Picture Post, Signed (19 results)

Paperback. Condition: Very Good. August 1988. Signed by the author at the title page. Wraps lightly faded at edges, Spine uncreased. Binding sound. Interior bright and unmarked. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. 96 pp., fully illus. w/ full color reproductions of vintage post cards. As issued. Dust jacket shows slightly sunned front and spine panels, slight wear to edges, price clipped front flap. SIGNED by author on title pg. Scarce signed copy. Size: 4to - over 9¾" - 12" tall. Signed by Author(s). Book.

Soft cover. Condition: Very Good. 1st Edition. VG pictorial softcover. 1988. SIGNED by AUTHOR On title page w/no inscription. Photos throughout. Short tear to rear cover at bottom edge. Pages all clean/unmarked. 138 pp. Light scuffs. 138 pp. Signed by Author(s).

Paperback. Condition: Very Good. Minor shelf wear, binding tight, front endpage has an inscription by the author, pages clean and unmarked. Profusely illustrated. Signed by Author.

Paperback. Condition: Very good. M. Stocks (illustrator). London: S. Hildesheimer & Co., [1906]. 3 1/2 x 5 1/2". Illustrated stiff post card, author signed "M. Stocks", minor rubbing, very good condition. Series No. 5217 of cards, variously found dated 1905 - 1908. This card depicting two kittens drinking milk from a bowl.

Soft cover. Condition: Very Good. 8vo. Paperback, 76pp, (4)ads. Illustrated. Signed by author on title page. Covers creased, worn at spine and extremities, otherwise very good. A catologue of Canadian post cards grouped into periods that range from 1871 to present, and divided into a variety of themes including military, social history and genres. Signed by Author(s).

Hardcover. Condition: Good. Dust Jacket Condition: Good. Dust jacket in good condition. SIGNED by the author. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery. signed by author.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with one hinged original ["toned" black-and-white] Type-C print (5 x 5 inches, printed on Kodak Endura Metallic paper), signed and numbered in black ink on verso by Pyke. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Steve Pyke. 16 pp., with 12 four-color plates. 7-1/2 x 5-3/4 inches. Out of print (sold out shortly after publication). New. The 33rd publication in the Nazraeli Press One Picture Book series. From the publisher: "The work in these two companion books is from of a series of images by Steve Pyke celebrating the beauty and attraction of the working tool -- in these instances, focusing on instruments that may be used at a birth and to carry out an autopsy. When Pyke was invited to photograph the "Post Mortem" tools by Guy's Hospital in London, he thought it would be interesting also to show tools used at the other end of the life cycle. The images in Post Partum were shot at the Children's Hospital of New York. Despite the fact that medical practice has advanced enormously since those times, medieval tools are still in use. Birth tools are utilized to intervene in a natural process, to help bring a new life into the world. The tools at a post mortem are a means of establishing or confirming the cause of death -- they are used after a life has ended. Born in England, Steve Pyke has been working as a staff photographer on The New Yorker since early 2005. He has worked for many of the world's leading magazines, and his photographs have been widely exhibited in the United States, Europe and Japan." Signed by Author.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited of 500 hand-numbered copies, with one hinged original ["toned" black-and-white] Type-C print (5 x 5 inches, printed on Kodak Endura Metallic paper), signed and numbered in black ink on verso by Pyke. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Steve Pyke. 16 pp., with 12 four-color plates. 7-1/2 x 5-3/4 inches. Out of print (sold out shortly after publication). New. The 32nd publication in the Nazraeli Press One Picture Book series. From the publisher: "The work in these two companion books is from of a series of images by Steve Pyke celebrating the beauty and attraction of the working tool -- in these instances, focusing on instruments that may be used at a birth and to carry out an autopsy. When Pyke was invited to photograph the "Post Mortem" tools by Guy's Hospital in London, he thought it would be interesting also to show tools used at the other end of the life cycle. The images in Post Partum were shot at the Children's Hospital of New York. Despite the fact that medical practice has advanced enormously since those times, medieval tools are still in use. Birth tools are utilized to intervene in a natural process, to help bring a new life into the world. The tools at a post mortem are a means of establishing or confirming the cause of death -- they are used after a life has ended. Born in England, Steve Pyke has been working as a staff photographer on The New Yorker since early 2005. He has worked for many of the world's leading magazines, and his photographs have been widely exhibited in the United States, Europe and Japan." Signed by Author.

Paper-covered boards, 18,5 x 14,5 cms, 12 color plates, 1 tipped-in original pigment print, numbered '60/500' and signed in pencil verso. Very fine copy. ISBN 1590051505.

Paperback. Condition: Very Good. Illus., 13 x 10", pict stapled wraps, 62pp. Covers creased and soiled, edgewear/tears, lacks tip of one corner, contents toned and creased. Contents include articles on a two-headed turtle, last two known photos of Hitler, a burglar's life story, oil rich Venezuela, lobstermen of Flamborough. Dorothy Lamour on the front cover with a pint of beer, she has also signed the cover.

