Paolozzi, Signed (30 results)

Soft cover. Condition: Very Good. 1st Edition. 4to. 215x290mm. Stiff card covers. pp 80. Colour and b/w polates, documentation. With a signed letter from Fiona Pearson to the London print dealer William Weston, thanking him for assistance with the valuation of prints, dated 21 January 2000. Signed by Author(s).

Gr.8°. 96 S., 4 Bl. mit zahlreichen, teils ganzseitigen Abbildungen im Text und auf Tafeln. Illustrierter Okart. Gutes Exemplar. Vorsatz mit eigenhändiger Widmung "for Stefan Gerstenberg" und Unterschrift des Künstlers "Stuttgart 1981". Der schottische Bildhauer und Graphiker (1924-2005) war einer der bedeutendsten Künstler der britischen Pop--art und auf mehreren documenta-Ausstellungen in Kassel vertreten. Ab 1962 lehrte er auch mehrmals an deutschen Hochschulen bzw. Akademien in Hamburg, Köln und zuletzt München. Eines seiner bekanntesten Werke war die Covergestaltung für das Album "Red Rose Speedway" von Paul McCartney. Sprache: de.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Wear, tears to edges of d/w.Carefully wrapped on a protective acetate cover to prevent further damage. signed.

Soft cover. Condition: Fine. A rare signed catalogue from the 1991 exhibition at Goethe-Institut in London. Condition Fine with some small marks to front and back cover. Inside bright and clean and signed by the artist Eduardo Paolozzi with a dedication. Signed by Author(s).

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 1986. First edition. 48pp., 22 colour illustrations and 34 black and white illustrations. Eduardo Luigi Paolozzi (1924-2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art. In 1979 London Transport commissioned him to create designs for 995 metres of the station at Tottenham Court Road; by the beginning of 1986 the plan had been completely carried out. This book was accompanied by an exhibition at the Royal Academy of Arts, and celebrates Paolozzi's achievement, from the earliest drawings to the completed design, from the inspiration to the realities. After the preface, there is a brief essay by Paolozzi and a longer essay by Richard Cork, who takes a look at the relationship between art and the London Underground. The book is bound in the original blue boards with silver titling on the spine. The case of the book is in very good condition and the contents are tight and clean with a crease and small nicks near the corner of the bottom edge of the front free endpaper. The front free endpaper has been inscribed and signed thus: " For Malcolm [the name 'Martin' has been crossed out] Rifkind 1986 - Eduardo Paolozzi". Malcolm Rifkind was then Secretary of State for Scotland in Margaret Thatcher's government. It's not clear as to whether the mis-naming of Mr Rifkind was intentional. The unclipped dustwrapper has some shelf wear with light soiling and the spine is slightly faded. The spine ends are lightly bumped and there is a tear of about 1/8" on the top front spine corner. The wrapper is in an easily removed clear plastic protective cover. Inscribed and Signed by Author.

SOFTCOVER. Condition: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 160pp, numerous illustrations in text, colour plates, etc. exhibition curated by Paolozzi, items selected from the museum collection shown alongside a selection of his own work. This copy inscribed to a friend and signed by Paolozzi (as Eduardo) on the bottom edge of the contents leaf (the first leaf with any white space), no other marks or inscriptions . [CONDITION: A well preserved FINE very clean and tight unmarked copy (some very slight tanning to covers and leaves, very slight bump to top corner tip of page-block fore-edge) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Fine. 32pp booklet with 19 loose sheet plates. With an original colour lithograph which is signed and dated by Eduardo Paolozzi in pencil. Loose as issued in original publisher's black cloth-covered board box. Beautiful set. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hal Foster's study of so called Brutal Aesthetics, here with tipped in plate signed by the great Art Historian himself. Studies work of Jean Dubuffet, Georges Bataille, Asger Jorn, Eduardo Paolozzi, and Claes Oldenburg. Superb, crisp copy, nearly as new. Binding sturdy, solid, square. Interior is bright and clean and free of marks. The signature is on a page tipped in by the University Press, to the front free endpaper. Corners of boards teenily bumped, otherwise clean and firm. Dustjacket is excellent and now in brodart. Signed by Author(s).

