 ex numérotés sur Lana blanc. 14 compositions originales en noir dans le texte (dont une sur la couverture).Claude Stassart-Springer, née à Auxerre en 1944, est une artiste peintre, sculpteur et éditeur. En 1994, Claude Stassart-Springer crée les Éditions de la Goulotte, spécialisées dans les livres d'artistes linogravés. Elle s associe à Jean-Marie Queneau pour le choix des textes et les illustrations. Bel exemplaire. Livres.
Published by Moutier, Editions de La Prévoté, 1965., 1965
Seller: Le Cabinet d'Amateur, Neuchâtel, Switzerland
First Edition Signed
Broché, couverture illustrée. In-4°, non paginé. Edition originale limitée à 50 exemplaires numérotés sur papier à la cuve des Moulins Richard de Bas (seul tirage après 6 exemplaires de tête sous reliure cuir avec dessin original et page manuscrite, ainsi que 20 exemplaires d'auteur). Contient 22 linogravures de Gérard Bregnard. Signé par l'auteur et par l'artiste à la justification. Importante mouillure en couverture, intérieur parfait.
Published by Fata Morgana, Fontfroide le Haut, 1990
Seller: Ducasse & Destouches, Saint-Clément-de-Rivière, France
Book First Edition
Couverture souple. Condition: Neuf. Étienne-Martin (illustrator). Edition originale. Éditions Fata Morgana, 1990, in-8° (22x27cm), non broché, 24 pages, édition originale. Un des 60 exemplaires sur vélin pur fil d'Arches comportant chacun quatre linogravures originales d'Étienne-Martin, tirées par Manuel Péréa, et une suite des quatre linogravures signées sur vélin à la main du Moulin de Larroque. Signatures de Dominique Le Buhan et d'Étienne-Martin au colophon. Celui-ci porte le n°57. Le livre est rangé dans un très élégant étui rigide en toile beige. Signé par l'auteur et l'illust.
. Illustrateur : SANTOS (Antonio). (illustrator). Edition originale de cet ex. sur grand vélin de Rives num. à la presse et signé par l'artiste. Illustré de 5 linogravures originales de Antonio SANTOS tirées en noir par lui-même sur presse à bras : 1 portrait de Kafka en frontispice et 4 hors-textes en pl.-page. Leur style dépouillé et surréaliste accompagne l'apparition d'Odrarek, créature insolite. Cette courte nouvelle fut publiée pour la première fois en 1919 et donna lieu à une glose abondante. Livres.
Published by Cercle d'Art; Illustrated édition (5 mars 2020), 2020
Seller: BOOKIT!, Genève, Switzerland
Condition: New. Neuf sous cellophane.
Published by Moulin de Larroque, Couze, 1976
First Edition Signed
In-4, en feuilles, couverture illustrée (emboîtage de l'éditeur sous forme de sac-musette en laine réalisé à la main par Josiane Pariès).Edition originale, illustrée de 14 linogravures originales de Jean Rivier. Tirage limité à 66 exemplaires numérotés sur pur chiffon de coton, signés par l'auteur et l'artiste. Un des 10 exemplaires, enrichis d'une gouache originale datée et signée par l'artiste.
Published by Editions Le Pré Niam, Nantes, 1993
First Edition
In-4, en feuilles, couverture illustrée.Edition originale, illustrée de 7 linogravures originales en deux couleurs, dont une sur la couverture et 6 hors-texte. Tirage unique limité à 80 exemplaires numérotés sur vélin pur fil Johannot.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Temps mêlés, Verviers, 1989
Book
Broché. Condition: Très bon. Carelman (illustrator). Verviers, Temps Mêlés, 1989 pour le texte, 1990 pour le Port-Folio. Rare réunion de ces deux parties d'un même ouvrage qui ont été éditées à un an d'intervalle. Port-Folio 7 linogravures originales réalisées par Jacques Carelman et tirées sur Vélin d'Arches sur les presses typographiques de l'imprimerie nationale.Tirage à 98 exemplaires. Celui-ci n° 30 non signé. infolio en feuilles sous chemise (30/41 cm), 7 linogravures sous serpente. Très bel état. Le texte : In8 (24/16 cm) broché à toutes marges, non coupé, non rogné, 156 pages. Couverture illustrée au 1er et 4e plat. Edition originale tirée à 688 exemplaires. Très bel exemplaire.
Published by sn, Sl, 1994
Seller: Des livres autour (Julien Mannoni), Paris, PARIS, France
Book First Edition Signed
broché. Condition: Très bon. Jean-Marie Queneau (illustrator). Edition originale. Sl [Vézelay], sn [Editions de La Goulotte], 1994 (linographié par Claude Stassart-Spinger). 28,5 x 19 cm, petit in-4 oblong à l'italienne, 2 ff. bl. - 7 ff. entièrement linographiés (texte et illustrations) en noir - 1 f. bl., broché sous couverture à larges rabats linographiée au premier plat. Edition originale et premier tirage. Tirage unique à 45 exemplaires sur Lana teinté, celui-ci n° 11, signé par l'auteur et l'artiste. Charmante réalisation. Bel exemplaire. Signé par L'auteur et L'illust.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Couverture rigide. Condition: Très bon. In-folio, en feuilles pliées en accordéon, sous chemise rempliée et coffret de toile grenat, non paginé Edition originale illustrée de 9 belles linogravures de Fernand Dubuis. Tirage unique à 90 exemplaires numérotés sur pur chiffon d'Arches, signés par l'auteur et l'artiste. Bel envoi de Lucien Scheler.
Published by La Balance, 1998
Seller: Librairie À la Demi-Lune, Aigues-Vives, France
Book First Edition Signed
Couverture souple. Condition: Comme neuf. Edition originale. GASTON PUEL / BERNARD ALLIGAND, A la lenteur, Sauveterre-du-Gard, Éditions La Balance, 1998. 8,5x6,8cm, couverture titrée à rabats, sur beau papier vélin BFK rives. Livre d'artiste comprenant 1 magnifique texte de Gaston Puel et 2 linogravures de Bernard Alligand. Tirage : 45 et 1 exemplaires avec 2 linogravures tirées en noir et rehaussées en bleu à l aquarelle. Pour le plaisir de quelques amis et aux dépens d un amateur Exemplaire 13/45 signé par Gaston Puel et Bernard Alligand au colophon Superbe exemplaire de ce livre d'artiste tiré à petit nombre. Signé par l'auteur.
Published by France: Atelier l'Oeil Nomad, 1998
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Signed
Condition: Good. Original wraps. 18 x 28.5 cm. . Presentation copy from the artist to the gallerist Solange Simon, together with a signed color gravure autograph new year's card for 2000 and the prospectus for the book. James Guitet belongs to the second generation of lyrical abstractionists, whose works began exerting a strong influence on the architectural scene in Paris from about 1955.Provenance succession Solange Simon, 1920-2016. Elle fut galeriste à Lille dans les années 60-80, puis collabora avec la galerie Convergences à Nantes dans les années 80-90.Elle fut également peintre, s'inspirant beaucoup de Pignon, Chagall ou de Staël entre autres. Expertise by Vincent Cesbron.
Published by Vodaine, Yutz, 1972
Book
Broché. Condition: Bon. Paul Mathis (illustrator). In 8 broché, édition originale illustrée de quatre linogravures de Paul Mathis. Tirage limité à 500 exemplaire signés par l'auteur et l'illustrateur. Bel exemplaire enrichi d'un envoi de Jean Vodaine.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 22.3cm. Sheet size: H: 27.2cm W: 31.9cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.