Paperback. Condition: Very Good. Illus., 13 x 10", pict stapled wraps, 62pp. Covers creased and soiled, edgewear/tears, contents toned and creased. Contents include articles on a two-headed turtle, last two known photos of Hitler, a burglar's life story, oil rich Venezuela, lobstermen of Flamborough. Dorothy Lamour on the front cover with a pint of beer, she has also signed the cover.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original color Fujiflex supergloss Type-C print tipped in the final page (6-3/8 x 4-1/8 inches), signed in black marker on verso by Lake. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Mayumi Lake. 16 pp., with 6 four-color reproductions, all printed as full-bleed two-page spreads. 7-1/2 x 5-3/4 inches. New. The 55th publication in the Nazraeli Press One Picture Book series. From the publisher: "In this calm yet emotionally charged photographic narrative, Japanese artist Mayumi Lake traces her family history back some 60 years and revisits her childhood fantasy of bringing back her grandfathers, both of whom were killed in combat during World War Two. Rural landscapes evoke memories of battlefields, and female portraits pay tribute to those who suffered the loss of their loved ones." Signed by Author.

Two small hardcover books without dustjackets as issued, 16 pages each; very good condition; light rubbing wear to covers; each book has a tipped-in color photograph C-print that is signed and numbered on the verso in an edition of 500; each book also numbered on colophon page; no other internal marks. Photographs of medical instruments used in medical procedures. 2nd ISBN: 1590051491.

Near Fine in publishers cloth in like dsutjacket. 1st edition, 1st issue. Signed boldly by Chillingworth on title page. Illustrated throughout. ISBN 1907893431.

Post-tour cricket brochure, with an account of each of the five Test matches in the 1956 Ashes series. Paperback. Small 4to. 48pp. Profusely illustrated with photographs. Pictorial paper wrappers, split and held together neatly with tape. Old tape residue to insides of both covers. Signed across their relevant photographs by Burke (twice), Mackay, Benaud (three times), Burge (twice), Craig, Davidson, and to the inside back cover by some Australians who were not on the tour - Simpson, Jarman, Meckiff, Kline and three unidentified. Fair condition.

Color photographic illus. Photographic postcard, mailed. Brooklyn, NY: Jonathan Monk & Jonathan A. Hill Bookseller Inc., 2023. The latest edition in Jonathan Monk's series of photographic postcards. Postcards are signed by the artist and mailed (post-paid) from the mailbox pictured on the front, which is located in Brooklyn Heights, near the northern entrance of the Promenade. The final condition of each postcard rests with the vagaries of the postal system. Monk (b. 1969) has previously organized these postcard editions in Berlin, Paris, Brussels, Mexico, Winnipeg, Llandudno, Reykjavik, Kirby Muxloe, Vienna, Melbourne, Dublin, Tokyo, San Francisco, Malmo, Basel, etc. ? From the ongoing conversation between Adam Carr and Jonathan Monk published by Collecteurs (accessed April 2023): "I'd been thinking about postcard pieces and how I could make something really specific to a particular post box. The post box, for me, was a really important receptacle for communication. Sadly, it's becoming a dysfunctional part of our lives I've lost faith in the postal system but anyway, the title was the thing that got me excited by the idea simply descriptive but funny and poetic. Once I set the idea in motion it was quite easy to add cities to the list all I need is a willing participant to post off the cards. These people generally become the publishers." "Jonathan Monk is engaged in an on-going series of signed postcard editions all with the same title, Picture Post Card Posted from the Post Box Pictured. At his solo ICA exhibition in London in December 2005, Monk made a postcard of the nearest postbox to the gallery, in Waterloo Place, to add to the similar postcards already published for shows in New York, Edinburg, Frankfurt, Hong Kong, and so on."Jeremy Cooper, Artists' Postcards: A Compendium (2012), p. 138.

Limited edition, number 23 of 500 copies. Each plate signed by the photographer, accompanied by the certificate of authenticity. This portfolio, produced to celebrate the photography of the magazine Picture Post (1938-1957), provides a stunning snapshot of English life in this period. The Picture Post, described as "a magazine of brilliant individuality", featured some of the most notable photojournalism of the age, providing photographs from key conflicts of period and images documenting day-to-day life in England (Barker, p. 68). Often compared to America's Life Magazine, the Picture Post photographic archive is now viewed as an important historical resource. This portfolio includes two photographs each by: John Chillingworth, Bert Hardy, Thurston Hopkins, Raymond S. Kleboe, Frank Pocklington, Grace Robertson, George Rodger, Humphrey Spender, and Carl Sutton. Paul Barker, Review: The Real Story of Picture Post, Michael Hallett (RSA Journal, Vol. 143, No. 5458, 1995). Folio. Original white card portfolio, panels printed in black and red. Housing 18 lithographic prints (360 x 250 mm) after original negatives taken for Picture Post, loose as issued. Portfolio a little marked and creased, occasional faint mark to top margins and verso of prints, not affecting images. A near-fine copy.

N.p. (London?) 1949. 5.5 x 3.5", photo of portrait of Churchill on one side, blanks for address & message on other, a bi of edgewear, uniform soil on reverse else vg, un used. SIGNED & DATED BELOW PORTRAIT BY CHURCHILL.