Paperback. Condition: Very Good. First Edition. Paperback. Signed presentation copy from Eduardo Paolozzi. 'For Boo. Eduardo Paolozzi 1986.' Large square octavo. 47pp. Original illustrated paperback. B/w and colour illus. Very good indeed. Very good indeed. Signedes.

Paperback. Condition: Very Good. First Paperback Edition. 4to. pp 29. Original publishers illustrated wraps, lettered black on spine and front cover. Signed presentation from the artist on the front cover, 'For Nick, Eduardo Paolozzi'. Copiously illustrated in black and white throughout. Slight stain at inner lower corner, otherwise very good. Signedes.

Ausstellungskatalog Kölnischer Kunstverein 1979. 8°. 22 Blatt. OBroschur Mit zahlreichen Abbildungen. Mit eigenhändiger Widmung und Signatur auf der vorderen Broschur.

Ausstellungskatalog Städtische Kunsthalle, Düsseldorf 1969. 8°: 60 Seiten. OBroschur. Mit zahlreichen Abbildungen. Untere Ecke etwas gestaucht. Mit eigenhändiger Widmung von Paolozzi auf dem Titelblatt.

Black Boards. Condition: Near Fine. Dust Jacket Condition: Very Good Plus. Inscribed By Illustrator 112pp. A super copy with Eduardo's signature and date october 1998 to the front end paper. Hardback. Illustrated with numerous b/w plates and contains a loose cut out of a boot, representative of one of his exhibitions. Perhaps a slight bump to the head of the spine, hidden under the wrapper. Fresh and clean. Paper dust wrapper with slight shelf wear to the wrapper edges and a light crease along the spine with a little rubbing. A near fine copy. IInscribed By Illustrator.

Kunstpostkarte Running Man 1984 mit eigenhändigem Jahr, Unterschrift in Initialen 1991 signiert (only the second one on bottom of pic available).

Condition: Gut. Erstauflage dieser Ausstellungsausgabe. Bll. + 40 S. inkl. Textteil, Anhang, u. mit farb. Abbildungen (Graphiken, Fotos der Skulpturen.). Papier minimal nach- oder randvergilbt. * EDUARDO PAOLOZZI (1924-2005) schottischer Graphiker u. Bildhauer. // Mit 2 Signaturen von E. Paolozzi - Mit Kugelschreiber auf d. Vortitelblatt von Katalog - mit Bleistift auf e. kl. Flyer von EPART Sprache: Deutsch Gewicht in Gramm: 235 4° small, OIll.-Leichtkarton./Paperback oder Broschur, leicht aufgehellt u. nachvergilbt. Gut erhalten. Selten.

Paperback. Condition: Good. First Edition. 21 x 28cm 162pp good paperback exhibition catalogue with a cover showing a Paolozzi sculpture in colour, some slight browning to spine and edges beyond the colour reproductions on front and rear. Signed by Paolozzi on the title page. Text in German, images in colour plus black and white. Sir Eduardo Luigi Paolozzi CBE RA was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.

Hardback. Condition: Fair. 22 x 24cm 240pp fair hardback in dust jacket, chipped and worn along extremities, with a section missing at mid point of rear jacket. Signed by Eduardo Paolozzi at foot of front free end paper. Joseph Cornell was an American visual artist and filmmaker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. Illustrated in black and white throughout.

Paperback. Condition: Near fine in wraps. First Edition. 21 x 27cm near fine exhibition catalogue signed by the artist on the front free end paper: ' Eduardo Paolozzi April 1994'. With German and English texts together with black and white reproductions.

Paperback. Condition: Good in wraps. First Edition. 23 x 24cm 144pp good paperback exhibition catalogue prepared for the Royal Scottish Academy for the Edinburgh 1984 International Festival organised by the Scottish Sculpture Trust. Covers have minor wear and a previous price sticker at lower edge of rear cover. Signed by the artist at the lower part of the title page. Contributions include Robin Spencer, Rudolf Seitz and Christopher Frayling. From the cover notes: 'Eduardo Paolozzi has described his current sculpture as 'previous work pressing through', and this celebration of the artist, which centres on his work over the last fifteen years, underlines both the continuity of purpose and the innovation in imagery that gives his graphics, reliefs and sculptures such power.'.

Large square 4to. (320 x 318 mm). [pp. 32 (booklet) + 19 loose sheets (plates)]. Printed text and monochrome illustration throughout (booklet), original colour lithograph signed and dated by the artist in pencil and 18 further plates on black or grey card. Loose as issued in original publisher's black cloth-covered board box with titles to front cover in silver, slight rubbing to box. 'Folio X', the Architectural Association monograph on Eduardo Paolozzi produced in collaboration with the artist and with an original signed colour lithograph. This portfolio includes a colour lithograph signed andd dated by Paolozzi in pencil, 18 loose plates specially prepared by Paolozzi 'reproduced by an experimental thermographic printing process' and a text booklet with essays and a bibliography. It was published to accompany the exhibition of Paolozzi's designs for murals for Tottenham Court Road Underground station at the Royal Academy. 'This 'Folio' was originally intended to follow 'Private Vision - Public Art', an exhibition held at the Architectural Association in London in March 1984 on Eduardo Paolozzi's work in the applied arts. The exhibition focused in particular on his project, then under construction, for murals for Tottenham Court Road Underground station . '. (From the text).

Hardcover. Condition: Very Good. Eduardo Paolozzi (illustrator). 1st Edition. A complete set of Eduardo Paolozzi Zero Energy Experimental Pile , Volume 1. The set consists of six screen prints and lithographs printed in colour on astrolux paper, laminated in a clear acrylic. Housed in a large well built Folio which includes the signed justification sheet. Each screen print is signed and dated in black felt tip pen. This set is numbered 47 of 100 copies. Published by Petersburg Press, 1970 and printed in offset lithography by Mansell Litho and screened by Advanced Graphics, London. Assembled and boxed by Rudolf Rieser, Cologne. The sheets are loose as issued, in the original silver solander box with title screen printed in black to upper panel. The box has a few light marks and scuffs, there is slight creasing to a few of the foam guards, otherwise in very good condition. Scarce sold complete.Size 85 x 60cm (32 x 23 inches); 5 cm (2inches) width/deep. Reference: Miles 57-62: Miles states the edition was 100 and 15 Artists Proofs. The titles of the prints are: Will the Future Rulers of the Earth Come from the Ranks of Insects ; Pacific Standard Time ; Hollywood Wax Museum , Human Fate and World Powers ; Agile Coin Gross Decision Logic ; Cry on My Shoulder, No Sad Songs . The title of this portfolio is derived from a book on atomic physics. The artist collected a major part of the collage material on two visits to California; the first in the Spring of 1968 to the Arts Faculty at Berkeley; the second in the early part of 1969, when he was working on the Art and Technology program for the Los Angeles County Museum. The sources include: Scientific American, Fortune, Playboy, Aviation Technical Magazine, National Geographic, brochure handouts, plastic kit covers and diverse elements from China Town in San Francisco. It was the artist s intention to publish a second volume of six images in mixed printing techniques, based on similar source materials but it never came to fruition. It is very large and heavy therefore postage costs may have to be charged depending where it is to be sent. We can hand deliver locally to the M25 London area. Signed by Author(s).

Hardcover. Condition: Very Good. First edition. Eduardo Paolozzi illustrated book 'General Dynamic F.U.N. (Volume II of Moonstrips News)', published by Editions Alecto, London, 1970. Version B. Limited edition, number 108 of 350 copies the books consists of a Title page, 3 leaves of text and 50 prints by Paolozzi, six of which are signed and numbered by Paolozzi in pencil. The images are loose as issued. All of the screen prints and lithographs are stamped on the reverse with the title, number, printer's and publisher's marks and a stylised facsimile of the artist's signature. The screen prints and lithographs are housed in a plain black coloured acrylic resin box. It has been collated and is complete. The box is scratched and one of the plates has gold ink on verso, see photo.Size 405 x 280 mm x 50 mm depth Item detailsOn the title page it states 'Five different colour editions of 50 copies printed in mixed media identified as A B C D E, and limited to 70 in each edition.'The introductory text by J.G. Ballard. "Early in 1965, Eduardo Paolozzi began work on a massive project to create from his eclectic and unique collection of twentieth century ephemera a definitive statement on modern man and his dilemma, in the form of a 500 page book. The first volume of this project "Moonstrips Empire News".was published in 1967. In the second volume, General Dynamic F.U.N., Eduardo Paolozzi has broken still further away from accepted fine art printing techniques by brilliantly exploiting the potential of photolithography as well as screenprinting.".

Hardcover. Condition: Very Good. Limited Edition. Russoli, Franco. Galleria Schwarz, Milano 1962. Volume 3 of the series: The International Avant-Garde , includes twenty original etchings chosen by Tristan Sauvage, editor of the series, for this volume. Limited edition 100 copies in handmade paper by Papeteries de Rives, with all etchings signed and numbered by the following artists: N. Abe, G. Biasi, Bona, A. Cardenas, Chinn Yuen-Yuei, S. Dangelo, O. Fahlstroem, J. Herold, J. Langlois, E.L.T. Mesens, E. Paolozzi, A. Pomodoro, B. Quentin, K.N. Reddy, P. Revel, M. Rotella, Y. Tabuchi, Takis, Tancredi, C. Viseux. Text in Italian, French and English. Note: The International Anthology of Contemporary Engraving Includes the following series: The Forerunners of the Avant-Garde and The International Avent-Garde (7 Volumes) and The Contemporaries (Volumes of Monography). Very good condition. Please, ask for complete report. Signed by Illustrator(s).

First edition, first printing. From the estate of Elisabeth Frink. Signed presentation copy from Eduardo Paolozzi to Elisabeth Frink. Near fine paperback exhibition catalogue.

EDUARDO PAOLOZZI Plastik und Graphik Ausstellung Städtische Kunsthalle Düsseldorf 19.11.-1.1.1969, 1. Auflage 1968, quer gr. 8°, 60 SS. Okt., leichte Knickspur an der unteren Umschlagkante, sonst gutes Exemplar - vom Künstler eigenhändig signiert BEILAGE : Falteinladungskarte zur Ausstellung.

No Binding. Condition: Very Good. Eduardo Paolozzi (illustrator). 1st Edition. Eduardo Paolozzi ceramic plate titled 'The more a man denies himself the more God grants him' . Produced by Rosenthal in Germany in 1984 and is of a limited edition of 3000. With the original presentation box. In perfect condition and ready for hanging. Size 26 cm in circumference (10 inches in circumference) Eduardo Paolozzi used a similar image for the lithograph titled The Running Man which is part of the Tottenham Court Underground Station folio.The plate was also produced in a slightly smaller size and not numbered. Signed by Author(s).

Original screenprint in moss green colorway by Sir Eduardo Luigi Paolozzi, signed in pencil and numbered 2249/3000. Dry stamp of Galerie Dorothea Leonhart, Munich, in the lower left corner. Printed and published 1971 in Munich. Sheet: 85 × 59.7 cm (33.5 × 23.5 in). Part of the iconic 'Bash' series one of the defining Pop Art screenprints of the 1970s. Sir Eduardo Paolozzi (1924 Leith, Scotland 2005 London) is widely recognised as one of the founding fathers of Pop Art, pre-empting the American movement with his collage work of the late 1940s and 1950s. A central figure of the Independent Group in London, Paolozzi's screenprints are held in major collections including the Tate, the V&A, and the Yale University Art Gallery.The title 'Bash' stands for 'Baroque All Style High'. Produced in five colorways at Advanced Graphics, London, and published by Galerie Dorothea Leonhart, Munich, 1971, edition of 3000. The moss green variant is noted for the cool, earthy palette that brings out the textural complexity of Paolozzi's mechanised collage imagery. Each print carries the gallery's dry stamp and is hand-signed and numbered in pencil. Sheet size: 85 × 59.7 cm. In excellent condition. 85 x 59.7 cm (33,5 x 23.5 inches).

Original screenprint in blue colorway by Sir Eduardo Luigi Paolozzi, signed in pencil and numbered 2287/3000. Dry stamp of Galerie Dorothea Leonhart, Munich, in the lower left corner. Printed and published 1971 in Munich. Sheet: 85 × 59.7 cm (33.5 × 23.5 in). Part of the iconic 'Bash' series one of the defining Pop Art screenprints of the 1970s. Sir Eduardo Paolozzi (1924 Leith, Scotland 2005 London) is widely recognised as one of the founding fathers of Pop Art, pre-empting the American movement with his collage work of the late 1940s and 1950s. A central figure of the Independent Group in London, Paolozzi drew on the visual language of science, technology, mass media and consumer culture to create some of the most powerful and original art of the post-war period. His screenprints are held in the Tate, the V&A, the Yale University Art Gallery, and major international collections.The title 'Bash' stands for 'Baroque All Style High'. The series was produced in five colorways at Advanced Graphics, London, and published by Galerie Dorothea Leonhart, Munich, in 1971 in an edition of 3000. Each print carries the gallery's dry stamp in the lower left corner and is hand-signed and numbered in pencil by the artist. The blue colorway presents a bold, layered composition of mechanical and organic forms characteristic of Paolozzi's celebrated graphic language. Sheet size: 85 × 59.7 cm. In excellent condition. 85 x 59,7 cm (33.5 x 23,5 inches).

Original screenprint in orange-pink colorway by Sir Eduardo Luigi Paolozzi, signed in pencil and numbered 2364/3000. Dry stamp of Galerie Dorothea Leonhart, Munich, in the lower left corner. Printed and published 1971 in Munich. Sheet: 85 × 59.7 cm (33.5 × 23.5 in). Part of the iconic 'Bash' series one of the defining Pop Art screenprints of the 1970s. Sir Eduardo Paolozzi (1924 Leith, Scotland 2005 London) is widely recognised as one of the founding fathers of Pop Art, pre-empting the American movement with his collage work of the late 1940s and 1950s. A central figure of the Independent Group in London, Paolozzi drew on the visual language of science, technology, mass media and consumer culture to create some of the most powerful and original art of the post-war period.The title 'Bash' stands for 'Baroque All Style High'. The series was produced in five colorways at Advanced Graphics, London, and published by Galerie Dorothea Leonhart, Munich, in 1971 in an edition of 3000. The orange-pink colorway is among the most striking of the five variants, its warm tones intensifying the energy of Paolozzi's layered mechanical imagery. Each print carries the gallery's dry stamp and is hand-signed and numbered in pencil. Sheet size: 85 × 59.7 cm. In excellent condition. 85 x 59,7 cm (33.5 x 23,5 inches).

Eduardo Paolozzi (1924 â" 2005) Protocol Sentences, 1967. Screenprint on paper. Signed and numbered 45/75. From The Universal Electronic Vacuum Portfolio. This work is number 45 from the edition of 75 printed by Kelpra Studio, and published by Editions Alecto. Frame Size: 41. 1/2" x 27" No checked under the glass. This work will not be shipped framed. Please inquire before ordering.  .